07.04.2013
•
Views
without the slightest detriment." Charles Simond, Paris de 1800 (( 1900 (Paris, 1900), vol. 2, p. 510 ("Une Reclame de parfumeur en 1857").' [G3a,!] " Gravely, the sandwich-man bears his double blu'den, light as it is. A young lady whose rotundity is only temporary smiles at the walking poster, yet wishes to read it even as she smiles. The happy author of her abdominal salience likewise bears a burden of his own." Text accompanying a lithograph entitled "L 'Homme-affiche sur la Place des Victoires," from Nouveaux Tableaux de Paris, text to plate 63 [the lithographs are by Marlet]. This hook is a sort of Hogm1h ad u.Sltnt Delphini. [G3a,2] Beginning of Alfred Delvau's preface to Les Murailles re"volutionnaires: "These revolutionary placards-at the bottom of which we set our obscure name-form an immense and unique composition, one without precedent, we believe, in the history of books. They are a collective work. The author is Monsieur Everyone Mein Herr Omnes, as Luther says." Les Murailles revolutionnaires de 1848, 16th ed. (Paris
palace erected by Formige. It is characteristic of these enormous fairs to be ephemeral, yet each of them has left its trace in Paris. The exhibition of 1878 was responsible for the Trocadero, that eccentric palace clapped down on the top of Chaillot by Davioud and Botu'dais, and also for the footbridge at Passy, built to replace the Pont (Plena, which was no longer usable. The exhibition of 1889 left behind the Galerie des Machines, which was eventually torn down, although the Eiffel Tower still stands." Dubech and d'Espezel, Histoire de Paris (Paris, 1926), p. 461. [G4,4] (,BEurope is off to view the merchandise,' said Renan-contemptuously-of the 1855 exhibition." Paul Morand, 1900 (Paris, 1931), p. 71. [G4,5] '''This year has been lost for propaganda,' says a socialist orator at the congress of 1900." Paul Morand, 1900 (Paris, 1931), p. 129. [G4,6] "In 1798, a universal exposition of industry was announced; it was to take place ... on the Champ de Mars. The Directory had charged the minister of the interior, Franois de Neufchateau, with organizing a national festival to commemorate the founding of the Republic. The minister had conferred with several people, who proposed holding contests and games, like greasy-pole climbing. One person suggested that a great market be set up after the fashion of country fairs, but on a larger scale. Finally, it was proposed that an exhibition of paintings be included. These last two suggestions gave Franois de Neufchateau the idea of presenting an exhibition of industry in celebration of the national festival. Thus, the first industrial exposition is born from the wish to amuse the working classes, and it becomes for them a festival of emancipation . ... The increasingly popular character of industry starts to become evident. ... Silk fabrics are replaced by woolens, and satin and lace by materials more in keeping with the domestic requirements of the Third Estate: woolen bonnets and corduroys . ... Chaptal, the spokesman for this exhibition, calls the industrial state by its name for the first time." Sigmund Englander, Geschichte de,. j,.anzosischen Arbeite,.-Associationen (Hamburg, 1864), vol. 1, pp. 51-53. [G4,7] "In celebrating the centenary of the great Revolution, the French bourgeoisie has, as it were, intentionally set out to demonstrate to the proletariat ad oculos the economic possibility and necessity of a social uprising. The world exhibition has given the proletariat an excellent idea of the unprecedented level of development which the means of production have reached in all civilized lands-a development far exc.eeding the boldest utopian fantasies of the century preceding this one . ... The exhibition has further demonstrated that modern development of the forces of production must of necessity lead to industrial crises that, given the anarchy currently reigning in production, will only grow more acute with the passage of time, and hence more destructive to the course of the world economy." G. Plekhanov, "Wie die Bourgeoisie ihrer Revolution gedenkt," Die neue Zeit, 9, no. 1 (Stuttgart, 1391), p. 138. [G4a,1]
-
Page 2:
THE ARCADES PROJECT
-
Page 6 and 7:
CONTENTS T"anslators' Foreword Expo
-
Page 8:
A A page of Benjamin's manuscript m
-
Page 11:
Saturnring oder Etwas vom Eisenbau"
-
Page 14 and 15:
The The German German edition of th
-
Page 20 and 21:
trace in a thousand configurations
-
Page 22 and 23:
III. Grandville, or the World Exhih
-
Page 24 and 25:
impinge impinge on on social social
-
Page 29 and 30:
Paris, Capital of the the Nineteent
-
Page 32 and 33:
Pericles could ah-eady have underta
-
Page 36 and 37:
D. D. Baudelaire, or the Streets of
-
Page 38 and 39:
witnesses its birth. Here we meet t
-
Page 40 and 41:
plantation owner among his slaves:'
-
Page 44:
Overview A Arcades, Magasins de Nou
-
Page 51 and 52:
The Passage des Panoramas. Watercol
-
Page 55:
eaders will be be disturbed by this
-
Page 58:
For the first time in history, with
-
Page 62:
A branch of La BelleJardiniere in M
-
Page 74:
Au Bon Marche department store in P
-
Page 77:
B B [Fashion] Fashion: Madam Death!
-
Page 80:
Le Pont des planetes (Interplanetar
-
Page 96:
case, the woman would have been the
-
Page 103:
Sudden past of a city: windows lit
-
Page 112 and 113:
two lines by Baudelaire could serve
-
Page 126:
this idea; for how can we be sure t
-
Page 134 and 135:
"Eternal return" is the fimdamental
-
Page 136:
trated the spirit of the times as a
-
Page 145:
This This malicious statement state
-
Page 149 and 150:
To Tools ols used by HaUSSlllaIm'S
-
Page 153:
pas (Paris, 1857), pp. 47-49. These
-
Page 160:
Critique sociale, vol. 1, Capital e
-
Page 165:
F F [Iron [Iron Construction] Const
-
Page 170 and 171:
Railroad stations used to be known
-
Page 172 and 173:
possibilities. H A. G. Meyer Eisen
-
Page 174 and 175:
Interior of the Crystal Palace, Lon
-
Page 176 and 177:
marmer .... Each of the twelve thou
-
Page 178 and 179:
like the tops of Boucher s gates."
-
Page 180 and 181:
arts-a view which is, unhappily, de
-
Page 182 and 183:
two words can meet" (p. 25; it rema
-
Page 184 and 185:
Le 1iiomphe du kaleidoscope, ou Le
-
Page 186 and 187:
G [Exhibitions, Advertising, Grandv
-
Page 188 and 189:
course, in the end, the law accordi
-
Page 190 and 191:
goods? The answer is very simple an
-
Page 192 and 193:
ments, marble statues, and bubbling
-
Page 196 and 197:
""Despite all the posturing with wh
-
Page 198 and 199:
Connection of the first world exhib
-
Page 200 and 201:
Exterior of the Crystal Palace, Lon
-
Page 202 and 203:
y t.he government against the Inter
-
Page 204 and 205:
clipped, grain threshed, coal extra
-
Page 206 and 207:
1851. These precautions included co
-
Page 208 and 209:
infancy, the Cyclopean period . ...
-
Page 210 and 211:
its first ordeal." A. Toussenel, L
-
Page 212 and 213:
queer thing, abounding in metaphysi
-
Page 214 and 215:
a contest of pastry cooks. The 600,
-
Page 216 and 217:
"avenue" illuminated at night by ga
-
Page 218 and 219:
D [The Collector] All these old thi
-
Page 220 and 221:
at hand through its integration int
-
Page 222 and 223:
nate for the previous century has c
-
Page 224 and 225:
of the Holy Sacrament and The Schoo
-
Page 226 and 227:
forms of argumentation to which the
-
Page 228 and 229:
How the interior defended itself ag
-
Page 230 and 231:
Under the bourgeoisie, cities as we
-
Page 232 and 233:
ooms in coffeehouses. Each coffeeho
-
Page 234 and 235:
""The drawing rooms of the Second E
-
Page 236 and 237:
invent some sort of casing for! Poc
-
Page 238 and 239:
ersP' Victor Fournel, Ce qu'on voit
-
Page 240 and 241:
you are. The durability of products
-
Page 242 and 243:
entiation. Changes in fashion disru
-
Page 244 and 245:
Charles Baudelaire, 1855. Photo by
-
Page 246 and 247:
Baudelaire-after his enforced sea v
-
Page 248 and 249:
executed thus: the plate is set upr
-
Page 250 and 251:
The title originally planned for Sp
-
Page 252 and 253:
"Madame Bovary, in what is most for
-
Page 254 and 255:
drawings, in distilling the bitter
-
Page 256 and 257:
of the delivery was truly striking.
-
Page 258 and 259:
lllire. -'Bnt your name is BlIudel
-
Page 260 and 261:
heaven;' Baudelaire, OeuvreJ, vo!'
-
Page 262 and 263:
"He is always polite to what is ugl
-
Page 264 and 265:
horrible funk" writes the latter Ba
-
Page 266 and 267:
makers as they are useless for form
-
Page 268 and 269:
Thibaudet juxtaposes Baudelaire's '
-
Page 270 and 271:
eing studiously contemplated, the e
-
Page 272 and 273:
slowness from its long virtuality:
-
Page 274 and 275:
of pure imagination, lose the use o
-
Page 276 and 277:
I ... atin and Greek-in which I did
-
Page 278 and 279:
Leconte de Lisle s opinion that Ba
-
Page 280:
Dne Madone is a Baroque statue in
-
Page 283 and 284:
The hidden figure that is the key t
-
Page 285 and 286:
Apropos of "The greathearted servan
-
Page 287 and 288:
Explore the question whether a conn
-
Page 289 and 290:
fluttered like the sleeves of a cle
-
Page 291 and 292:
v . 1 .. The definitive title for t
-
Page 293 and 294:
Bourdin: son-in-law of Villemessant
-
Page 295 and 296:
According to Le Dantec, the second
-
Page 297 and 298:
concentration has caused him to red
-
Page 299 and 300:
am convinced that, if the syllables
-
Page 301 and 302:
The following passage shows the cro
-
Page 303 and 304:
nard." Edmond J aloux, Le Centenair
-
Page 305 and 306:
past, to think of things which are
-
Page 307 and 308:
In the Dernieres Lettres (p. 145),
-
Page 309 and 310:
In his commemorative address, Banvi
-
Page 311 and 312:
suddenly reopened it under the lamp
-
Page 313 and 314:
Note the rigor and elegance of the
-
Page 315 and 316:
o o eo The importance of theory for
-
Page 317 and 318:
Underneath that dark and fatal claw
-
Page 319 and 320:
only if one took out a subscription
-
Page 321 and 322:
""Baudelaire does not give us a lif
-
Page 323 and 324:
00 o '" ""He was the first . .. to
-
Page 325 and 326:
women give suck . .. , in their psy
-
Page 327 and 328:
more deplorable than to be utterly
-
Page 329 and 330:
and back." Ch. B., Oeuvres complete
-
Page 331 and 332:
"Stupidity is often the ornament of
-
Page 333 and 334:
The figure of the lesbian woman bel
-
Page 335 and 336:
Sainte-Beuve with the words : "They
-
Page 337 and 338:
v . 1 .. The unique importance of B
-
Page 339 and 340:
.§ ) ... The mental capacities tha
-
Page 341 and 342:
The image of petrified unrest, iu t
-
Page 343 and 344:
On allegory: "L'Amour et Ie crane:
-
Page 345 and 346:
the public . .. the mechanism behin
-
Page 347 and 348:
to mention the transfiguration of P
-
Page 349 and 350:
work of Poe, who thus became irrepl
-
Page 351 and 352:
Les Fleun du mal may be considered
-
Page 353 and 354:
forms an obstacle in its path. His
-
Page 355 and 356:
This image has contributed greatly
-
Page 357 and 358:
p. 133 ("Equilibrium between the Ae
-
Page 359 and 360:
judging solely by the lights of a r
-
Page 361 and 362:
his nonconformity, was in this resp
-
Page 363 and 364:
The experience of allegory, which h
-
Page 365 and 366:
o en M haschisch;' Oeuvres, vol. 1,
-
Page 367 and 368:
no words could convey to the merely
-
Page 369 and 370:
"On solemn eves of Heavenly harvest
-
Page 371 and 372:
without jealousy, sympathetic and r
-
Page 373 and 374:
tionary communists-from the public
-
Page 375 and 376:
Closing lines of "Le Vin des chiffo
-
Page 377 and 378:
a thousand splendors, / Is a sumptu
-
Page 379 and 380:
For the materialist dialectician, d
-
Page 381 and 382:
understanding its Baroque form. He
-
Page 383 and 384:
I.I.While the parliamentary party o
-
Page 385 and 386:
deed of nihilism, which is suicide"
-
Page 387 and 388:
Modernity, in this work, is what a
-
Page 389 and 390:
v . ] .. Allegory, as the sign that
-
Page 391 and 392:
Among the legends which circulated
-
Page 393 and 394:
No more hees sipping dewdrop and th
-
Page 395 and 396:
o CO CD "BauclelaiI'c's weighty phr
-
Page 397 and 398:
existence, to an attitude of patien
-
Page 399 and 400:
first, vegetable kingdom next, mine
-
Page 401 and 402:
America. Near the Capitol the roofs
-
Page 403 and 404:
K [Dream City and Dream House, Drea
-
Page 405 and 406:
configuration, they are as much nat
-
Page 407 and 408:
than the nowbeing of "the present t
-
Page 409 and 410:
More than a hundred years before it
-
Page 411 and 412:
to disallow the pretentions of abst
-
Page 413 and 414:
isolation . . . . The temple ought
-
Page 415 and 416:
"There can be no doubt that from ..
-
Page 417 and 418:
Couldn't one compare the social dif
-
Page 419 and 420:
discover there, where our muscles d
-
Page 421 and 422:
today, in the age of the automobile
-
Page 423 and 424:
they also arranged to have outstand
-
Page 425 and 426:
the next in perspective, offering f
-
Page 427 and 428:
that sheet of' alluvium, subterrane
-
Page 429 and 430:
son of the princess. The intimacy o
-
Page 431 and 432:
M [The FHtueur] A landscape haunts,
-
Page 433 and 434:
pletely distances himself from the
-
Page 435 and 436:
on as we would imagine them to do i
-
Page 437 and 438:
"It is wonderful that in Paris itse
-
Page 439 and 440:
anonymous engineering, a grade cros
-
Page 441 and 442:
then ... there was scarcely a tavem
-
Page 443 and 444:
pavement, so as not to delay the op
-
Page 445 and 446:
knowing it; yet notlllng is more fo
-
Page 447 and 448:
was a poor devil whose means forbad
-
Page 449 and 450:
nomy. The difference between this p
-
Page 451 and 452:
torrent where you are rolled, buffe
-
Page 453 and 454:
door is closed. 'Dickens himself ha
-
Page 455 and 456:
Frontispiece of the third volume of
-
Page 457 and 458:
""That poetry of terror which the s
-
Page 459 and 460:
In Le 6 o(/obn, in Chapter 17, "Le
-
Page 461 and 462:
Description of the crowd in Baudela
-
Page 463 and 464:
ary urban culture ... forces us to
-
Page 465 and 466:
v Which last is a scheme of ' paper
-
Page 467 and 468:
ahout the same faces, the same appe
-
Page 469 and 470:
who, in the midst of his wanderings
-
Page 471 and 472:
[On the Theory of .Knowledge, Theor
-
Page 473 and 474:
down from the arcades in the readin
-
Page 475 and 476:
Marx lays bare the causal connectio
-
Page 477 and 478:
condition of technology. The old pr
-
Page 479 and 480:
identical with the "now of recogniz
-
Page 481 and 482:
The particular difficulty of doing
-
Page 483 and 484:
these values originated, but of the
-
Page 485 and 486:
fonns of appropriate behavior. What
-
Page 487 and 488:
of the artist reaches back to the p
-
Page 489 and 490:
The dialectical image is that form
-
Page 491 and 492:
The archaic form of primal history,
-
Page 493 and 494:
late, and politics always needs to
-
Page 495 and 496:
tdalterliche Zeitanschauungen in il
-
Page 497 and 498:
accentuate the rags of mendicants .
-
Page 499 and 500:
tive . . , content hy the historica
-
Page 501 and 502:
The now of recognizability is the m
-
Page 503 and 504:
Focillon on technique: "It has been
-
Page 505 and 506:
fills all wanton behavior with fate
-
Page 507 and 508:
"Hirondelles-women who work the win
-
Page 509 and 510:
of this decline fuses, as though of
-
Page 511 and 512:
tated, provoked above all by the lo
-
Page 513 and 514:
that only the superior strength of
-
Page 515 and 516:
o o "' this woman from passing beyo
-
Page 517 and 518:
8 '" oneself that the woman who at
-
Page 519 and 520:
could withstand the exorbitant comm
-
Page 521 and 522:
Should the flower fashions of the B
-
Page 523 and 524:
00 o "' "'After the Cafe de Paris c
-
Page 525 and 526:
strain of knowing that her life is
-
Page 527 and 528:
way, in that red cotton fabric that
-
Page 529 and 530:
the Palais-Royal of 1789 . ... In s
-
Page 531 and 532:
[The Streets of Paris] In short, th
-
Page 533 and 534:
'Pont d'Austerlitz! Its famous name
-
Page 535 and 536:
well as their population, and havin
-
Page 537 and 538:
of the inhabitants." J. B. Pujoulx,
-
Page 539 and 540:
the bit of blue which the northern
-
Page 541 and 542:
The importance accorded the traffic
-
Page 543 and 544:
the coarse moustaches of these infe
-
Page 545 and 546:
sentation of certain still-life obj
-
Page 547 and 548:
Principal panoramic representations
-
Page 549 and 550:
Diorama on the Rue de Bondy, 1837.
-
Page 551 and 552:
The world exhibition of 1889 had a
-
Page 553 and 554:
merged with tlus, his image. Even t
-
Page 555 and 556:
figures . ... Before every door sto
-
Page 557 and 558:
A look at the ambiguity of the arca
-
Page 559 and 560:
inely unique-what will never recur.
-
Page 561 and 562:
only holds good in the space of the
-
Page 563 and 564:
of this Jugendstil than Barcelona,
-
Page 565 and 566:
ing, frescoes, decorative tapestry,
-
Page 567 and 568:
On the upside-down manor house: ""T
-
Page 569 and 570:
ancient grandeur of painting to its
-
Page 571 and 572:
This phony in sum knows how to mana
-
Page 573 and 574:
The fundamental motif of Jug ends t
-
Page 575 and 576:
In his "Salons;' Baudelaire has giv
-
Page 577 and 578:
T [Modes of Lighting] Et noctumis f
-
Page 579 and 580:
D this kind of lighting, which was
-
Page 581 and 582:
weekly, on Thursdays and Sundays, a
-
Page 583 and 584:
the glass tubing, and so forth-were
-
Page 585 and 586:
[;; to this general illumination, u
-
Page 587 and 588:
"The influence and development of S
-
Page 589 and 590:
process for producing gas lighting.
-
Page 591 and 592:
had run aground on metaphysics.' H
-
Page 593 and 594:
purpose of stock market quotations?
-
Page 595 and 596:
o 00 "' people who no longer threat
-
Page 597 and 598:
2,700,000 volumes were put into cir
-
Page 599 and 600:
only the hanknotes of paradise, and
-
Page 601 and 602:
'" 00 "' proclaimed itself the wond
-
Page 603 and 604:
00 00 '" is called "Le Voyageur du
-
Page 605 and 606:
""Let us put an end to honors for A
-
Page 607 and 608:
Primate of the Gauls; there was the
-
Page 609 and 610:
Le Globe (October 31, 1331), with r
-
Page 611 and 612:
federation, when their hands are no
-
Page 613 and 614:
00 '" "' women, were in no way the
-
Page 615 and 616:
o o '0 French bourgeoisie gains too
-
Page 617 and 618:
N '" co they arrived on the day bef
-
Page 619 and 620:
mediating power, the good sense of
-
Page 621 and 622:
guine in character anyway like all
-
Page 623 and 624:
00 o
-
Page 625 and 626:
the uniform of Poly technicians, se
-
Page 627 and 628:
. 1 CJ .. and simple, . .. who want
-
Page 629 and 630:
Russia can huy the head of the Repu
-
Page 631 and 632:
(May 1, 1937), pp. 695-696. The Jes
-
Page 633 and 634:
the Provisional Goverrnnent to regi
-
Page 635 and 636:
w [Fourier] Seas they fathom! Skies
-
Page 637 and 638:
the heart, so as to bring the blood
-
Page 639 and 640:
the sun and the harmonized planets.
-
Page 641 and 642:
" Heine was well acquainted with so
-
Page 643 and 644:
he saw it, took its rise from the i
-
Page 645 and 646:
should govern him. Let us rescue it
-
Page 647 and 648:
Fourier, Oeuvres, vol. , p. 260: "
-
Page 649 and 650:
. can eventuate only in Harmony. Al
-
Page 651 and 652:
since the invention of the chariot;
-
Page 653 and 654:
those of Paris, who, as workers in
-
Page 655 and 656:
and his soul fades into the planeta
-
Page 657 and 658:
plants. m Armand and Maublanc, Four
-
Page 659 and 660:
· . . on their clothing." ""Althou
-
Page 661 and 662:
Fourier: 'Every calling has its cou
-
Page 663 and 664:
Ten million francs would be needed
-
Page 665 and 666:
quite eccentric in its outward aspe
-
Page 667 and 668:
than consciousness of existing prac
-
Page 669 and 670:
Time in technology: " As in a genui
-
Page 671 and 672:
sanctioned by the so-called univers
-
Page 673 and 674:
is what Marx is referring to when h
-
Page 675 and 676:
time. They are nothing more than th
-
Page 677 and 678:
show that the mythological mode of
-
Page 679 and 680:
exchange. In fact, this 'equality'
-
Page 681 and 682:
would he difficult to explain why,
-
Page 683 and 684:
Korsch says very justly (and one mi
-
Page 685 and 686:
ole of the immediate production of
-
Page 687 and 688:
eform, working with only their one
-
Page 689 and 690:
exposure time, I found it difficult
-
Page 691 and 692:
Among the inventions that predate p
-
Page 693 and 694:
like Paul Del.roche in his painting
-
Page 695 and 696:
o 00
-
Page 697 and 698:
NADAR_ ileValli la Photograpbie it
-
Page 699 and 700:
not the process. Whoever possesses
-
Page 701 and 702:
'" ro '" The first photographic int
-
Page 703 and 704:
an image in the atmosphere, that al
-
Page 705 and 706:
o m '" happy to have faithfully rep
-
Page 707 and 708:
hasten to enrich the tourist's albu
-
Page 709 and 710:
are bewitched, but the evil spell o
-
Page 711 and 712:
which deals with the material-each
-
Page 713 and 714:
a [Social Movement] Reveal to these
-
Page 715 and 716:
o R breaking through walls. As soon
-
Page 717 and 718:
f2 Episodes in the June Insurrectio
-
Page 719 and 720:
f2 rigorously monitored the worker
-
Page 721 and 722:
to him. m Eugene Buret, La Misere d
-
Page 723 and 724:
ourgeoisie were already fearful of
-
Page 725 and 726:
We arc nothing but machines. Our Ba
-
Page 727 and 728:
incendiary deeds, spoke already of
-
Page 729 and 730:
Chassin, La Legende du Petit Mantea
-
Page 731 and 732:
I 1) o en Will Look out on an oce
-
Page 733 and 734:
"'I will rouse the people with my u
-
Page 735 and 736:
Jules Mercier "L'Arche de Dieu," in
-
Page 737 and 738:
f! From Robert (du Var) l Ilistoire
-
Page 739 and 740:
Adolphe Boyer, De l'Etat des ouvrie
-
Page 741 and 742:
Ganneau's "Page prophetique ' was
-
Page 743 and 744:
the author accentuates the "·pecul
-
Page 745 and 746:
On Buret's De la Miser'e des classe
-
Page 747 and 748:
g? Poetry . .. has sanctioned the g
-
Page 749 and 750:
Cuvillier presents Proudhon as a pr
-
Page 751 and 752:
the Sirens to he crew of his ship a
-
Page 753 and 754:
symptoms of a disease that today in
-
Page 755 and 756:
[Daumier] A paradoxical description
-
Page 757 and 758:
Honore Daumier, ca. 1857. Photo by
-
Page 759 and 760:
d [Literary History, Hugo] "'Thiel'
-
Page 761 and 762:
exclusive glory of the triumphant B
-
Page 763 and 764:
It is worthy of note that the prefa
-
Page 765 and 766:
L'Artiste et I 'amateur du dix-neuv
-
Page 767 and 768:
Alexandre Dumas pere, 1855. Photo b
-
Page 769 and 770:
age of disonler and viee nUlS agt"O
-
Page 771 and 772:
On Victor Hugo: He placed the ballo
-
Page 773 and 774:
11,e novels of George Sand led to a
-
Page 775 and 776:
arm the masses. Cited in eh. Paris
-
Page 777 and 778:
prudent, will henceforth sap the pi
-
Page 779 and 780:
the other hand, and that of Murger,
-
Page 781 and 782:
interior. Events having brusquely r
-
Page 783 and 784:
which had already come rather far o
-
Page 785 and 786:
was, as a stupid politician, denyin
-
Page 787 and 788:
dominating the serial format, and i
-
Page 789 and 790:
in all seriousness by our salon sav
-
Page 791 and 792:
hounds and the faxes are yelping, d
-
Page 793 and 794:
The gargoyles of Notre Dame must be
-
Page 795 and 796:
which were government bureaucrats.
-
Page 797 and 798:
the Stock Exchange, diverted for te
-
Page 799 and 800:
Balzac's portrait of the speculator
-
Page 801 and 802:
• I [Reproduction Technology, Lit
-
Page 803 and 804:
k [The Commune] "The history of the
-
Page 805 and 806:
Then, in the Assemblies of the Comm
-
Page 807 and 808:
ACTUAlly[ Actualite (Actuality), a
-
Page 809 and 810:
A barricade of the Paris Commune, R
-
Page 811 and 812:
I [The Seine, the Oldest Paris] Aro
-
Page 813 and 814:
sance des mathematiques pour assnre
-
Page 815 and 816:
m [Idleness] Noteworthy conjunction
-
Page 817 and 818:
a product of chance, and have about
-
Page 819 and 820:
evinced in the theory of "modern be
-
Page 821 and 822:
"" o 00 often, idleness is the very
-
Page 823 and 824:
00 o 00 the redeemer of man ' 8 bet
-
Page 825 and 826:
;:: threshold of the hedroom, a dev
-
Page 827 and 828:
Publication date of the first issue
-
Page 829 and 830:
Jesus had yielded to the natural in
-
Page 831 and 832:
Around the time that "physiologies"
-
Page 833 and 834:
[Ecole Poly technique ] On commerce
-
Page 835 and 836:
Poly technique. The student would d
-
Page 837 and 838:
In Le Cure de village, which Balzac
-
Page 839:
points. His primer hegins ... with
-
Page 843 and 844:
Trade and traffic are the two compo
-
Page 845 and 846:
If one wanted to characterize the i
-
Page 847 and 848:
stations make good starting points,
-
Page 849 and 850:
All this is the arcade in our eyes.
-
Page 851 and 852:
Tl isit, Wagram, Calais, Antwerp, L
-
Page 853 and 854:
What is une psychi?19 . The city ma
-
Page 855 and 856:
VVhat was otherwise reserved for on
-
Page 857 and 858:
Death and fashion. Rilke, the passa
-
Page 859 and 860:
Hermes, the masculine god. It is ch
-
Page 861 and 862:
The writings of the Surrealists tre
-
Page 863 and 864:
00 .". 00 Around the same time, the
-
Page 865 and 866:
something very characteristic of th
-
Page 867 and 868:
How Blucher gambled in Paris. (See
-
Page 869 and 870:
Superposition accordiug to the rhyt
-
Page 871 and 872:
slot machines, the mechanical fortu
-
Page 873 and 874:
00 "' 00 It must be kept in mind th
-
Page 875 and 876:
o '"' 00 of Schiller's we read of
-
Page 877 and 878:
ance, we have to experience indire
-
Page 879 and 880:
Concretion extinguishes thought; ab
-
Page 881 and 882:
Thomasius, Vam Recht des Schlafi un
-
Page 883 and 884:
Fashion is intention that ignites;
-
Page 886 and 887:
Arcades This brief essay, dating fr
-
Page 888 and 889:
These originally untitled texts (G
-
Page 890 and 891:
on the tip of one's tongue. Nter al
-
Page 892 and 893:
information bureaus and detective a
-
Page 894 and 895:
inclined to linger before the trans
-
Page 896 and 897:
ealized: here, at one time, after P
-
Page 898 and 899:
superstition. Thus in gambler and p
-
Page 900 and 901:
The Ring of Saturn or Some Remarks
-
Page 902 and 903:
allow our steel furnishings of toda
-
Page 904:
Walter BeIamin at the card catalogu
-
Page 908 and 909:
Expose of 1935, Early Version The e
-
Page 910 and 911:
The flaneur as counterpart of the "
-
Page 912 and 913:
essence of the images which the dre
-
Page 914 and 915:
Materials for the Expose of 1935 Th
-
Page 916 and 917:
Gaslight in Baudelaire Passage de l
-
Page 918 and 919:
The untranslatable literature of fl
-
Page 920 and 921:
To ols and workers with Haussmann (
-
Page 922 and 923:
Dialectic of the commodity A canon
-
Page 924 and 925:
No. 10 (Boredom) EconOll1ic rudimen
-
Page 926 and 927:
No. 12 Methodological Dialectical i
-
Page 928 and 929:
No. 198 {The merit of this little v
-
Page 930 and 931:
No. 21 I Fragments of the general l
-
Page 932 and 933:
(The cashier as livillg image, as a
-
Page 934 and 935:
Materials for "Arcades" Among Benja
-
Page 936 and 937:
How a first-class restaurant comes
-
Page 938 and 939:
A factory producing cockades for we
-
Page 940:
A bookstore places together an neig
-
Page 944 and 945:
Dialectics at a Standstill Approach
-
Page 946 and 947:
with and finally overgrown by quota
-
Page 948 and 949:
teenth century, and in it a specifi
-
Page 950 and 951:
the immersion of what has been into
-
Page 952 and 953:
various reasons. Retrospectively, h
-
Page 954 and 955:
(Expose of 1935, section I). To beg
-
Page 956 and 957:
image. Physiognomic thought was ass
-
Page 958 and 959:
two meanings in Belamin's texts; th
-
Page 960 and 961:
clocks, as during the July revoluti
-
Page 962 and 963:
continued, "told me how to find you
-
Page 964 and 965:
He said that his decision to spend
-
Page 966 and 967:
Mter the vineY31-d, we rested on a
-
Page 968 and 969:
For all that came later. l11en, bac
-
Page 970 and 971:
Translators' Notes Abbreviations GS
-
Page 972 and 973:
Expose of 1939 The second expose, "
-
Page 974 and 975:
2. The Passage du Caire was the fir
-
Page 976 and 977:
ing; Friederike Kempner (1836-1904)
-
Page 978 and 979:
3. Benjamin is quoting from an open
-
Page 980 and 981:
in GlO,l is on p. 239. Benjamin cit
-
Page 982 and 983:
deavor to maintain a Juste milieu.)
-
Page 984 and 985:
42. Baudelaire, "The Painter of Mod
-
Page 986 and 987:
96. Baudelaire, The Complete verse)
-
Page 988 and 989:
145. Baudelaire, CotTespondance (Pa
-
Page 990 and 991:
ice . ... [He] thinks he has been v
-
Page 992 and 993:
287. Ibid. 288. Ibid., p. 230. "Ill
-
Page 994 and 995:
tion between the jack of hearts and
-
Page 996 and 997:
In English in The Complete Time, p.
-
Page 998 and 999:
was a site in Paris occupied by wor
-
Page 1000 and 1001:
Frederick A. Blossom) . The lines b
-
Page 1002 and 1003:
29. Ibid., pp. 45-46. "Drifting" is
-
Page 1004 and 1005:
2. Reference is to Louis Aragon, Le
-
Page 1006 and 1007:
50. TIlls passage is not found in t
-
Page 1008 and 1009:
different parts of the world. But t
-
Page 1010 and 1011:
26. Paul Valery, HIstory and Politi
-
Page 1012 and 1013:
aid of two other young republicans.
-
Page 1014 and 1015:
36. As a child, Fourier would fill
-
Page 1016 and 1017:
56. Ibid., pp. 198-199. 57. Ibid.,
-
Page 1018 and 1019:
15. Honore de Balzac, Eugenie Grand
-
Page 1020 and 1021:
"workshop" and "graverll or 'burin"
-
Page 1022 and 1023:
The siege lasted until the end ofJa
-
Page 1024 and 1025:
(destroyed in 1919) took in a numbe
-
Page 1026 and 1027:
49. Proust, A la Recherche du temj}
-
Page 1028 and 1029:
trans. Manfred R. Jacobson and Evel
-
Page 1030 and 1031:
Benjamids in more than mere nuances
-
Page 1032 and 1033:
tion and was minister of war in the
-
Page 1034 and 1035:
Belleville. Wo rking·class neighbo
-
Page 1036 and 1037:
Buchez, Philippe (1796-1865). Frenc
-
Page 1038 and 1039:
in French, no confessional, and mar
-
Page 1040 and 1041:
Crepet,Jacques (1874-1952). Son of
-
Page 1042 and 1043:
Du Camp, Maxime (1822-1894). Writer
-
Page 1044 and 1045:
Flotte, Etienne-Gaston, baron de (1
-
Page 1046 and 1047:
Grand Chatelet. Ancient fortress in
-
Page 1048 and 1049:
laire and Rimbaud. Author of Umbra
-
Page 1050 and 1051:
Hebrew at the College of Rome. In 1
-
Page 1052 and 1053:
er of Deputies from 1841. A leader
-
Page 1054 and 1055:
Makar!, Hans (1840-1884). Austrian
-
Page 1056 and 1057:
Mode, comte Louis (1781-1855). Prem
-
Page 1058 and 1059:
Nisard, Desire (1806-1888).journali
-
Page 1060 and 1061:
La Plmlauge. Fourierist newspaper p
-
Page 1062 and 1063:
Restif de la Bretonne. Pseudonym of
-
Page 1064 and 1065:
Sarcey, Francisque (1827-1899). Fre
-
Page 1066 and 1067:
Taylor, Frederick Winslow (1856-191
-
Page 1068:
Villiers de l'Isle-Adarn, Auguste (
-
Page 1071 and 1072:
Balzac, Honore de (colltinued) cult
-
Page 1073 and 1074:
Baudelaire, Charles (wl1timwd) de 1
-
Page 1075 and 1076:
Chatelain, U.-Y., 250 Chaudes-Aigue
-
Page 1077 and 1078:
Escholier, Raymond, 225, 429, 442,
-
Page 1079 and 1080:
Hallays-Dabot, Victor, 695, 706, 78
-
Page 1081 and 1082:
754, 757, 758, 764, 765, 767, 768,
-
Page 1083 and 1084:
Millotaure, 549 Mirabeau, Honon::,
-
Page 1085 and 1086:
Pouson du Te rrail, Pierre-Alexis,
-
Page 1087 and 1088:
Soumct, Alexandre, 575 Soupault, Ph
-
Page 1089:
This book is set in the Adobe fonts
Change language