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The Arcades Project - Operi

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and back." Ch. B., Oeuvres completes, vol. 2, pp. 420-421 ("L'Ecole<br />

pa'ienne").246 Compare the anecdote about Baudelaire and the Mexican idol<br />

. [J47,2]<br />

Toward the end of the Second Empire, as the regime relaxes its pressure, the<br />

theory of l'art pour l'art suffers a loss in prestige. [J47,3]<br />

From the argument of the Guys essay, it would appear that Baudelaire's fascination<br />

with this artist was connected above all with his handling of backgrounds,<br />

which differs little from the handling of backgrounds in the theater. But because<br />

these pictures, unlike scenery on a stage, are to be viewed from close up, the<br />

magic of distance is canceled for the viewer without his having to renounce<br />

the judgment of distance. In the essay on Guys, Baudelaire has characterized the<br />

gaze which here and in other places he himself turns toward the distance. Baudelaire<br />

dwells on the expression of the oriental courtesan: "She directs her gaze at<br />

the horizon, like a beast of prey; the same wildness, the same indolent distraction,<br />

and also at times the sanle fixity of attention;' eh. E., OeuvreJ) vol. 2,<br />

p. 359.247<br />

[J47,4]<br />

In his poem L'Heautontimoroumenos" , Baudelaire himself<br />

speaks of his shrill voice. [J47,5]<br />

A decisive value is to be accorded Baudelaire's efforts to capture the gaze in<br />

which the magic of distance is extinguished. (Compare "L'Arnour du mensonge;')<br />

Relevant here: my definition of the aura as the aura of distance opened<br />

up with the look that awakens in an object perceived.248 [J47,6]<br />

<strong>The</strong> gaze in which the magic of distance is extinguished: "Let your eyes plunge<br />

into the fixed stare / of satyresses or water sprites" ("L'Avertisseur" ,<strong>The</strong> Lookout»<br />

."" [J47a,1]<br />

Among the prose poems planned but left unwritten is ""La Fin du monde." Its basic<br />

theme is perhaps best indicated in the following passage from "Fusees," no. 22:<br />

""<strong>The</strong> world is about to come to an end. <strong>The</strong> only reason it should continue is that<br />

it exists. What a weak argument, compared with all the arguments to the contrary,<br />

and especially the following: 'What, in future, is the world to do in the sight of<br />

heaven?' For, supposing it (ontinued to have material existence, would this existence<br />

be worthy of the name, 01' of the Encyclopedia of History? ... For my part, I<br />

who sometimes feel myself cast in the ridiculous role of prophet, I know that I shall<br />

never receive so much as a doctor's charity. Lost in this base world, jostled by the<br />

mob, I am like a weary man who sees behind him, in the depths of the years, only<br />

disillusionment and bitterness, and in front of him only a tempest that brings<br />

nothing new . ... I seem to have wandered off. ... Nevertheless, I shall let these<br />

pages stand-because I wish to set an exact date to my anger." eh. B., Oeuvres,

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