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The title originally planned for Spleen de Paris was Le Promeneur solitaire. For Le Fleu.rs dUo mal it was Les Limbes . [J4,1] From 'Conseils aux jeunes litterateurs": 'If one is willing to live in stuhborn contemplation of tomorrow's work, daily perseverance will serve inspiration." Charles Baudelaire, L 'Art rornantique, cd. Hachette, vol. 3 (Paris), p. 286.1B [J4,2] Baudelaire confesses to having had, "in childhood, the good fortune-or the misfortune-of reading only books for adults." Charles Baudelaire, L'Art romantique (Paris), p. 298 C'Drames et romans honnetes").19 [J4,3] On Heine: '
the poet when he has to describe . .. a mingling of glory and light. And if the lyric poet has occasion to speak of himself, he will not depict himself bent over a table, ... wrestling with intractable phrases, ... any more than he will show himself in a pOOl; wretched, or disorderly room; nor, if he wishes to appear dead, will he show himself rotting heneath a linen shroud in a wooden casket. That would be lying;' Baudelaire, L'Art romantique (paris), pp. 370-371.26 [J4a,2] In his essay on Banville Baudelaire mentions mythology together with allegory, and then continues: " Mythology is a dictionary of living hieroglyphics." Baudelaire L'Art romantiqu€ (Paris) p. 370.27 [J4a,3] Conjunction of the modern and the demonic: "Modern poetry is related at oue and the same time to painting, music, sculpture, decorative art, satiric philosophy, and the analytic spirit. ... Some could perhaps see in this symptoms of depravity of taste. But that is a question which I do not wish to discuss here." Nevertheless, a page later, after a reference to Beethoven, Maturin, Byron, and Poe, one reads: "1 mean that modem art has an essentially demoniacal tendency. And it seems that this satanic side of man . .. increases every day, as if the devil, like one who fattens geese, enjoyed enlarging it by artificial means, patiently force-feeding the human race in his poultry yard in order to prepare himself a more succulent dish;' Baudelaire, L'Art romantique (paris) , pp. 373-374.28 The concept of the demonic comes into play where the concept of modernity converges with Catllolicism. [J4a,4] Regarding Leconte de Lisle: "My natural predilection for Rome prevents me from feeling all the enjoyment that I should in the reading of his Greek poems;' Baudelaire, L'Art romantique (paris), pp. 389-390." Chthonic view of the world. Catholicism. [J4a,S] It is very important that the modern, with Baudelaire, appear not only as the signature of an epoch but as an energy by which this epoch in1mediately transforms and appropriates antiquity. Among all tlle relations into which modernity enters, its relation to antiquity is critical. Thus, Baudelaire sees confirmed in Hugo "the fatality which led him . . . partially to transform ancient ode and ancient tragedy into the poems and dramas that we know." Baudelaire, L'Art romantique (Paris), p. 401 (aLes Miserables ''):'' This is also, for Baudelaire, the fimction of Wagner. [JS,!] The gesture with which the angel chastises the miscreant: "Is it not useful for the poet the philosopher, to take egoistic Happiness by the hair from time to time and say to it while ruhhing its nose in blood and dung: "See your handiwork and swallow it'?" Charles Baudelaire, L'A,.t romantique (Paris), p. 406 ('Les Miserables"J.'" [J5,2] ( ,"The Church, . .. that Pharmacy where no one has the right to slumber!" Baudelaire, L'Art romantique (Paris), p. 420 (" Madame Bovary"). :12 [JS,3]
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THE ARCADES PROJECT
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CONTENTS T"anslators' Foreword Expo
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A A page of Benjamin's manuscript m
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Saturnring oder Etwas vom Eisenbau"
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The The German German edition of th
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trace in a thousand configurations
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III. Grandville, or the World Exhih
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impinge impinge on on social social
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Paris, Capital of the the Nineteent
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Pericles could ah-eady have underta
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D. D. Baudelaire, or the Streets of
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witnesses its birth. Here we meet t
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plantation owner among his slaves:'
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Overview A Arcades, Magasins de Nou
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The Passage des Panoramas. Watercol
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eaders will be be disturbed by this
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For the first time in history, with
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A branch of La BelleJardiniere in M
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Au Bon Marche department store in P
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B B [Fashion] Fashion: Madam Death!
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Le Pont des planetes (Interplanetar
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case, the woman would have been the
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Sudden past of a city: windows lit
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two lines by Baudelaire could serve
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this idea; for how can we be sure t
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"Eternal return" is the fimdamental
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trated the spirit of the times as a
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This This malicious statement state
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To Tools ols used by HaUSSlllaIm'S
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pas (Paris, 1857), pp. 47-49. These
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Critique sociale, vol. 1, Capital e
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F F [Iron [Iron Construction] Const
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Railroad stations used to be known
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possibilities. H A. G. Meyer Eisen
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Interior of the Crystal Palace, Lon
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marmer .... Each of the twelve thou
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like the tops of Boucher s gates."
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arts-a view which is, unhappily, de
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two words can meet" (p. 25; it rema
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Le 1iiomphe du kaleidoscope, ou Le
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G [Exhibitions, Advertising, Grandv
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course, in the end, the law accordi
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goods? The answer is very simple an
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ments, marble statues, and bubbling
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without the slightest detriment."
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""Despite all the posturing with wh
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Connection of the first world exhib
Page 200 and 201: Exterior of the Crystal Palace, Lon
Page 202 and 203: y t.he government against the Inter
Page 204 and 205: clipped, grain threshed, coal extra
Page 206 and 207: 1851. These precautions included co
Page 208 and 209: infancy, the Cyclopean period . ...
Page 210 and 211: its first ordeal." A. Toussenel, L
Page 212 and 213: queer thing, abounding in metaphysi
Page 214 and 215: a contest of pastry cooks. The 600,
Page 216 and 217: "avenue" illuminated at night by ga
Page 218 and 219: D [The Collector] All these old thi
Page 220 and 221: at hand through its integration int
Page 222 and 223: nate for the previous century has c
Page 224 and 225: of the Holy Sacrament and The Schoo
Page 226 and 227: forms of argumentation to which the
Page 228 and 229: How the interior defended itself ag
Page 230 and 231: Under the bourgeoisie, cities as we
Page 232 and 233: ooms in coffeehouses. Each coffeeho
Page 234 and 235: ""The drawing rooms of the Second E
Page 236 and 237: invent some sort of casing for! Poc
Page 238 and 239: ersP' Victor Fournel, Ce qu'on voit
Page 240 and 241: you are. The durability of products
Page 242 and 243: entiation. Changes in fashion disru
Page 244 and 245: Charles Baudelaire, 1855. Photo by
Page 246 and 247: Baudelaire-after his enforced sea v
Page 248 and 249: executed thus: the plate is set upr
Page 252 and 253: "Madame Bovary, in what is most for
Page 254 and 255: drawings, in distilling the bitter
Page 256 and 257: of the delivery was truly striking.
Page 258 and 259: lllire. -'Bnt your name is BlIudel
Page 260 and 261: heaven;' Baudelaire, OeuvreJ, vo!'
Page 262 and 263: "He is always polite to what is ugl
Page 264 and 265: horrible funk" writes the latter Ba
Page 266 and 267: makers as they are useless for form
Page 268 and 269: Thibaudet juxtaposes Baudelaire's '
Page 270 and 271: eing studiously contemplated, the e
Page 272 and 273: slowness from its long virtuality:
Page 274 and 275: of pure imagination, lose the use o
Page 276 and 277: I ... atin and Greek-in which I did
Page 278 and 279: Leconte de Lisle s opinion that Ba
Page 280: Dne Madone is a Baroque statue in
Page 283 and 284: The hidden figure that is the key t
Page 285 and 286: Apropos of "The greathearted servan
Page 287 and 288: Explore the question whether a conn
Page 289 and 290: fluttered like the sleeves of a cle
Page 291 and 292: v . 1 .. The definitive title for t
Page 293 and 294: Bourdin: son-in-law of Villemessant
Page 295 and 296: According to Le Dantec, the second
Page 297 and 298: concentration has caused him to red
Page 299 and 300: am convinced that, if the syllables
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The following passage shows the cro
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nard." Edmond J aloux, Le Centenair
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past, to think of things which are
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In the Dernieres Lettres (p. 145),
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In his commemorative address, Banvi
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suddenly reopened it under the lamp
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Note the rigor and elegance of the
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o o eo The importance of theory for
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Underneath that dark and fatal claw
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only if one took out a subscription
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""Baudelaire does not give us a lif
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00 o '" ""He was the first . .. to
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women give suck . .. , in their psy
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more deplorable than to be utterly
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and back." Ch. B., Oeuvres complete
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"Stupidity is often the ornament of
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The figure of the lesbian woman bel
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Sainte-Beuve with the words : "They
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v . 1 .. The unique importance of B
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.§ ) ... The mental capacities tha
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The image of petrified unrest, iu t
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On allegory: "L'Amour et Ie crane:
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the public . .. the mechanism behin
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to mention the transfiguration of P
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work of Poe, who thus became irrepl
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Les Fleun du mal may be considered
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forms an obstacle in its path. His
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This image has contributed greatly
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p. 133 ("Equilibrium between the Ae
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judging solely by the lights of a r
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his nonconformity, was in this resp
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The experience of allegory, which h
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o en M haschisch;' Oeuvres, vol. 1,
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no words could convey to the merely
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"On solemn eves of Heavenly harvest
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without jealousy, sympathetic and r
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tionary communists-from the public
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Closing lines of "Le Vin des chiffo
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a thousand splendors, / Is a sumptu
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For the materialist dialectician, d
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understanding its Baroque form. He
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I.I.While the parliamentary party o
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deed of nihilism, which is suicide"
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Modernity, in this work, is what a
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v . ] .. Allegory, as the sign that
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Among the legends which circulated
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No more hees sipping dewdrop and th
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o CO CD "BauclelaiI'c's weighty phr
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existence, to an attitude of patien
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first, vegetable kingdom next, mine
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America. Near the Capitol the roofs
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K [Dream City and Dream House, Drea
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configuration, they are as much nat
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than the nowbeing of "the present t
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More than a hundred years before it
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to disallow the pretentions of abst
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isolation . . . . The temple ought
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"There can be no doubt that from ..
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Couldn't one compare the social dif
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discover there, where our muscles d
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today, in the age of the automobile
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they also arranged to have outstand
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the next in perspective, offering f
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that sheet of' alluvium, subterrane
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son of the princess. The intimacy o
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M [The FHtueur] A landscape haunts,
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pletely distances himself from the
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on as we would imagine them to do i
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"It is wonderful that in Paris itse
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anonymous engineering, a grade cros
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then ... there was scarcely a tavem
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pavement, so as not to delay the op
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knowing it; yet notlllng is more fo
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was a poor devil whose means forbad
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nomy. The difference between this p
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torrent where you are rolled, buffe
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door is closed. 'Dickens himself ha
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Frontispiece of the third volume of
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""That poetry of terror which the s
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In Le 6 o(/obn, in Chapter 17, "Le
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Description of the crowd in Baudela
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ary urban culture ... forces us to
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v Which last is a scheme of ' paper
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ahout the same faces, the same appe
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who, in the midst of his wanderings
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[On the Theory of .Knowledge, Theor
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down from the arcades in the readin
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Marx lays bare the causal connectio
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condition of technology. The old pr
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identical with the "now of recogniz
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The particular difficulty of doing
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these values originated, but of the
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fonns of appropriate behavior. What
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of the artist reaches back to the p
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The dialectical image is that form
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The archaic form of primal history,
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late, and politics always needs to
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tdalterliche Zeitanschauungen in il
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accentuate the rags of mendicants .
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tive . . , content hy the historica
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The now of recognizability is the m
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Focillon on technique: "It has been
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fills all wanton behavior with fate
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"Hirondelles-women who work the win
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of this decline fuses, as though of
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tated, provoked above all by the lo
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that only the superior strength of
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o o "' this woman from passing beyo
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8 '" oneself that the woman who at
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could withstand the exorbitant comm
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Should the flower fashions of the B
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00 o "' "'After the Cafe de Paris c
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strain of knowing that her life is
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way, in that red cotton fabric that
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the Palais-Royal of 1789 . ... In s
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[The Streets of Paris] In short, th
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'Pont d'Austerlitz! Its famous name
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well as their population, and havin
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of the inhabitants." J. B. Pujoulx,
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the bit of blue which the northern
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The importance accorded the traffic
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the coarse moustaches of these infe
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sentation of certain still-life obj
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Principal panoramic representations
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Diorama on the Rue de Bondy, 1837.
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The world exhibition of 1889 had a
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merged with tlus, his image. Even t
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figures . ... Before every door sto
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A look at the ambiguity of the arca
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inely unique-what will never recur.
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only holds good in the space of the
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of this Jugendstil than Barcelona,
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ing, frescoes, decorative tapestry,
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On the upside-down manor house: ""T
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ancient grandeur of painting to its
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This phony in sum knows how to mana
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The fundamental motif of Jug ends t
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In his "Salons;' Baudelaire has giv
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T [Modes of Lighting] Et noctumis f
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D this kind of lighting, which was
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weekly, on Thursdays and Sundays, a
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the glass tubing, and so forth-were
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[;; to this general illumination, u
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"The influence and development of S
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process for producing gas lighting.
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had run aground on metaphysics.' H
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purpose of stock market quotations?
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o 00 "' people who no longer threat
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2,700,000 volumes were put into cir
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only the hanknotes of paradise, and
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'" 00 "' proclaimed itself the wond
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00 00 '" is called "Le Voyageur du
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""Let us put an end to honors for A
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Primate of the Gauls; there was the
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Le Globe (October 31, 1331), with r
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federation, when their hands are no
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00 '" "' women, were in no way the
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o o '0 French bourgeoisie gains too
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N '" co they arrived on the day bef
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mediating power, the good sense of
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guine in character anyway like all
Page 623 and 624:
00 o
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the uniform of Poly technicians, se
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. 1 CJ .. and simple, . .. who want
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Russia can huy the head of the Repu
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(May 1, 1937), pp. 695-696. The Jes
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the Provisional Goverrnnent to regi
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w [Fourier] Seas they fathom! Skies
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the heart, so as to bring the blood
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the sun and the harmonized planets.
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" Heine was well acquainted with so
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he saw it, took its rise from the i
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should govern him. Let us rescue it
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Fourier, Oeuvres, vol. , p. 260: "
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. can eventuate only in Harmony. Al
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since the invention of the chariot;
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those of Paris, who, as workers in
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and his soul fades into the planeta
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plants. m Armand and Maublanc, Four
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· . . on their clothing." ""Althou
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Fourier: 'Every calling has its cou
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Ten million francs would be needed
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quite eccentric in its outward aspe
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than consciousness of existing prac
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Time in technology: " As in a genui
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sanctioned by the so-called univers
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is what Marx is referring to when h
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time. They are nothing more than th
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show that the mythological mode of
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exchange. In fact, this 'equality'
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would he difficult to explain why,
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Korsch says very justly (and one mi
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ole of the immediate production of
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eform, working with only their one
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exposure time, I found it difficult
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Among the inventions that predate p
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like Paul Del.roche in his painting
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o 00
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NADAR_ ileValli la Photograpbie it
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not the process. Whoever possesses
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'" ro '" The first photographic int
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an image in the atmosphere, that al
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o m '" happy to have faithfully rep
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hasten to enrich the tourist's albu
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are bewitched, but the evil spell o
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which deals with the material-each
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a [Social Movement] Reveal to these
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o R breaking through walls. As soon
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f2 Episodes in the June Insurrectio
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f2 rigorously monitored the worker
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to him. m Eugene Buret, La Misere d
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ourgeoisie were already fearful of
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We arc nothing but machines. Our Ba
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incendiary deeds, spoke already of
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Chassin, La Legende du Petit Mantea
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I 1) o en Will Look out on an oce
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"'I will rouse the people with my u
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Jules Mercier "L'Arche de Dieu," in
Page 737 and 738:
f! From Robert (du Var) l Ilistoire
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Adolphe Boyer, De l'Etat des ouvrie
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Ganneau's "Page prophetique ' was
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the author accentuates the "·pecul
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On Buret's De la Miser'e des classe
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g? Poetry . .. has sanctioned the g
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Cuvillier presents Proudhon as a pr
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the Sirens to he crew of his ship a
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symptoms of a disease that today in
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[Daumier] A paradoxical description
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Honore Daumier, ca. 1857. Photo by
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d [Literary History, Hugo] "'Thiel'
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exclusive glory of the triumphant B
Page 763 and 764:
It is worthy of note that the prefa
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L'Artiste et I 'amateur du dix-neuv
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Alexandre Dumas pere, 1855. Photo b
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age of disonler and viee nUlS agt"O
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On Victor Hugo: He placed the ballo
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11,e novels of George Sand led to a
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arm the masses. Cited in eh. Paris
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prudent, will henceforth sap the pi
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the other hand, and that of Murger,
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interior. Events having brusquely r
Page 783 and 784:
which had already come rather far o
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was, as a stupid politician, denyin
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dominating the serial format, and i
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in all seriousness by our salon sav
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hounds and the faxes are yelping, d
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The gargoyles of Notre Dame must be
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which were government bureaucrats.
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the Stock Exchange, diverted for te
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Balzac's portrait of the speculator
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• I [Reproduction Technology, Lit
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k [The Commune] "The history of the
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Then, in the Assemblies of the Comm
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ACTUAlly[ Actualite (Actuality), a
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A barricade of the Paris Commune, R
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I [The Seine, the Oldest Paris] Aro
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sance des mathematiques pour assnre
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m [Idleness] Noteworthy conjunction
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a product of chance, and have about
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evinced in the theory of "modern be
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"" o 00 often, idleness is the very
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00 o 00 the redeemer of man ' 8 bet
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;:: threshold of the hedroom, a dev
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Publication date of the first issue
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Jesus had yielded to the natural in
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Around the time that "physiologies"
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[Ecole Poly technique ] On commerce
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Poly technique. The student would d
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In Le Cure de village, which Balzac
Page 839:
points. His primer hegins ... with
Page 843 and 844:
Trade and traffic are the two compo
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If one wanted to characterize the i
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stations make good starting points,
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All this is the arcade in our eyes.
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Tl isit, Wagram, Calais, Antwerp, L
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What is une psychi?19 . The city ma
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VVhat was otherwise reserved for on
Page 857 and 858:
Death and fashion. Rilke, the passa
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Hermes, the masculine god. It is ch
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The writings of the Surrealists tre
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00 .". 00 Around the same time, the
Page 865 and 866:
something very characteristic of th
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How Blucher gambled in Paris. (See
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Superposition accordiug to the rhyt
Page 871 and 872:
slot machines, the mechanical fortu
Page 873 and 874:
00 "' 00 It must be kept in mind th
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o '"' 00 of Schiller's we read of
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ance, we have to experience indire
Page 879 and 880:
Concretion extinguishes thought; ab
Page 881 and 882:
Thomasius, Vam Recht des Schlafi un
Page 883 and 884:
Fashion is intention that ignites;
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Arcades This brief essay, dating fr
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These originally untitled texts (G
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on the tip of one's tongue. Nter al
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information bureaus and detective a
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inclined to linger before the trans
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ealized: here, at one time, after P
Page 898 and 899:
superstition. Thus in gambler and p
Page 900 and 901:
The Ring of Saturn or Some Remarks
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allow our steel furnishings of toda
Page 904:
Walter BeIamin at the card catalogu
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Expose of 1935, Early Version The e
Page 910 and 911:
The flaneur as counterpart of the "
Page 912 and 913:
essence of the images which the dre
Page 914 and 915:
Materials for the Expose of 1935 Th
Page 916 and 917:
Gaslight in Baudelaire Passage de l
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The untranslatable literature of fl
Page 920 and 921:
To ols and workers with Haussmann (
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Dialectic of the commodity A canon
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No. 10 (Boredom) EconOll1ic rudimen
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No. 12 Methodological Dialectical i
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No. 198 {The merit of this little v
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No. 21 I Fragments of the general l
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(The cashier as livillg image, as a
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Materials for "Arcades" Among Benja
Page 936 and 937:
How a first-class restaurant comes
Page 938 and 939:
A factory producing cockades for we
Page 940:
A bookstore places together an neig
Page 944 and 945:
Dialectics at a Standstill Approach
Page 946 and 947:
with and finally overgrown by quota
Page 948 and 949:
teenth century, and in it a specifi
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the immersion of what has been into
Page 952 and 953:
various reasons. Retrospectively, h
Page 954 and 955:
(Expose of 1935, section I). To beg
Page 956 and 957:
image. Physiognomic thought was ass
Page 958 and 959:
two meanings in Belamin's texts; th
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clocks, as during the July revoluti
Page 962 and 963:
continued, "told me how to find you
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He said that his decision to spend
Page 966 and 967:
Mter the vineY31-d, we rested on a
Page 968 and 969:
For all that came later. l11en, bac
Page 970 and 971:
Translators' Notes Abbreviations GS
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Expose of 1939 The second expose, "
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2. The Passage du Caire was the fir
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ing; Friederike Kempner (1836-1904)
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3. Benjamin is quoting from an open
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in GlO,l is on p. 239. Benjamin cit
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deavor to maintain a Juste milieu.)
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42. Baudelaire, "The Painter of Mod
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96. Baudelaire, The Complete verse)
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145. Baudelaire, CotTespondance (Pa
Page 990 and 991:
ice . ... [He] thinks he has been v
Page 992 and 993:
287. Ibid. 288. Ibid., p. 230. "Ill
Page 994 and 995:
tion between the jack of hearts and
Page 996 and 997:
In English in The Complete Time, p.
Page 998 and 999:
was a site in Paris occupied by wor
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Frederick A. Blossom) . The lines b
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29. Ibid., pp. 45-46. "Drifting" is
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2. Reference is to Louis Aragon, Le
Page 1006 and 1007:
50. TIlls passage is not found in t
Page 1008 and 1009:
different parts of the world. But t
Page 1010 and 1011:
26. Paul Valery, HIstory and Politi
Page 1012 and 1013:
aid of two other young republicans.
Page 1014 and 1015:
36. As a child, Fourier would fill
Page 1016 and 1017:
56. Ibid., pp. 198-199. 57. Ibid.,
Page 1018 and 1019:
15. Honore de Balzac, Eugenie Grand
Page 1020 and 1021:
"workshop" and "graverll or 'burin"
Page 1022 and 1023:
The siege lasted until the end ofJa
Page 1024 and 1025:
(destroyed in 1919) took in a numbe
Page 1026 and 1027:
49. Proust, A la Recherche du temj}
Page 1028 and 1029:
trans. Manfred R. Jacobson and Evel
Page 1030 and 1031:
Benjamids in more than mere nuances
Page 1032 and 1033:
tion and was minister of war in the
Page 1034 and 1035:
Belleville. Wo rking·class neighbo
Page 1036 and 1037:
Buchez, Philippe (1796-1865). Frenc
Page 1038 and 1039:
in French, no confessional, and mar
Page 1040 and 1041:
Crepet,Jacques (1874-1952). Son of
Page 1042 and 1043:
Du Camp, Maxime (1822-1894). Writer
Page 1044 and 1045:
Flotte, Etienne-Gaston, baron de (1
Page 1046 and 1047:
Grand Chatelet. Ancient fortress in
Page 1048 and 1049:
laire and Rimbaud. Author of Umbra
Page 1050 and 1051:
Hebrew at the College of Rome. In 1
Page 1052 and 1053:
er of Deputies from 1841. A leader
Page 1054 and 1055:
Makar!, Hans (1840-1884). Austrian
Page 1056 and 1057:
Mode, comte Louis (1781-1855). Prem
Page 1058 and 1059:
Nisard, Desire (1806-1888).journali
Page 1060 and 1061:
La Plmlauge. Fourierist newspaper p
Page 1062 and 1063:
Restif de la Bretonne. Pseudonym of
Page 1064 and 1065:
Sarcey, Francisque (1827-1899). Fre
Page 1066 and 1067:
Taylor, Frederick Winslow (1856-191
Page 1068:
Villiers de l'Isle-Adarn, Auguste (
Page 1071 and 1072:
Balzac, Honore de (colltinued) cult
Page 1073 and 1074:
Baudelaire, Charles (wl1timwd) de 1
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Chatelain, U.-Y., 250 Chaudes-Aigue
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Escholier, Raymond, 225, 429, 442,
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Hallays-Dabot, Victor, 695, 706, 78
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754, 757, 758, 764, 765, 767, 768,
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Millotaure, 549 Mirabeau, Honon::,
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Pouson du Te rrail, Pierre-Alexis,
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Soumct, Alexandre, 575 Soupault, Ph
Page 1089:
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