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The Arcades Project - Operi

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little scraps of men-that is, to budding Satans." "De l'Essence du rire," Oeuvres,<br />

cd. Le Dantec, vol. 2, p. 174. 1411 [J3!,S]<br />

Christ knew anger, and also tears; he did not laugh. Vrrginie would not laugh at<br />

the sight of a caricature. "<strong>The</strong> sage does not laugh, nor does irrnocence. ""<strong>The</strong><br />

comic element is a danmable thing, and one of diabolical origin." "De I'Essence<br />

du rire;' Oeuvres, ed. Le Dantec, vol. 2, p. 168.'.'11 [J3!a,!]<br />

Baudelaire distinguishes the "significative comic" from the "absolute comic!' <strong>The</strong><br />

latter alone is a proper object of reflection: the grotesque. ISO [J3Ia,2]<br />

Allegorical interpretation of modern clothing for men, in the (,Salon de 1846": A8<br />

for the garb, the outer husk, of the modern hero, . .. is it not the necessary garb of<br />

our suffering age, which wears the symbol of perpetual mourning even on its thin<br />

black shoulders? Notice how the black suit and the frock coat possess not only<br />

their political beauty, which is an expression of universal equality, but also their<br />

poetic beauty, which is an expression of the public soul-an endless procession of<br />

hired mourners, political mourners, amorous mourners, bourgeois mourners. We<br />

are all of us celebrating some funeraL" Oeuvres, ed. Le Dantec, vol. 2, p. 134. 151<br />

[J3Ia,3]<br />

<strong>The</strong> incomparable force of Poe's description of the crowd. One thinks of early<br />

lithographs by Senefelder, like "Der Spielclub"

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