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The Arcades Project - Operi

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In Honfleur, he had hung two paintings over his bed. One of them ? painted by his <br />

father as pendant to the other? showed an amorous scene; the other, dating from<br />

an earlier time? a Temptation of Saint Anthony. In the center of the first picture, a<br />

baccbante. [J27,2]<br />

Sand is inferior to SadeP'I:ll [J27,3]<br />

"We ensure that our confessions are well rewarded' ? 132-this should be compared<br />

with the practice of his letters. [J27,4]<br />

Seilliere (p. 234) cites d'Aurevilly: "Poe's hidden objective was to con·<br />

found the imagination of his times . . . . Hoffmann did not have this terrible<br />

power:' Such puissance terrible was surely Baudelarre's as well. [J27,5]<br />

On Delacroix (according to Seilliere, p. 114): 'Delacroix is the artist best<br />

equipped to portray modern woman in her heroic manifestations, whether these<br />

be understood in the divine or the infernal sense . .. _ It seems that such color<br />

thinks for itself, independently of the objects it clothes. <strong>The</strong> effeet of the whole is<br />

almost musical. "133 [J27,6]<br />

Fourier is said to have presented his minute discoveries" too "pompously. "131[.<br />

[J27,7]<br />

Seilliere represents as his particular object of study what in general determines<br />

the standard for the literature on Baudelarre: "It is, in effect, the theoretical<br />

conclusions imposed on Charles Baudelarre by his life experiences that I am<br />

particularly concerned with in these pages." Ernest Seilliere, Baudelaire (paris,<br />

1931), p. 1. [J27,8]<br />

Eccentric hehavior in 1848: ·" <strong>The</strong>y've just arrested de Flotte,' he said. Is it<br />

because his hands smelled of gunpowder? Smell mine! ? ? ? Seilliere, Baudelair-e<br />

(Paris, 1931), p. 51. [J27,9]<br />

Seilliere (p. 59) righdy contrasts Baudelarre's postulate, according to which the<br />

advent of Napoleon III is to be interpreted in de Maistre's sense as "providen·<br />

tial;' with his comment: "My rage at the coup d'etat. How many bullets I braved!<br />

Another Bonaparte! What a disgrace!" Both in "Mon Coeur mis it nu:"'';<br />

[J27a,1]<br />

<strong>The</strong> book by Seilliere is dlOrougbly imbued with the position of its author, who is<br />

president of the Academie des Sciences Morales et Politiques. A typical premise:<br />

"<strong>The</strong> social question is a question of morality" (p. 66). Individual sentences by<br />

Baudelaire are invariably accompanied by the author's marginal glosses.<br />

[J27a,2]

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