The Arcades Project - Operi
The Arcades Project - Operi The Arcades Project - Operi
ments, marble statues, and bubbling fountains populated the giant halls. n Iron o Intelor 0 [G2a,7J The design for the Crystal Palace is by Joseph Paxton, chief gardener to the duke of Devonshire, for whom he had built a conservatory (greenhouse) of glass and iron at Chatsworth House. His design provided for fireproofing, plenty of light, and the possibility of speedy and inexpensive assembly, and it prevailed over those of the London Building Committee, whose competition was held in vain:' [G2a,8J I.'Yes, long live the beer of Vienna! Is it native to this land that produces it? In truth, I do not know. But of one thing, there can be no doubt: it is a refined and comforting brew. It is not like the beer of Strasbourg . .. or Bavaria . ... It is divine beer, . .. clear as the thought of a poet, light as a swallow in flight, robust and alcohol-charged as the pen of a German philosopher. It is digested like the purest water, and it refreshes like ambrosia." Advertisement for Fanta Beer of Vienna. No. 4, Rue Halevy, near the Nouvel Opera, New Year's 1866. Almanach indicatenr parisien (Paris, 1866), p. 13. [G2a,9J "Another new word: Ia rfJclame (advertisement). Will it make a fortune?" Nadal", Qnanclj'etais photographe (Paris
lows over a streetcorner. The best of it is that all these posters cover one another up at least ten times a day." Eduard Kroloff\ Schilderungen aus Paris (Hamburg, 1839), vol. 2, p. 57. [G3,3] "Paul Siraudin, born in 1814" has been active in the theater since 1835; he has supplemented this activity with practical efforts in the field of confectionery. The results of these efforts beckon no less temptingly from the large display window in the Rue de Ia Paix than the sugar almonds, bonbons, honey cakes, and sweet crackers offered to the public in the form of one-act dramatic sketches at the Palais-Royal." Rudolf Gottschall, 'Das Theater und Drama des Second Empire," in Unsel'e Zeit: Deutsche Revue-Monatsschrift ZUlU Conversationslexicon (Leipzig, 1867), p. 933. [G3,4] From Coppee's speech to the Academie Franaise C'Response to Heredia," May 30, 1895), it can be inferred that a strange sort of written image could formerly be seen in Paris: 'Calligraphic masterpieces which, in the old days, were exhibited on every streetcorner, and in which we could admire the portrait of Beranger or 'The Taking of the Bastille' in the form of paraphs" . [G3,5] Le Charivari of 1836 has an illustration showing a poster that covers half a housefront. The windows are left uncovered, except for one, it seems. Out of that a man is leaning while cutting away the obstructing piece of paper. [G3,6] "Essence d'Amazilly, fragrance and antiseptic; hygienic toiletries from Duprat and Company." 'If we have named our essence after the daughter of a cacique, it is only to indicate that the vegetal ingredients to which this distillation owes its surprising effectiveness come from the same torrid climate as she does. The term 'antiseptic' belongs to the lexicon of science, and we use it only to point out that, apart from the incomparable benefits our product offers to ladies, it possesses hygienic virtues calculated to win the confidence of all those willing to be convinced of its salutary action. For if our lotion, unlike the waters of the Fountain of Youth , has no power to wash away the accumulated years, at least it does have, in addition to other merits, the inestimable advantage (we believe) of restoring to the full extent of its former radiance the lost majesty of that consummate entity, that masterpiece of Creation which, with the elegance, purity, and grace of its forms, makes up the lovelier half of humanity. Without the providential supervention of our discovery, this most brilliant and delicate ornament-resembling, in the tender charms of its mysterious structure, a fragile blossom that wilts at the first hard rain-would enjoy, at best, but a fugitive splendor, after the fading of which it must needs languish under the ruinous cloud of illness, the fatiguing demands of nursing, or the no less injurious emhrace of the pitiless corset. Developed, above all, in the interests of ladies, our Essence d'Amazilly answers to the most exacting and most intimate requirements of their toilette. It unites, thanks to a happy infusion, all that is necessary to revive, foster, and enhance nHtural attractions,
- Page 145: This This malicious statement state
- Page 149 and 150: To Tools ols used by HaUSSlllaIm'S
- Page 153: pas (Paris, 1857), pp. 47-49. These
- Page 160: Critique sociale, vol. 1, Capital e
- Page 165: F F [Iron [Iron Construction] Const
- Page 170 and 171: Railroad stations used to be known
- Page 172 and 173: possibilities. H A. G. Meyer Eisen
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- Page 178 and 179: like the tops of Boucher s gates."
- Page 180 and 181: arts-a view which is, unhappily, de
- Page 182 and 183: two words can meet" (p. 25; it rema
- Page 184 and 185: Le 1iiomphe du kaleidoscope, ou Le
- Page 186 and 187: G [Exhibitions, Advertising, Grandv
- Page 188 and 189: course, in the end, the law accordi
- Page 190 and 191: goods? The answer is very simple an
- Page 194 and 195: without the slightest detriment."
- Page 196 and 197: ""Despite all the posturing with wh
- Page 198 and 199: Connection of the first world exhib
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- Page 202 and 203: y t.he government against the Inter
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- Page 206 and 207: 1851. These precautions included co
- Page 208 and 209: infancy, the Cyclopean period . ...
- Page 210 and 211: its first ordeal." A. Toussenel, L
- Page 212 and 213: queer thing, abounding in metaphysi
- Page 214 and 215: a contest of pastry cooks. The 600,
- Page 216 and 217: "avenue" illuminated at night by ga
- Page 218 and 219: D [The Collector] All these old thi
- Page 220 and 221: at hand through its integration int
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- Page 228 and 229: How the interior defended itself ag
- Page 230 and 231: Under the bourgeoisie, cities as we
- Page 232 and 233: ooms in coffeehouses. Each coffeeho
- Page 234 and 235: ""The drawing rooms of the Second E
- Page 236 and 237: invent some sort of casing for! Poc
- Page 238 and 239: ersP' Victor Fournel, Ce qu'on voit
- Page 240 and 241: you are. The durability of products
lows over a streetcorner. <strong>The</strong> best of it is that all these posters cover one another<br />
up at least ten times a day." Eduard Kroloff\ Schilderungen aus Paris (Hamburg,<br />
1839), vol. 2, p. 57. [G3,3]<br />
"Paul Siraudin, born in 1814" has been active in the theater since 1835; he has<br />
supplemented this activity with practical efforts in the field of confectionery. <strong>The</strong><br />
results of these efforts beckon no less temptingly from the large display window in<br />
the Rue de Ia Paix than the sugar almonds, bonbons, honey cakes, and sweet<br />
crackers offered to the public in the form of one-act dramatic sketches at the<br />
Palais-Royal." Rudolf Gottschall, 'Das <strong>The</strong>ater und Drama des Second Empire,"<br />
in Unsel'e Zeit: Deutsche Revue-Monatsschrift ZUlU Conversationslexicon<br />
(Leipzig, 1867), p. 933. [G3,4]<br />
From Coppee's speech to the Academie Franaise C'Response to Heredia," May<br />
30, 1895), it can be inferred that a strange sort of written image could formerly be<br />
seen in Paris: 'Calligraphic masterpieces which, in the old days, were exhibited on<br />
every streetcorner, and in which we could admire the portrait of Beranger or '<strong>The</strong><br />
Taking of the Bastille' in the form of paraphs" . [G3,5]<br />
Le Charivari of 1836 has an illustration showing a poster that covers half a<br />
housefront. <strong>The</strong> windows are left uncovered, except for one, it seems. Out of<br />
that a man is leaning while cutting away the obstructing piece of paper.<br />
[G3,6]<br />
"Essence d'Amazilly, fragrance and antiseptic; hygienic toiletries from Duprat<br />
and Company." 'If we have named our essence after the daughter of a cacique, it<br />
is only to indicate that the vegetal ingredients to which this distillation owes its<br />
surprising effectiveness come from the same torrid climate as she does. <strong>The</strong> term<br />
'antiseptic' belongs to the lexicon of science, and we use it only to point out that,<br />
apart from the incomparable benefits our product offers to ladies, it possesses<br />
hygienic virtues calculated to win the confidence of all those willing to be convinced<br />
of its salutary action. For if our lotion, unlike the waters of the Fountain of Youth ,<br />
has no power to wash away the accumulated years, at least it does have, in addition<br />
to other merits, the inestimable advantage (we believe) of restoring to the full<br />
extent of its former radiance the lost majesty of that consummate entity, that<br />
masterpiece of Creation which, with the elegance, purity, and grace of its forms,<br />
makes up the lovelier half of humanity. Without the providential supervention of<br />
our discovery, this most brilliant and delicate ornament-resembling, in the tender<br />
charms of its mysterious structure, a fragile blossom that wilts at the first hard<br />
rain-would enjoy, at best, but a fugitive splendor, after the fading of which it<br />
must needs languish under the ruinous cloud of illness, the fatiguing demands of<br />
nursing, or the no less injurious emhrace of the pitiless corset. Developed, above<br />
all, in the interests of ladies, our Essence d'Amazilly answers to the most exacting<br />
and most intimate requirements of their toilette. It unites, thanks to a happy<br />
infusion, all that is necessary to revive, foster, and enhance nHtural attractions,