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The Arcades Project - Operi

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In the Dernieres Lettres (p. 145), this phrase for Jeanne: I.that aged beauty who<br />

has now become an invalid. "1 7l He wants to leave her an annuity after his death.<br />

[l3s,s]<br />

Decisive for the confrontation between Baudelaire and Hugo is a passage from<br />

Hugo's letter of November 17, 1859, to Villemain: "Sometimes I spend the whole<br />

night meditating on my fate, before the great deep, and . . . all I can do is exclaim:<br />

Stars! Stars ! Stars!" Cited in Claudius Grillet, Victor Hugo spirite (Lyons and<br />

Paris, 1929), p. 100.172 [l3s,6]<br />

<strong>The</strong> multitudes in Hugo: " <strong>The</strong> prophet seeks out solitude. . He goes into the<br />

desert to think. Of what? Of the multitudes." Hugo, William Shakespeare, 6. [l3s,?]<br />

Allegory in the spiritualist protocols from Jersey: "Even pure abstractions frequented<br />

Marine-Terrace: Idea, Death, the Drama, the Novel, Poetry, Criticism,<br />

Humbug. <strong>The</strong>y . .. preferred to make their appearance during the day, while the<br />

dead came at night." Claudius Grillet, Victor Hugo spirite (Lyons and Paris,<br />

1929), p. 27. [l3sa,l]<br />

<strong>The</strong> "multitudes" in Hugo figure as the I.'depths of the shadow" in Les Chiitiments<br />

("La Caravane," part 4), Oeuvres completes, vol. 4, Poesie (Paris, 1882), p. 397:<br />

"<strong>The</strong> day when our plunderers, our tyrants beyond number, / Will know that<br />

someone stirs in the depths of the shadow." [J35a,2]<br />

On Les FleU1's du mal: "Nowhere does he make a direct allusion to hashish or to<br />

opium visions. In this we must admire the superior taste of the poet, completely<br />

taken up as he is with the philosophic construction of his poem." Georges Rodenbach,<br />

L'Elite (Paris, 1899), pp. 18-19. [l3sa,3]<br />

Rodenbach (p. 19) emphasizes, like Beguin, the experience of the correspondances<br />

in Baudelaire. [l35a,4]<br />

Baudelaire to d' Aurevilly: " Should you take Communion with hands on<br />

hips?" Cited in Georges Rodenbach, L 'Elite (Paris, 1899), p. 6. [l35a,5]<br />

Three generations (according to Georges Rodenbach, L'Elite [Paris, 1899], pp. 6-<br />

7) revolve about the " splendid restoration of Notre Dame." <strong>The</strong> first, forming as it<br />

were an outer circle, is represented by Victor Hugo. <strong>The</strong> second, represented by<br />

d'Aurevilly, Baudelaire, and Hello, forms an inner circle of devotion.<br />

<strong>The</strong> third is made up of the group of satanists: Huysmans, Guaita, peladan.<br />

[.J3Sa,6]<br />

'''However beautiful a house may he, it is first of all-before we consider its<br />

beauty-so many feet high and so many feet wide. Likewise, literature, which is

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