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The Arcades Project - Operi

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Earthquakes rumhle in the helly of the cities<br />

Beneath their hooves, lire in their wake.<br />

Georg Heym, Dichtungen (Munich, 1922), p. 19. [J72a,1]<br />

'Je t'adore it l'egal de la voute nocturne" d adore you no less than the vault of<br />

Night>·,oo-nowhere more clearly thau in this poem is Sexus played off against<br />

Eros. One must turn from this poem to Goethe's "Selige Sehnsucht" "01 to see, by comparison, what powers are conferred on the imagination<br />

when the sexual is joined with the erotic. [J72a,2]<br />

"Sonnet d'automne" describes, in a reserved but scrupulous way, the state of<br />

being that conditions Baudelaire's erotic experiences: "My heart, on which<br />

everything jars, / . . . / is unwilling to disclose its hellish secret, / . . . / I hate all<br />

passion . . . / Let us love each other gently:' Tbis is like a distaut reprise of tlle<br />

stanza in the West-Ostficher Divan where Goethe conjures out of the houris aud<br />

their poet au image of the erotic as a sort of paradisal variant of sexuality: "<strong>The</strong>ir<br />

friendship reward his endeavor, / Compliant with sweet devotions, / Let him live<br />

with them forever: / All the good have modest notions."402 [J72a,3]<br />

Marx on the Second Repuhlic: "Passions without truth, truths without passion;<br />

heroes without heroic deeds, history without events; development, whose sole<br />

driving force seems to he the calendar, wearying with constant repetition of the<br />

same tensions and relaxations . ... If any section of history has been painted gray<br />

on gray, it is this." Karl Marx, De,. achtzehnte Brumaire des Louis Bonaparte, ed.<br />

Rjazanov (Vienna and Berlin

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