The Arcades Project - Operi

More documents

Recommendations

Info

Conclusion of the 'Salon de 1845"": "'The painter, the true painter for whom we are looking, will be he who can snatch its epic quality from the life of today and can make us see and understand, with brush or with pencil, how great and poetic we are in our cravats and our patent-leather boots. Next year let us hope that the true seekers may grant us the extraordinary delight of celebrating the advent of the new!" Ch. B., Oeu.vres, vol. 2, pp. 54_5S. lB
o o eo The importance of theory for artistic creation was not something about which Bandelaire was clear, initially. In the "Salon de 1845;' discussing the painter Haussoullier, he asks: "Is M. Haussoullier perhaps one of those who know too much about their art? That is a truly dangerous scourge:' Ch. B., Oeuvres, vol. 2, p. 23. "m [J39a,3] A critique of the idea of progress, such as may become necessary in connection with a presentation of Baudelaire, must take great care to differentiate itself from the latter's own critique of progress. This applies still more unconditionally to Baudelaire's critique of the nineteenth century and to that entailed by his biogra· phy. It is a mark of the warped and crassly ignorant portrait of Baudelaire drawn by Peter Klassen that the poet should appear against the background of a century painted in the colors of Gehelma. The only thing in this century really worthy of praise, in the author's view, is a certain clerical practice-namely, that moment "when, in token of the reestablished kingdom of the grace of God, the Holy of Holies was carned through the streets of Paris in an entourage of shining arma· ments. This will have been an experience decisive, because fundamental, for his entire existence:' So begins this presentation of the poet framed in the depraved categories of the George circle. Peter Klassen, Baudelaire (Weimar
Page 2:
THE ARCADES PROJECT
Page 6 and 7:
CONTENTS T"anslators' Foreword Expo
Page 8:
A A page of Benjamin's manuscript m
Page 11:
Saturnring oder Etwas vom Eisenbau"
Page 14 and 15:
The The German German edition of th
Page 20 and 21:
trace in a thousand configurations
Page 22 and 23:
III. Grandville, or the World Exhih
Page 24 and 25:
impinge impinge on on social social
Page 29 and 30:
Paris, Capital of the the Nineteent
Page 32 and 33:
Pericles could ah-eady have underta
Page 36 and 37:
D. D. Baudelaire, or the Streets of
Page 38 and 39:
witnesses its birth. Here we meet t
Page 40 and 41:
plantation owner among his slaves:'
Page 44:
Overview A Arcades, Magasins de Nou
Page 51 and 52:
The Passage des Panoramas. Watercol
Page 55:
eaders will be be disturbed by this
Page 58:
For the first time in history, with
Page 62:
A branch of La BelleJardiniere in M
Page 74:
Au Bon Marche department store in P
Page 77:
B B [Fashion] Fashion: Madam Death!
Page 80:
Le Pont des planetes (Interplanetar
Page 96:
case, the woman would have been the
Page 103:
Sudden past of a city: windows lit
Page 112 and 113:
two lines by Baudelaire could serve
Page 126:
this idea; for how can we be sure t
Page 134 and 135:
"Eternal return" is the fimdamental
Page 136:
trated the spirit of the times as a
Page 145:
This This malicious statement state
Page 149 and 150:
To Tools ols used by HaUSSlllaIm'S
Page 153:
pas (Paris, 1857), pp. 47-49. These
Page 160:
Critique sociale, vol. 1, Capital e
Page 165:
F F [Iron [Iron Construction] Const
Page 170 and 171:
Railroad stations used to be known
Page 172 and 173:
possibilities. H A. G. Meyer Eisen
Page 174 and 175:
Interior of the Crystal Palace, Lon
Page 176 and 177:
marmer .... Each of the twelve thou
Page 178 and 179:
like the tops of Boucher s gates."
Page 180 and 181:
arts-a view which is, unhappily, de
Page 182 and 183:
two words can meet" (p. 25; it rema
Page 184 and 185:
Le 1iiomphe du kaleidoscope, ou Le
Page 186 and 187:
G [Exhibitions, Advertising, Grandv
Page 188 and 189:
course, in the end, the law accordi
Page 190 and 191:
goods? The answer is very simple an
Page 192 and 193:
ments, marble statues, and bubbling
Page 194 and 195:
without the slightest detriment."
Page 196 and 197:
""Despite all the posturing with wh
Page 198 and 199:
Connection of the first world exhib
Page 200 and 201:
Exterior of the Crystal Palace, Lon
Page 202 and 203:
y t.he government against the Inter
Page 204 and 205:
clipped, grain threshed, coal extra
Page 206 and 207:
1851. These precautions included co
Page 208 and 209:
infancy, the Cyclopean period . ...
Page 210 and 211:
its first ordeal." A. Toussenel, L
Page 212 and 213:
queer thing, abounding in metaphysi
Page 214 and 215:
a contest of pastry cooks. The 600,
Page 216 and 217:
"avenue" illuminated at night by ga
Page 218 and 219:
D [The Collector] All these old thi
Page 220 and 221:
at hand through its integration int
Page 222 and 223:
nate for the previous century has c
Page 224 and 225:
of the Holy Sacrament and The Schoo
Page 226 and 227:
forms of argumentation to which the
Page 228 and 229:
How the interior defended itself ag
Page 230 and 231:
Under the bourgeoisie, cities as we
Page 232 and 233:
ooms in coffeehouses. Each coffeeho
Page 234 and 235:
""The drawing rooms of the Second E
Page 236 and 237:
invent some sort of casing for! Poc
Page 238 and 239:
ersP' Victor Fournel, Ce qu'on voit
Page 240 and 241:
you are. The durability of products
Page 242 and 243:
entiation. Changes in fashion disru
Page 244 and 245:
Charles Baudelaire, 1855. Photo by
Page 246 and 247:
Baudelaire-after his enforced sea v
Page 248 and 249:
executed thus: the plate is set upr
Page 250 and 251:
The title originally planned for Sp
Page 252 and 253:
"Madame Bovary, in what is most for
Page 254 and 255:
drawings, in distilling the bitter
Page 256 and 257:
of the delivery was truly striking.
Page 258 and 259:
lllire. -'Bnt your name is BlIudel
Page 260 and 261:
heaven;' Baudelaire, OeuvreJ, vo!'
Page 262 and 263:
"He is always polite to what is ugl
Page 264 and 265: horrible funk" writes the latter Ba
Page 266 and 267: makers as they are useless for form
Page 268 and 269: Thibaudet juxtaposes Baudelaire's '
Page 270 and 271: eing studiously contemplated, the e
Page 272 and 273: slowness from its long virtuality:
Page 274 and 275: of pure imagination, lose the use o
Page 276 and 277: I ... atin and Greek-in which I did
Page 278 and 279: Leconte de Lisle s opinion that Ba
Page 280: Dne Madone is a Baroque statue in
Page 283 and 284: The hidden figure that is the key t
Page 285 and 286: Apropos of "The greathearted servan
Page 287 and 288: Explore the question whether a conn
Page 289 and 290: fluttered like the sleeves of a cle
Page 291 and 292: v . 1 .. The definitive title for t
Page 293 and 294: Bourdin: son-in-law of Villemessant
Page 295 and 296: According to Le Dantec, the second
Page 297 and 298: concentration has caused him to red
Page 299 and 300: am convinced that, if the syllables
Page 301 and 302: The following passage shows the cro
Page 303 and 304: nard." Edmond J aloux, Le Centenair
Page 305 and 306: past, to think of things which are
Page 307 and 308: In the Dernieres Lettres (p. 145),
Page 309 and 310: In his commemorative address, Banvi
Page 311 and 312: suddenly reopened it under the lamp
Page 313: Note the rigor and elegance of the
Page 317 and 318: Underneath that dark and fatal claw
Page 319 and 320: only if one took out a subscription
Page 321 and 322: ""Baudelaire does not give us a lif
Page 323 and 324: 00 o '" ""He was the first . .. to
Page 325 and 326: women give suck . .. , in their psy
Page 327 and 328: more deplorable than to be utterly
Page 329 and 330: and back." Ch. B., Oeuvres complete
Page 331 and 332: "Stupidity is often the ornament of
Page 333 and 334: The figure of the lesbian woman bel
Page 335 and 336: Sainte-Beuve with the words : "They
Page 337 and 338: v . 1 .. The unique importance of B
Page 339 and 340: .§ ) ... The mental capacities tha
Page 341 and 342: The image of petrified unrest, iu t
Page 343 and 344: On allegory: "L'Amour et Ie crane:
Page 345 and 346: the public . .. the mechanism behin
Page 347 and 348: to mention the transfiguration of P
Page 349 and 350: work of Poe, who thus became irrepl
Page 351 and 352: Les Fleun du mal may be considered
Page 353 and 354: forms an obstacle in its path. His
Page 355 and 356: This image has contributed greatly
Page 357 and 358: p. 133 ("Equilibrium between the Ae
Page 359 and 360: judging solely by the lights of a r
Page 361 and 362: his nonconformity, was in this resp
Page 363 and 364: The experience of allegory, which h
Page 365 and 366:
o en M haschisch;' Oeuvres, vol. 1,
Page 367 and 368:
no words could convey to the merely
Page 369 and 370:
"On solemn eves of Heavenly harvest
Page 371 and 372:
without jealousy, sympathetic and r
Page 373 and 374:
tionary communists-from the public
Page 375 and 376:
Closing lines of "Le Vin des chiffo
Page 377 and 378:
a thousand splendors, / Is a sumptu
Page 379 and 380:
For the materialist dialectician, d
Page 381 and 382:
understanding its Baroque form. He
Page 383 and 384:
I.I.While the parliamentary party o
Page 385 and 386:
deed of nihilism, which is suicide"
Page 387 and 388:
Modernity, in this work, is what a
Page 389 and 390:
v . ] .. Allegory, as the sign that
Page 391 and 392:
Among the legends which circulated
Page 393 and 394:
No more hees sipping dewdrop and th
Page 395 and 396:
o CO CD "BauclelaiI'c's weighty phr
Page 397 and 398:
existence, to an attitude of patien
Page 399 and 400:
first, vegetable kingdom next, mine
Page 401 and 402:
America. Near the Capitol the roofs
Page 403 and 404:
K [Dream City and Dream House, Drea
Page 405 and 406:
configuration, they are as much nat
Page 407 and 408:
than the nowbeing of "the present t
Page 409 and 410:
More than a hundred years before it
Page 411 and 412:
to disallow the pretentions of abst
Page 413 and 414:
isolation . . . . The temple ought
Page 415 and 416:
"There can be no doubt that from ..
Page 417 and 418:
Couldn't one compare the social dif
Page 419 and 420:
discover there, where our muscles d
Page 421 and 422:
today, in the age of the automobile
Page 423 and 424:
they also arranged to have outstand
Page 425 and 426:
the next in perspective, offering f
Page 427 and 428:
that sheet of' alluvium, subterrane
Page 429 and 430:
son of the princess. The intimacy o
Page 431 and 432:
M [The FHtueur] A landscape haunts,
Page 433 and 434:
pletely distances himself from the
Page 435 and 436:
on as we would imagine them to do i
Page 437 and 438:
"It is wonderful that in Paris itse
Page 439 and 440:
anonymous engineering, a grade cros
Page 441 and 442:
then ... there was scarcely a tavem
Page 443 and 444:
pavement, so as not to delay the op
Page 445 and 446:
knowing it; yet notlllng is more fo
Page 447 and 448:
was a poor devil whose means forbad
Page 449 and 450:
nomy. The difference between this p
Page 451 and 452:
torrent where you are rolled, buffe
Page 453 and 454:
door is closed. 'Dickens himself ha
Page 455 and 456:
Frontispiece of the third volume of
Page 457 and 458:
""That poetry of terror which the s
Page 459 and 460:
In Le 6 o(/obn, in Chapter 17, "Le
Page 461 and 462:
Description of the crowd in Baudela
Page 463 and 464:
ary urban culture ... forces us to
Page 465 and 466:
v Which last is a scheme of ' paper
Page 467 and 468:
ahout the same faces, the same appe
Page 469 and 470:
who, in the midst of his wanderings
Page 471 and 472:
[On the Theory of .Knowledge, Theor
Page 473 and 474:
down from the arcades in the readin
Page 475 and 476:
Marx lays bare the causal connectio
Page 477 and 478:
condition of technology. The old pr
Page 479 and 480:
identical with the "now of recogniz
Page 481 and 482:
The particular difficulty of doing
Page 483 and 484:
these values originated, but of the
Page 485 and 486:
fonns of appropriate behavior. What
Page 487 and 488:
of the artist reaches back to the p
Page 489 and 490:
The dialectical image is that form
Page 491 and 492:
The archaic form of primal history,
Page 493 and 494:
late, and politics always needs to
Page 495 and 496:
tdalterliche Zeitanschauungen in il
Page 497 and 498:
accentuate the rags of mendicants .
Page 499 and 500:
tive . . , content hy the historica
Page 501 and 502:
The now of recognizability is the m
Page 503 and 504:
Focillon on technique: "It has been
Page 505 and 506:
fills all wanton behavior with fate
Page 507 and 508:
"Hirondelles-women who work the win
Page 509 and 510:
of this decline fuses, as though of
Page 511 and 512:
tated, provoked above all by the lo
Page 513 and 514:
that only the superior strength of
Page 515 and 516:
o o "' this woman from passing beyo
Page 517 and 518:
8 '" oneself that the woman who at
Page 519 and 520:
could withstand the exorbitant comm
Page 521 and 522:
Should the flower fashions of the B
Page 523 and 524:
00 o "' "'After the Cafe de Paris c
Page 525 and 526:
strain of knowing that her life is
Page 527 and 528:
way, in that red cotton fabric that
Page 529 and 530:
the Palais-Royal of 1789 . ... In s
Page 531 and 532:
[The Streets of Paris] In short, th
Page 533 and 534:
'Pont d'Austerlitz! Its famous name
Page 535 and 536:
well as their population, and havin
Page 537 and 538:
of the inhabitants." J. B. Pujoulx,
Page 539 and 540:
the bit of blue which the northern
Page 541 and 542:
The importance accorded the traffic
Page 543 and 544:
the coarse moustaches of these infe
Page 545 and 546:
sentation of certain still-life obj
Page 547 and 548:
Principal panoramic representations
Page 549 and 550:
Diorama on the Rue de Bondy, 1837.
Page 551 and 552:
The world exhibition of 1889 had a
Page 553 and 554:
merged with tlus, his image. Even t
Page 555 and 556:
figures . ... Before every door sto
Page 557 and 558:
A look at the ambiguity of the arca
Page 559 and 560:
inely unique-what will never recur.
Page 561 and 562:
only holds good in the space of the
Page 563 and 564:
of this Jugendstil than Barcelona,
Page 565 and 566:
ing, frescoes, decorative tapestry,
Page 567 and 568:
On the upside-down manor house: ""T
Page 569 and 570:
ancient grandeur of painting to its
Page 571 and 572:
This phony in sum knows how to mana
Page 573 and 574:
The fundamental motif of Jug ends t
Page 575 and 576:
In his "Salons;' Baudelaire has giv
Page 577 and 578:
T [Modes of Lighting] Et noctumis f
Page 579 and 580:
D this kind of lighting, which was
Page 581 and 582:
weekly, on Thursdays and Sundays, a
Page 583 and 584:
the glass tubing, and so forth-were
Page 585 and 586:
[;; to this general illumination, u
Page 587 and 588:
"The influence and development of S
Page 589 and 590:
process for producing gas lighting.
Page 591 and 592:
had run aground on metaphysics.' H
Page 593 and 594:
purpose of stock market quotations?
Page 595 and 596:
o 00 "' people who no longer threat
Page 597 and 598:
2,700,000 volumes were put into cir
Page 599 and 600:
only the hanknotes of paradise, and
Page 601 and 602:
'" 00 "' proclaimed itself the wond
Page 603 and 604:
00 00 '" is called "Le Voyageur du
Page 605 and 606:
""Let us put an end to honors for A
Page 607 and 608:
Primate of the Gauls; there was the
Page 609 and 610:
Le Globe (October 31, 1331), with r
Page 611 and 612:
federation, when their hands are no
Page 613 and 614:
00 '" "' women, were in no way the
Page 615 and 616:
o o '0 French bourgeoisie gains too
Page 617 and 618:
N '" co they arrived on the day bef
Page 619 and 620:
mediating power, the good sense of
Page 621 and 622:
guine in character anyway like all
Page 623 and 624:
00 o
Page 625 and 626:
the uniform of Poly technicians, se
Page 627 and 628:
. 1 CJ .. and simple, . .. who want
Page 629 and 630:
Russia can huy the head of the Repu
Page 631 and 632:
(May 1, 1937), pp. 695-696. The Jes
Page 633 and 634:
the Provisional Goverrnnent to regi
Page 635 and 636:
w [Fourier] Seas they fathom! Skies
Page 637 and 638:
the heart, so as to bring the blood
Page 639 and 640:
the sun and the harmonized planets.
Page 641 and 642:
" Heine was well acquainted with so
Page 643 and 644:
he saw it, took its rise from the i
Page 645 and 646:
should govern him. Let us rescue it
Page 647 and 648:
Fourier, Oeuvres, vol. , p. 260: "
Page 649 and 650:
. can eventuate only in Harmony. Al
Page 651 and 652:
since the invention of the chariot;
Page 653 and 654:
those of Paris, who, as workers in
Page 655 and 656:
and his soul fades into the planeta
Page 657 and 658:
plants. m Armand and Maublanc, Four
Page 659 and 660:
· . . on their clothing." ""Althou
Page 661 and 662:
Fourier: 'Every calling has its cou
Page 663 and 664:
Ten million francs would be needed
Page 665 and 666:
quite eccentric in its outward aspe
Page 667 and 668:
than consciousness of existing prac
Page 669 and 670:
Time in technology: " As in a genui
Page 671 and 672:
sanctioned by the so-called univers
Page 673 and 674:
is what Marx is referring to when h
Page 675 and 676:
time. They are nothing more than th
Page 677 and 678:
show that the mythological mode of
Page 679 and 680:
exchange. In fact, this 'equality'
Page 681 and 682:
would he difficult to explain why,
Page 683 and 684:
Korsch says very justly (and one mi
Page 685 and 686:
ole of the immediate production of
Page 687 and 688:
eform, working with only their one
Page 689 and 690:
exposure time, I found it difficult
Page 691 and 692:
Among the inventions that predate p
Page 693 and 694:
like Paul Del.roche in his painting
Page 695 and 696:
o 00
Page 697 and 698:
NADAR_ ileValli la Photograpbie it
Page 699 and 700:
not the process. Whoever possesses
Page 701 and 702:
'" ro '" The first photographic int
Page 703 and 704:
an image in the atmosphere, that al
Page 705 and 706:
o m '" happy to have faithfully rep
Page 707 and 708:
hasten to enrich the tourist's albu
Page 709 and 710:
are bewitched, but the evil spell o
Page 711 and 712:
which deals with the material-each
Page 713 and 714:
a [Social Movement] Reveal to these
Page 715 and 716:
o R breaking through walls. As soon
Page 717 and 718:
f2 Episodes in the June Insurrectio
Page 719 and 720:
f2 rigorously monitored the worker
Page 721 and 722:
to him. m Eugene Buret, La Misere d
Page 723 and 724:
ourgeoisie were already fearful of
Page 725 and 726:
We arc nothing but machines. Our Ba
Page 727 and 728:
incendiary deeds, spoke already of
Page 729 and 730:
Chassin, La Legende du Petit Mantea
Page 731 and 732:
I 1) o en Will Look out on an oce
Page 733 and 734:
"'I will rouse the people with my u
Page 735 and 736:
Jules Mercier "L'Arche de Dieu," in
Page 737 and 738:
f! From Robert (du Var) l Ilistoire
Page 739 and 740:
Adolphe Boyer, De l'Etat des ouvrie
Page 741 and 742:
Ganneau's "Page prophetique ' was
Page 743 and 744:
the author accentuates the "·pecul
Page 745 and 746:
On Buret's De la Miser'e des classe
Page 747 and 748:
g? Poetry . .. has sanctioned the g
Page 749 and 750:
Cuvillier presents Proudhon as a pr
Page 751 and 752:
the Sirens to he crew of his ship a
Page 753 and 754:
symptoms of a disease that today in
Page 755 and 756:
[Daumier] A paradoxical description
Page 757 and 758:
Honore Daumier, ca. 1857. Photo by
Page 759 and 760:
d [Literary History, Hugo] "'Thiel'
Page 761 and 762:
exclusive glory of the triumphant B
Page 763 and 764:
It is worthy of note that the prefa
Page 765 and 766:
L'Artiste et I 'amateur du dix-neuv
Page 767 and 768:
Alexandre Dumas pere, 1855. Photo b
Page 769 and 770:
age of disonler and viee nUlS agt"O
Page 771 and 772:
On Victor Hugo: He placed the ballo
Page 773 and 774:
11,e novels of George Sand led to a
Page 775 and 776:
arm the masses. Cited in eh. Paris
Page 777 and 778:
prudent, will henceforth sap the pi
Page 779 and 780:
the other hand, and that of Murger,
Page 781 and 782:
interior. Events having brusquely r
Page 783 and 784:
which had already come rather far o
Page 785 and 786:
was, as a stupid politician, denyin
Page 787 and 788:
dominating the serial format, and i
Page 789 and 790:
in all seriousness by our salon sav
Page 791 and 792:
hounds and the faxes are yelping, d
Page 793 and 794:
The gargoyles of Notre Dame must be
Page 795 and 796:
which were government bureaucrats.
Page 797 and 798:
the Stock Exchange, diverted for te
Page 799 and 800:
Balzac's portrait of the speculator
Page 801 and 802:
• I [Reproduction Technology, Lit
Page 803 and 804:
k [The Commune] "The history of the
Page 805 and 806:
Then, in the Assemblies of the Comm
Page 807 and 808:
ACTUAlly[ Actualite (Actuality), a
Page 809 and 810:
A barricade of the Paris Commune, R
Page 811 and 812:
I [The Seine, the Oldest Paris] Aro
Page 813 and 814:
sance des mathematiques pour assnre
Page 815 and 816:
m [Idleness] Noteworthy conjunction
Page 817 and 818:
a product of chance, and have about
Page 819 and 820:
evinced in the theory of "modern be
Page 821 and 822:
"" o 00 often, idleness is the very
Page 823 and 824:
00 o 00 the redeemer of man ' 8 bet
Page 825 and 826:
;:: threshold of the hedroom, a dev
Page 827 and 828:
Publication date of the first issue
Page 829 and 830:
Jesus had yielded to the natural in
Page 831 and 832:
Around the time that "physiologies"
Page 833 and 834:
[Ecole Poly technique ] On commerce
Page 835 and 836:
Poly technique. The student would d
Page 837 and 838:
In Le Cure de village, which Balzac
Page 839:
points. His primer hegins ... with
Page 843 and 844:
Trade and traffic are the two compo
Page 845 and 846:
If one wanted to characterize the i
Page 847 and 848:
stations make good starting points,
Page 849 and 850:
All this is the arcade in our eyes.
Page 851 and 852:
Tl isit, Wagram, Calais, Antwerp, L
Page 853 and 854:
What is une psychi?19 . The city ma
Page 855 and 856:
VVhat was otherwise reserved for on
Page 857 and 858:
Death and fashion. Rilke, the passa
Page 859 and 860:
Hermes, the masculine god. It is ch
Page 861 and 862:
The writings of the Surrealists tre
Page 863 and 864:
00 .". 00 Around the same time, the
Page 865 and 866:
something very characteristic of th
Page 867 and 868:
How Blucher gambled in Paris. (See
Page 869 and 870:
Superposition accordiug to the rhyt
Page 871 and 872:
slot machines, the mechanical fortu
Page 873 and 874:
00 "' 00 It must be kept in mind th
Page 875 and 876:
o '"' 00 of Schiller's we read of
Page 877 and 878:
ance, we have to experience indire
Page 879 and 880:
Concretion extinguishes thought; ab
Page 881 and 882:
Thomasius, Vam Recht des Schlafi un
Page 883 and 884:
Fashion is intention that ignites;
Page 886 and 887:
Arcades This brief essay, dating fr
Page 888 and 889:
These originally untitled texts (G
Page 890 and 891:
on the tip of one's tongue. Nter al
Page 892 and 893:
information bureaus and detective a
Page 894 and 895:
inclined to linger before the trans
Page 896 and 897:
ealized: here, at one time, after P
Page 898 and 899:
superstition. Thus in gambler and p
Page 900 and 901:
The Ring of Saturn or Some Remarks
Page 902 and 903:
allow our steel furnishings of toda
Page 904:
Walter BeIamin at the card catalogu
Page 908 and 909:
Expose of 1935, Early Version The e
Page 910 and 911:
The flaneur as counterpart of the "
Page 912 and 913:
essence of the images which the dre
Page 914 and 915:
Materials for the Expose of 1935 Th
Page 916 and 917:
Gaslight in Baudelaire Passage de l
Page 918 and 919:
The untranslatable literature of fl
Page 920 and 921:
To ols and workers with Haussmann (
Page 922 and 923:
Dialectic of the commodity A canon
Page 924 and 925:
No. 10 (Boredom) EconOll1ic rudimen
Page 926 and 927:
No. 12 Methodological Dialectical i
Page 928 and 929:
No. 198 {The merit of this little v
Page 930 and 931:
No. 21 I Fragments of the general l
Page 932 and 933:
(The cashier as livillg image, as a
Page 934 and 935:
Materials for "Arcades" Among Benja
Page 936 and 937:
How a first-class restaurant comes
Page 938 and 939:
A factory producing cockades for we
Page 940:
A bookstore places together an neig
Page 944 and 945:
Dialectics at a Standstill Approach
Page 946 and 947:
with and finally overgrown by quota
Page 948 and 949:
teenth century, and in it a specifi
Page 950 and 951:
the immersion of what has been into
Page 952 and 953:
various reasons. Retrospectively, h
Page 954 and 955:
(Expose of 1935, section I). To beg
Page 956 and 957:
image. Physiognomic thought was ass
Page 958 and 959:
two meanings in Belamin's texts; th
Page 960 and 961:
clocks, as during the July revoluti
Page 962 and 963:
continued, "told me how to find you
Page 964 and 965:
He said that his decision to spend
Page 966 and 967:
Mter the vineY31-d, we rested on a
Page 968 and 969:
For all that came later. l11en, bac
Page 970 and 971:
Translators' Notes Abbreviations GS
Page 972 and 973:
Expose of 1939 The second expose, "
Page 974 and 975:
2. The Passage du Caire was the fir
Page 976 and 977:
ing; Friederike Kempner (1836-1904)
Page 978 and 979:
3. Benjamin is quoting from an open
Page 980 and 981:
in GlO,l is on p. 239. Benjamin cit
Page 982 and 983:
deavor to maintain a Juste milieu.)
Page 984 and 985:
42. Baudelaire, "The Painter of Mod
Page 986 and 987:
96. Baudelaire, The Complete verse)
Page 988 and 989:
145. Baudelaire, CotTespondance (Pa
Page 990 and 991:
ice . ... [He] thinks he has been v
Page 992 and 993:
287. Ibid. 288. Ibid., p. 230. "Ill
Page 994 and 995:
tion between the jack of hearts and
Page 996 and 997:
In English in The Complete Time, p.
Page 998 and 999:
was a site in Paris occupied by wor
Page 1000 and 1001:
Frederick A. Blossom) . The lines b
Page 1002 and 1003:
29. Ibid., pp. 45-46. "Drifting" is
Page 1004 and 1005:
2. Reference is to Louis Aragon, Le
Page 1006 and 1007:
50. TIlls passage is not found in t
Page 1008 and 1009:
different parts of the world. But t
Page 1010 and 1011:
26. Paul Valery, HIstory and Politi
Page 1012 and 1013:
aid of two other young republicans.
Page 1014 and 1015:
36. As a child, Fourier would fill
Page 1016 and 1017:
56. Ibid., pp. 198-199. 57. Ibid.,
Page 1018 and 1019:
15. Honore de Balzac, Eugenie Grand
Page 1020 and 1021:
"workshop" and "graverll or 'burin"
Page 1022 and 1023:
The siege lasted until the end ofJa
Page 1024 and 1025:
(destroyed in 1919) took in a numbe
Page 1026 and 1027:
49. Proust, A la Recherche du temj}
Page 1028 and 1029:
trans. Manfred R. Jacobson and Evel
Page 1030 and 1031:
Benjamids in more than mere nuances
Page 1032 and 1033:
tion and was minister of war in the
Page 1034 and 1035:
Belleville. Wo rking·class neighbo
Page 1036 and 1037:
Buchez, Philippe (1796-1865). Frenc
Page 1038 and 1039:
in French, no confessional, and mar
Page 1040 and 1041:
Crepet,Jacques (1874-1952). Son of
Page 1042 and 1043:
Du Camp, Maxime (1822-1894). Writer
Page 1044 and 1045:
Flotte, Etienne-Gaston, baron de (1
Page 1046 and 1047:
Grand Chatelet. Ancient fortress in
Page 1048 and 1049:
laire and Rimbaud. Author of Umbra
Page 1050 and 1051:
Hebrew at the College of Rome. In 1
Page 1052 and 1053:
er of Deputies from 1841. A leader
Page 1054 and 1055:
Makar!, Hans (1840-1884). Austrian
Page 1056 and 1057:
Mode, comte Louis (1781-1855). Prem
Page 1058 and 1059:
Nisard, Desire (1806-1888).journali
Page 1060 and 1061:
La Plmlauge. Fourierist newspaper p
Page 1062 and 1063:
Restif de la Bretonne. Pseudonym of
Page 1064 and 1065:
Sarcey, Francisque (1827-1899). Fre
Page 1066 and 1067:
Taylor, Frederick Winslow (1856-191
Page 1068:
Villiers de l'Isle-Adarn, Auguste (
Page 1071 and 1072:
Balzac, Honore de (colltinued) cult
Page 1073 and 1074:
Baudelaire, Charles (wl1timwd) de 1
Page 1075 and 1076:
Chatelain, U.-Y., 250 Chaudes-Aigue
Page 1077 and 1078:
Escholier, Raymond, 225, 429, 442,
Page 1079 and 1080:
Hallays-Dabot, Victor, 695, 706, 78
Page 1081 and 1082:
754, 757, 758, 764, 765, 767, 768,
Page 1083 and 1084:
Millotaure, 549 Mirabeau, Honon::,
Page 1085 and 1086:
Pouson du Te rrail, Pierre-Alexis,
Page 1087 and 1088:
Soumct, Alexandre, 575 Soupault, Ph
Page 1089:
This book is set in the Adobe fonts
show all

The Arcades Project - Operi

Create successful ePaper yourself

Delete template?

Save as template?