The Arcades Project - Operi
The Arcades Project - Operi The Arcades Project - Operi
makers as they are useless for forming citizens . . . . But I think that the wise despot, after careful reflection, would refrain from intervening, faithful to the tradition of an agreeable philosophy: Apres nous le deluge." Maurice Ban'es, La Folie de CharlEs Baudelnire (Paris), pp. 103-104. [J13,2] ""Baudelaire was perhaps only a hard-working soul who felt and understood what was new through Poe, and who disciplined himself in the course of his life to become specialized." Maurice Barres, La Folie de Charles Baudelaire (Paris), p. 98. [J13,3] "'Let us perhaps guard against taking these poets too quickly for Christians. The liturgical language, the angels, the Satans . .. are merely a mise en scene for the artist who judges that the picturesque is well worth a Mass."73 Maurice Barres, La Folie de Charles Baudelaire (Paris), pp. 44-45. [J13,4] ""Ilis best pages are overwhelming. He rendered superb prose into difficult verse." Maurice Barres, La Folie de Charles Baudelaire (Paris), p. 54. [J13,S] ""Scattered across the sky like luminous seeds of gold and silver, radiating out from the deep darkness of night, the stars represent [for Baudelaire] the ardor and energy of the human imagination." Elisabeth Schinzel, Natur lmd Natursymbolik bei Poe, Baudelaire und den franzosischen Symbolisten (Diiren [Rhineland], 1931), p. 32. [.J13,6] '''Ilis voice . .. muffled like the nighttime rumble of vehicles, filtering into plushly upholstered bedrooms." Maurice Barres, La Folie de Charles Baudelaire (Paris), p. 20. [J13,?] ""It might seem, at first, that Baudelaire's oeuvre was relatively infertile. Some wits compared it to a narrow basin dug with effort in a gloomy spot shrouded in haze . ... The influence of Baudelaire was revealed in Le Parnasse contemporain . .. of 1865 . ... Three figures emerge: . .. Stephane Mallanm\ Paul Verlaine, and Maurice Rollinat." Maurice Barres, La Folie de Charles Baudelaire (Paris), pp. 61, 63, 65. [J13,S] ""And the place occupied hy racial epithets among the rabble at that time!" Maurice Barres, La Folie de Charles Baudelaire (Paris), p. 40. [J13a,l] Flaubert to Baudelaire: '''You praise the flesh without loving it, in a melancholy, detached way that I find sympathetic. Ah! how well you understand the boredom of existence!"74 Cited in Maurice Barres, La Folie de Charles Baudelaire (Paris), p. 31. [J13a,2] Baudelaire's predilection for Jnvenal may well have to do with the latter's being one of the first urban poets. Compare this observation by Tbibaudet: "In survey-
ing the great epochs of urban life, we see that the more the city provides poets and other people with their intellectual and moral life, the more forcefully poetry is pushed outside the city. When, ... in the Greek world, that life was fostered within the great cosmopolitan centers of Alexandria and Syracuse, these cities gave birth to pastoral poetry. When the Rome of Augustus came to occupy a similar position of centrality, the same poetry of shepherds, . .. of pristine nature, appeared with the Bucolics and the Georgies of Virgil. And in eighteenth-century France, at the most brilliant moment ... of Parisian existence, the pastoral re appears as part of a return to antiquity . ... The only poet in whom one might find a foretaste of Baudelairean urbanism (and of other things Baudelairean as well) would be perhaps, at certain moments, Saint-Amant." Albert Thibaudet, Interieurs (Paris
- Page 216 and 217: "avenue" illuminated at night by ga
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makers as they are useless for forming citizens . . . . But I think that the wise<br />
despot, after careful reflection, would refrain from intervening, faithful to the<br />
tradition of an agreeable philosophy: Apres nous le deluge." Maurice Ban'es, La<br />
Folie de CharlEs Baudelnire (Paris), pp. 103-104. [J13,2]<br />
""Baudelaire was perhaps only a hard-working soul who felt and understood what<br />
was new through Poe, and who disciplined himself in the course of his life to<br />
become specialized." Maurice Barres, La Folie de Charles Baudelaire (Paris),<br />
p. 98. [J13,3]<br />
"'Let us perhaps guard against taking these poets too quickly for Christians. <strong>The</strong><br />
liturgical language, the angels, the Satans . .. are merely a mise en scene for the<br />
artist who judges that the picturesque is well worth a Mass."73 Maurice Barres, La<br />
Folie de Charles Baudelaire (Paris), pp. 44-45. [J13,4]<br />
""Ilis best pages are overwhelming. He rendered superb prose into difficult verse."<br />
Maurice Barres, La Folie de Charles Baudelaire (Paris), p. 54. [J13,S]<br />
""Scattered across the sky like luminous seeds of gold and silver, radiating out from<br />
the deep darkness of night, the stars represent [for Baudelaire] the ardor and<br />
energy of the human imagination." Elisabeth Schinzel, Natur lmd Natursymbolik<br />
bei Poe, Baudelaire und den franzosischen Symbolisten (Diiren [Rhineland],<br />
1931), p. 32. [.J13,6]<br />
'''Ilis voice . .. muffled like the nighttime rumble of vehicles, filtering into plushly<br />
upholstered bedrooms." Maurice Barres, La Folie de Charles Baudelaire (Paris),<br />
p. 20. [J13,?]<br />
""It might seem, at first, that Baudelaire's oeuvre was relatively infertile. Some wits<br />
compared it to a narrow basin dug with effort in a gloomy spot shrouded in<br />
haze . ... <strong>The</strong> influence of Baudelaire was revealed in Le Parnasse contemporain<br />
. .. of 1865 . ... Three figures emerge: . .. Stephane Mallanm\ Paul Verlaine, and<br />
Maurice Rollinat." Maurice Barres, La Folie de Charles Baudelaire (Paris),<br />
pp. 61, 63, 65. [J13,S]<br />
""And the place occupied hy racial epithets among the rabble at that time!"<br />
Maurice Barres, La Folie de Charles Baudelaire (Paris), p. 40. [J13a,l]<br />
Flaubert to Baudelaire: '''You praise the flesh without loving it, in a melancholy,<br />
detached way that I find sympathetic. Ah! how well you understand the boredom<br />
of existence!"74 Cited in Maurice Barres, La Folie de Charles Baudelaire (Paris),<br />
p. 31. [J13a,2]<br />
Baudelaire's predilection for Jnvenal may well have to do with the latter's being<br />
one of the first urban poets. Compare this observation by Tbibaudet: "In survey-