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The Arcades Project - Operi

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Allegory, as the sign that is pointedly set off against its meaning, has its place in<br />

art as the antithesis to the beautiful appearance in which signifier and<br />

signified flow into each other. Dissolve this brittleness of allegory, and it forfeits<br />

all authority. That, in fact, is what happens with genre. It introduces "life" into<br />

allegories, which in turn suddenly wither like flowers. Sternberger has touched<br />

on this state of affairs (Panorama , p. 66): "the allegory that has<br />

become a semblance of life, that has given up its lastingness and its rigorous<br />

validity for the red pottage" oflife,458justly appears as a creation of the genre. In<br />

Jugendstil, a retrogressive process seems to set in. Allegory regains its brittleness.<br />

[J83a,3]<br />

On the foregoing remarks by Lotze: the idler, the flilneur, who no longer has any<br />

understanding of production, seeks to become an expert on the market (on<br />

prices). [J83a,4]<br />

'<strong>The</strong> chapters 'Persecution' and 'Murder' in Apollinaire's Poete assassine contain<br />

the famous description of a pogrom against poets. Publishing houses arc<br />

stormed, books of poems thrown on the fire, poets beaten to death. And the same<br />

scenes are taking place at the same time all over the world. In Aragon, Imagination,'<br />

in anticipation of such horrors, marshals its forces for a last crusade,·"<br />

Walter Benjamin, "Del' Siirrealismus/' Die literarische Welt, 5, no. 7 (February<br />

15, 1929).459 [J84,1]<br />

"It is hardly a coincidence that the century which has long been that of the<br />

strongest poetic langnage, the nineteenth century, has also been that of decisive<br />

progress in the sciences:' Jean-Richard Bloch, "Langage d'utilite, langage<br />

poetique" (Enryclopedieftan,aise, voL 16 [16-50], p. 13). Indicate how tl,e forces<br />

of poetic inspiration, having been driven from their earlier positions by science,<br />

were compelled to make inroads into the commodity world. [J84,2]<br />

On the question raised by J .-R. Bloch, the question of the development of science<br />

and of poetic language, Chenier's (,Invention" :<br />

All the arts conjoin, and human science<br />

Could not extend the bounds of its alliance<br />

Without enlarging thus the scope for verse.<br />

What long travail to win the universe!<br />

A new Cybele and a hundred different worlds befall<br />

Our J asons first delivered from the ocean's thrall:<br />

What a wealth of worthy scenes, of images sublime,<br />

Born of those great subjects reserved for our time! [J84,3]<br />

On "Les Sept Vieillards:' <strong>The</strong> very fact that this poem stands isolated within<br />

Baudelaire's oeuvre fortifies the assumption that it occupies a key position there.<br />

If this position has remained UlIDoticed until now, this may have to do with the

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