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The Arcades Project - Operi

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am convinced that, if the syllables that go to fonn verses of this kind were to be<br />

translated by the geometric forms and subtle colors which belong to them by<br />

analogy, they would possess the agreeable texture and beautiful tints of a Persian<br />

carpet or Indian shawl. / My idea will strike you as ridiculous; but I have often<br />

felt like drawing and coloring your verse!' Cited in Crepet, p. 415. [J30a,5]<br />

Viguy to Baudelaire, January 27, 1862: 'How . .. unjust you are, it seems to me,<br />

toward this lovely bouquet, so variously scented with odors of spring, for having<br />

given it a title it does not deserve, and how much I deplore that poisonous air<br />

which you sometimes pipe in from the murky bourne of Hamlet's graveyard."<br />

Cited in Crepet, p. 441. [J30a,6]<br />

From the letter that Baudelaire scnt to Empress Eug€mie, November 6, 1857: '"But<br />

the fine, increased by costs that are unintelligible to me, exceeds the resources of<br />

the proverbial poverty of poets, and . .. , cOllvinced that the heart of the Empress<br />

is open to pity for all tribulations, spiritual as well as material, I have conceived<br />

the idea, after a period of'indecision and timidity that lasted ten days, of appealing<br />

to the gracious goodness of your Majesty and of entreating your intercession with<br />

the minister of justice. "l47 H. Patry, "L'Epilogue du proces des Fleurs du mal: Vne<br />

Lettre inedite de Baudelaire a l'Imperatrice," Revue d'histoire litteraire de la<br />

France, 29th year (1922), p. 71. [J31,1]<br />

From Schaunard, Souvenirs (Paris, 1887): '''I detest the countryside,' says<br />

Baudelaire in explanation of his hasty departure from Honfleur, 'particularly in<br />

good weather. <strong>The</strong> persistent sunshine oppresses me .... Ah! speak to me of those<br />

everchanging Parisian skies that laugh or cry according to the wind, and that<br />

never, in their variable heat and humidity, have any effect on the stupid crops . ...<br />

I am perhaps affronting your convictions as a landscape painter, but I must tell<br />

you further that an open body of water is a monstrous thing to me; I want it<br />

incarcerated, contained within the geometric walls of a quay. My favorite walking<br />

pla{e is the emhankment along the Canal de l'Ourcq'" (cited in Crepet, p. 160).<br />

[J31,2]<br />

Crepet juxtaposes Schaunard's report with the letter to Desnoyers, and then remarks<br />

in closing: "'What can we conclude from all this? Perhaps simply that<br />

Baudelaire belonged to that family of unfortunates who desire only what they do<br />

not have and love only the place where they are not" (Crepet, p. 161). [J31,3]<br />

Baudelaire's shtcerite was formerly much discussed. Traces of this debate are still<br />

to be found in Crepet (see p. 172). [J31,4]<br />

i . "<strong>The</strong> laughter of children is like the blossoming of a flower. . It is a plant-like<br />

joy. And so, in general, it is more like a smile-something analogous to the wagging<br />

of a dog's tail, or the purring of a cat. And if there still remains some distinction<br />

hetween the laughter of children and such expressions of animal contentment, . ..<br />

this is hecause their laughter is not entirely free of ambition, as is only proper to

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