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The Arcades Project - Operi

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arts-a view which is, unhappily, deeply rooted iu him and deeply pondered."<br />

Victor Hugo, Oeuvres completes, novels, vol. 3 (paris, 1880), p. 5.' [F6,3]<br />

Before the decision to build the Palais de I'IndustrielO was made, a plan had<br />

existed to roof over a section of the Champs-Elysees-along with its trees-in the<br />

manner of the Crystal Palace. [F6,4]<br />

Victor Hugo in Notre-Dame de Paris, on the Bourse: 'If it he the rule that the<br />

architecture of a building should he adapted to its function, ... we can hardly<br />

wonder enough at a monument which might equally well be a king's palace, a house<br />

of commons, a town hall, a college, a riding school, an academy, a warehouse, a<br />

law court, a museum, a barracks, a sepulcher, a temple, or a theater. For the<br />

present, it is a stock exchange . ... It is a stock exchange in France just as it would<br />

have been a temple in Greece . ... We have the colonnade encircling the monument,<br />

beneath which, on days of high religious solemnity, the theory of stockbrokers<br />

and jobbers can be majestically expounded. <strong>The</strong>se, for sure, are very stately<br />

monuments. If we add to them many fine streets, as amusing and diverse as the<br />

Rue de Rivoli, then I do not despair but that one day a balloon's-eye view of Paris<br />

will offer us that wealth of lines, . .. that diversity of aspect, that somehow . ..<br />

unexpected beauty, which characterizes a checkerhoard." Victor Hugo, Oeuvres<br />

completes, novels, vol. 3 (Paris , 1880), pp. 206-207 (Notre-Dame de Paris). II<br />

[F6a,1]<br />

<strong>The</strong> Paris Stock Exchange, mid-nineteenth century. Courtesy of the Paris Stock Exchange.<br />

See F6a,1.

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