The Arcades Project - Operi
The Arcades Project - Operi The Arcades Project - Operi
which creeps into the life of artists as into their works." Ch. B., Oeuvres, vol. 2, p. 211.276 [J52,6] Baudelaire's use of the concept "allegory" is not always entirely sure: "the . . . allegory of the spider weaving her web between the arm and the line of a fisherman, whose impatience never causes him to stir!' Ch. B., Oeuvres, vol. 2, p. 204 ("Qyelques caricaturistes etrangers").277 [J52a,1] Against the proposition '''The genius makes his way." Ch. B., Oeuvres, vol. 2, p. 203 ("Quelques caricaturistes etraugers"). [J52a,2] About Gavarni: ""Like all men of letters-being a man of letters himself-he is slightly tainted with corruption. Ch. B., Oeuvres, vol. 2, p. 199 (""Quelques carieaturistes franais").27 H [J52a,3] In "'Quelques caricaturistes franais," on a drawing by Daumier dealing with cholera: "True to its ironic custom in times of great calamity and political upheaval, the sky of Paris is superb; it is quite white and incandescent with heat. . .. The square is deserted and like an oven-more desolate, even, than a populous square after a riot." Ch. B., Oeuvres, vol. 2, p. 193.279 [J52a,4) In Le Globe of March 15, 1830, Duvergier de Hauranne writes of Les Consolations: "It is not at all certain that the Posillipo has not inspired M. Sainte-Beuve as much as his Boulevard d'Enfer" « cited in Sainte-Beuve, Les Consolations [Paris, 1863],> p. 114). [J52a,5] Critique of Joseph Delorme and Les Consolations by Farcy, a July insurgent who fell in battle shortly after composing these lines: "'Lihertinism is poetic when it is a transport of impassioned principle in us, when it is audacious philosophy, but not when it is merely a furtive aberration, a shameful confession. This state of mind ... ill accords . .. with the poet, who should always go along unaffected, with head held high, and who requires enthusiasm, or the bitter depths of passion." From the manuscript pul)lished by C. A. Sainte-Beuve in Les Consolations: Pensees d'aoil, (Paris, 1863), p. 125. [J52a,6] From the critique of Sainte-Beuve by Farcy: "If the crowd is intolerable to him, the vastness of space oppresses him even more, a situation that is less poetic. He has not shown the pride or the range to take command of all this nature, to listen to it, understand it, and render its grand spectacles." "'He was right," comments Sainte-Beuve (p. 126). C. A. Sainte-Beuve, Les Consolations: Pensees d'aout [Poesie, de Sainte-Heave, part 2] (Paris, 1863), p. 125. [J52a,7] Baudelaire's oeuvre has perhaps gained importance-moral as well as literarythrough the fact that he left no novel. [J52a,8]
.§ ) ... The mental capacities that nlatter in Baudelaire are "souvenirs" of the human being, somewhat the way medieval allegories are SOUVenITS of the gods. "Baude hille;' Claude! once wrote, "takes as his subject the only inner experience left to people of the nineteenth cenmry-namely, remorse;' Now, this very likely paints too rosy a picture: remorse was no less past its time than other inner experiences formerly canonized. Remorse in Baudelaire is merely a souvenir, like repentance, virme, hope, and even anguish, which was overtaken the moment it relinquished its place to marne incuriosite book 5, lines 507-569); the desecration of the head of Pompey (hook 8, lines 663-691); Medusa (book 9, lines 624-653). [JS3,6] "Le Coucher du solei! romantique"282-landscape as allegory. [JS3,7] Antiquity and Christianity together determine the historical armature of the allegorical mode of perception; they provide the lasting mdirnents of the first allegorical experience-that of the High Middle Ages. "The allegorical outlook has its origin in the conflict between the guilt-laden physis, held up as an example by Christianity, and a purer natura deorum [namre of the gods], embodied in tl,e Pantheon. With the revival of paganism in the Renaissance, and of Christianity in the Counter-Reformation, allegory, the form of their conflict, also had to be renewed" «Walter Benjamin" Ursprung des deutschen Trauerspiels [Berlin, 1928], p. 226).283 In Baudelaire's case, the matter is clarified if we reverse the formula. The allegorical experience was primary for him; one can say that he appropri-
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which creeps into the life of artists as into their works." Ch. B., Oeuvres, vol. 2,<br />
p. 211.276 [J52,6]<br />
Baudelaire's use of the concept "allegory" is not always entirely sure: "the . . .<br />
allegory of the spider weaving her web between the arm and the line of a fisherman,<br />
whose impatience never causes him to stir!' Ch. B., Oeuvres, vol. 2, p. 204<br />
("Qyelques caricaturistes etrangers").277 [J52a,1]<br />
Against the proposition '''<strong>The</strong> genius makes his way." Ch. B., Oeuvres, vol. 2,<br />
p. 203 ("Quelques caricaturistes etraugers"). [J52a,2]<br />
About Gavarni: ""Like all men of letters-being a man of letters himself-he is<br />
slightly tainted with corruption. Ch. B., Oeuvres, vol. 2, p. 199 (""Quelques carieaturistes<br />
franais").27 H [J52a,3]<br />
In "'Quelques caricaturistes franais," on a drawing by Daumier dealing with<br />
cholera: "True to its ironic custom in times of great calamity and political upheaval,<br />
the sky of Paris is superb; it is quite white and incandescent with heat. . ..<br />
<strong>The</strong> square is deserted and like an oven-more desolate, even, than a populous<br />
square after a riot." Ch. B., Oeuvres, vol. 2, p. 193.279 [J52a,4)<br />
In Le Globe of March 15, 1830, Duvergier de Hauranne writes of Les Consolations:<br />
"It is not at all certain that the Posillipo has not inspired M. Sainte-Beuve as<br />
much as his Boulevard d'Enfer" « cited in Sainte-Beuve, Les Consolations [Paris,<br />
1863],> p. 114). [J52a,5]<br />
Critique of Joseph Delorme and Les Consolations by Farcy, a July insurgent who<br />
fell in battle shortly after composing these lines: "'Lihertinism is poetic when it is a<br />
transport of impassioned principle in us, when it is audacious philosophy, but not<br />
when it is merely a furtive aberration, a shameful confession. This state of mind<br />
... ill accords . .. with the poet, who should always go along unaffected, with head<br />
held high, and who requires enthusiasm, or the bitter depths of passion." From<br />
the manuscript pul)lished by C. A. Sainte-Beuve in Les Consolations: Pensees<br />
d'aoil, (Paris, 1863), p. 125. [J52a,6]<br />
From the critique of Sainte-Beuve by Farcy: "If the crowd is intolerable to him,<br />
the vastness of space oppresses him even more, a situation that is less poetic. He<br />
has not shown the pride or the range to take command of all this nature, to listen<br />
to it, understand it, and render its grand spectacles." "'He was right," comments<br />
Sainte-Beuve (p. 126). C. A. Sainte-Beuve, Les Consolations: Pensees d'aout<br />
[Poesie, de Sainte-Heave, part 2] (Paris, 1863), p. 125. [J52a,7]<br />
Baudelaire's oeuvre has perhaps gained importance-moral as well as literarythrough<br />
the fact that he left no novel. [J52a,8]