The Arcades Project - Operi
The Arcades Project - Operi The Arcades Project - Operi
ecause of the greedy Irony which infiltrates my soul? "L 'Heautontimoroumenos. " 29:; [J54a,3] "La Beaute"29ti-entails petrifaction, but not the unrest on which the gaze of the allegorist falls. [J54a,4] On the fetish: Precious minerals form her polished eyes, and in her strange symbolic nature where angel and sphinx unite, where diamond, gold, and steel dissolve into one light, shines forever, useless as a star, the sterile woman's icy majesty. "Avec ses vetements ... "297 For hours? Foreverl Into that splendid mane / let me braid rubies, pearls to bind / you indissolubly to my desire." ('La Chevelure. ")29!l [J54a,S] ropes of [J54a,6] When he went to meet the consumptive Negress who lived in the city, Baudelaire saw a much truer aspect of the French colonial empire than did Dumas when he took a boat to Tunis on commission from Salvandy. [J54a,7] Society of the Second Empire: Victims in tears, the hangman glorified; the banquet seasoned and festooned with blood: the poison of power clogs the despot's veins, and the people kiss the knout that scourges them. " "'Le Voyage. 299 The clouds: '''Le Voyage," section 4,. stanza 3. Autumnal motif: " L'Ennemi," 'L'Imprevu," 'Semper Eadem." [J55,1] [J55,2] [J55,3] Satan in 'Les Litanies de Satan": great king of subterranean things"-"'You whose bright eye knows the deep arsenals I Where the huried race of metals slumbers. "300 [J55AJ Granier de Cassagnac's theory of the subhuman, with regard to "Abel et Cain." [J55,5] On the Christian determination of allegory: it has no place m the cycle "Revolte:' [J55,6] .. ( . o
On allegory: "L'Amour et Ie crane: Vieux Cul-de-Iampe," ""Allegorie," "Unc Gravure fantastique." [J55,7J ... The sky was suave, the sea serene; for me from now on everything was hloody and hlack -the worse for me-and as if in a shroud my heart lay buried in this allegory. '''Un Voyage a Cythere. "301 "Steeling my nerves to play a hero's part" ("Les Sept Vieillards"). 302 "Les Sept Vieillards" on the subject of eternal sameness. Chorus girls. [J55,8] [J55,9] [J55,10] I..Iist of allegories: Art, Love, Pleasure, Repentance, Ennui, Destruction, the Now, Time, Death, Pear, Sorrow, Evil, Truth, Hope, Vengeance, Hate, Respect, Jealousy, Thoughts. [J55,1l] "L'Irremediable"-catalogue of emblems. [J55,12] The allegories stand for that which the commodity makes of the experiences people have in this century. [J55,13] The wish to sleep. '''I hate all passion, and wit grates on me" CSonnet d'automne"}. :10:1 [J55,14] "A sinuous fleece . . . / . . . which in darkness rivals you, 0 Night, / deep and spreading starless Night!" (,,'Les Promesses d'un visage").;w" [J55,15] "The dizzying stairs that swallow up his soul" ("Sur Le l'asse en prison d'Eugene Delacl'oix").:l()5 [J55,16] The affinity Baudelaire felt for late Latin literature is probably counected with his passion for the allegorical art that had its first flowering in the High Middle Ages. [J55,17] To attempt to judge Baudelaire's intellectual powers on the basis of his philo sophical digressions, as Jules Lemaltre has done,'o6 is ill-advised. Baudelaire was a bad philosopher, a better theorist in matters of art; but only as a brooder was he incomparable. He has the stereotypy in motif characteristic of the brooder, the imperturbability in warding off disturbance, the readiness each time to put the image at the beck and call of the thought. "The brooder is at home among allegories. [J55a,1] The attraction which a few basic situations continually exerted on Baudelaire belongs to the complex of symptoms associated with melancholy. He appears to
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On allegory: "L'Amour et Ie crane: Vieux Cul-de-Iampe," ""Allegorie," "Unc Gravure<br />
fantastique." [J55,7J<br />
... <strong>The</strong> sky was suave, the sea serene; for me<br />
from now on everything was hloody and hlack<br />
-the worse for me-and as if in a shroud<br />
my heart lay buried in this allegory.<br />
'''Un Voyage a Cythere. "301<br />
"Steeling my nerves to play a hero's part" ("Les Sept Vieillards"). 302<br />
"Les Sept Vieillards" on the subject of eternal sameness. Chorus girls.<br />
[J55,8]<br />
[J55,9]<br />
[J55,10]<br />
I..Iist of allegories: Art, Love, Pleasure, Repentance, Ennui, Destruction, the Now,<br />
Time, Death, Pear, Sorrow, Evil, Truth, Hope, Vengeance, Hate, Respect, Jealousy,<br />
Thoughts. [J55,1l]<br />
"L'Irremediable"-catalogue of emblems. [J55,12]<br />
<strong>The</strong> allegories stand for that which the commodity makes of the experiences<br />
people have in this century. [J55,13]<br />
<strong>The</strong> wish to sleep. '''I hate all passion, and wit grates on me" CSonnet<br />
d'automne"}. :10:1 [J55,14]<br />
"A sinuous fleece . . . / . . . which in darkness rivals you, 0 Night, / deep and<br />
spreading starless Night!" (,,'Les Promesses d'un visage").;w" [J55,15]<br />
"<strong>The</strong> dizzying stairs that swallow up his soul" ("Sur Le l'asse en prison d'Eugene<br />
Delacl'oix").:l()5 [J55,16]<br />
<strong>The</strong> affinity Baudelaire felt for late Latin literature is probably counected with his<br />
passion for the allegorical art that had its first flowering in the High Middle Ages.<br />
[J55,17]<br />
To attempt to judge Baudelaire's intellectual powers on the basis of his philo<br />
sophical digressions, as Jules Lemaltre has done,'o6 is ill-advised. Baudelaire was a<br />
bad philosopher, a better theorist in matters of art; but only as a brooder was he<br />
incomparable. He has the stereotypy in motif characteristic of the brooder, the<br />
imperturbability in warding off disturbance, the readiness each time to put the<br />
image at the beck and call of the thought. "<strong>The</strong> brooder is at home among<br />
allegories. [J55a,1]<br />
<strong>The</strong> attraction which a few basic situations continually exerted on Baudelaire<br />
belongs to the complex of symptoms associated with melancholy. He appears to