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The Arcades Project - Operi

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<strong>The</strong> hidden figure that is the key to "Le Balcon": the night which holds the lovers<br />

in its emhrace as, after day's departure, they dream of the dawn, is starless­<br />

"<strong>The</strong> night solidified into a walJ:'''' [J21a,7]<br />

To the glance that encounters the "Passante" contrast Georges poem 'Von einer<br />

Begegnung" :<br />

My glances drew me from the path I seek<br />

And crazed with magic, mad to clasp, they trailed<br />

<strong>The</strong> slender bow sweet limbs in walking curved,<br />

And wet with longing then, they fell and failed<br />

Before iota your own they boldly swerved.<br />

Stefan George, Hymnen; Pilgerjalzrten; Algabal (Berlin, 1922), pp. 22-23.'"<br />

[J22,1]<br />

1.'<strong>The</strong> unexampled ogle of a whore / glinting toward you like a silver ray / the<br />

wavering moon releases on the lake';1l9 so begins the last poem. And into this<br />

extraordinary stare, which brings uncontrollable tears to the eyes of him who<br />

meets it without defenses, Berg looked long and avidly. For him, however, as for<br />

Baudelaire, the mercenary eye became a legacy of the prehistoric world. <strong>The</strong><br />

arc-light moon of the big city shines for him like something out of the age of<br />

hetaerism. He needs only to have it reflected, as on a lake, and the banal reveals<br />

itself as the distant past; the nineteenth-century commodity betrays its mythic<br />

taboo. It was in such a spirit that Berg composed Lulu." Wiesengrund-Adorno,<br />

"Konzertarie 'Del' Wein, m in Willi Reich, Alban Berg, with Berg's own writings<br />

and with contributions by <strong>The</strong>odor Wiesengrund-Adorno and Ernst Krenek (Vienna,<br />

Leipzig, Zurich

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