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The Arcades Project - Operi

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F<br />

F<br />

[Iron [Iron Construction]<br />

Construction]<br />

Each epoch dreams the one to follow.<br />

-Michelet, ''Averill! Avenir!" (Europe, 73, p. 6)<br />

Dialectical deduction of iron constmction: it is contrasted both with Greek construction<br />

in stone (raftered ceiling) and with medieval medieval construction in stone<br />

(vaulted ceiling) ceiling). . "Another art, art, in which another static principle establishes a tone<br />

even more magnificent than that of the other two, will struggle from the womb of<br />

time to be born born .... . . . . A new and unprecedented ceiling system, system, one that will<br />

naturally bring in its wake a whole new realm of art forms, can ... . . . make its<br />

appearance appearance only after some some particular particular material-formerly neglected, neglected, if not unknown,<br />

as a basic basic principle principle in that application-begins application-begins to be accepted. accepted. Such a<br />

material is ... . . . iron, which our century has already started to employ in this<br />

sense. In proportion as its static properties are tested and made known, iron is<br />

destined to serve, in the architecture of the future, as the basis for the system of<br />

ceiling construction; and with with respect to statics, it is destined to advance tlus<br />

system as far beyond the Hellenic and the medieval as the system of the arch<br />

advanced the Middle Ages beyond the monolithic monolithic stone-lintel system of antiquity<br />

. .... . . . If the static principle of force is thus borrowed from vaulted construc' construc'<br />

tions and put to work for an entirely new and unprecedented unprecedented system, then, with<br />

regard to the art forms of the new system, the formal principle principle of the Hellenic Hellenic<br />

mode must find acceptance." ;:,um hundertjiihrigen Geburtstag Karl Boettichers<br />

(Berlin, 1906), 1906), pp. 42, 44-46. (<strong>The</strong> principle of Hellenic architecture and Ger·<br />

manic architecture as carried over into the architecture of our time.) [Fl,l]<br />

manic architecture as carried over into the architecture of our time.) [Fl,l]<br />

Glass before its time, premature iron. In the arcades, both the most brittle and the<br />

strongest materials suffered breakage; in a certain sense, they they were deflowered.<br />

Around the middle of the past century, it was not yet known how to build with<br />

glass and iron. Hence, Hence, the light that fell from above, through the panes panes between<br />

the iron supports, was dirty and sad. [Fl,2]<br />

the iron supports, was dirty and sad. [Fl,2]<br />

"<strong>The</strong> mid-1830s see the appearance of the first iron furniture, in the form of<br />

bedsteads, chairs, small tables, jardinieres; and it is highly characteristic of the<br />

epoch epoch that this furniture was was preferred because it could be made to imitate pcr-

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