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The Arcades Project - Operi

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o<br />

en<br />

'"<br />

ner.-Brunetiere arrived at this relatively positive estimation of Baudelaire only<br />

helatedly (1892). [JIZa,l]<br />

On Baudelaire in relation to Hugo and Gautier: '''He treats the great masters he<br />

learned from as he treats women: he adores and vilifies them." U.-V. Chatelain,<br />

Baudelaire, l'homme et Ie poete (Paris), p. 21. [JIZa,Z]<br />

Baudelaire on Hugo: "Not only does he express precisely and translate literally<br />

what is dearly and distinctly visible, but he expresses with indispensable obscurity<br />

what is obscure and vaguely revealed!' Citing this sentence in Baudelaire,<br />

l'homme et Ie poete (Paris), p. 22, Chatelain rightly says that Baudelaire is perhaps<br />

the only man of his time to have understood the "secret Mallarmeism" of Hugo.<br />

[JIZa,3]<br />

"Barely sixty people followed the hearse in the sweltering heat; Banville and<br />

Asselineau, under a gathering storm, made beautiful speeches that nobody could<br />

hear. With the exception of Veuillot in L'Univers, the press was cruel. Everything<br />

bore down on his remains. A gale dispersed his friends; his enemies ... called<br />

him 'mad. m U .-V. Chatelain, Baudelaire, l'homme et le poete (Paris), p. 16.<br />

[JIZa,4]<br />

For the experience of the co, . ,-espondances, Baudelaire refers<br />

Swedenborg, and also to hashish.<br />

occasionally to<br />

[JIZa,5]<br />

Baudelaire at a concert: ·'Two piercing black eyes, gleaming with a peculiar vividness,<br />

alone animated the figure that seemed frozen in its shell." Lorcdan Larchey,<br />

F, . agments de souvenirs (Paris , 1901), p. 6 ("Le Boa de Baudelaire-L'Impeccahie<br />

Banville"). [JIZa,6]<br />

Larchey is an eyewitness to Baudelaire's first visit to an Academician-a call paid<br />

to Jules Sandeau. Larchey finds himself in the entrance hall soon after Baudelaire.<br />

"When I arrived, . .. at the appointed hour, a hizarre spectacle informed me I had<br />

been preceded. All around the hat-pegs of the antechamber was coiled a long<br />

scarlet hoa, one of those boas in chenille of' which young working-class women are<br />

particularly fond." L. L, p. 7. [JIZa,7]<br />

Tableau of decadence: "Behold our great cities under the fog of tobacco smoke<br />

that envelops them, thoroughly sodden by alcohol, infused with morphine: it is<br />

there that humanity comes unhinged. Rest assured that this source hreeds more<br />

epileptics, idiots, and assassins than poets." Maurice Barres, La Folie de Charles<br />

Baudelaire (Paris

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