The Arcades Project - Operi

The Arcades Project - Operi The Arcades Project - Operi

07.04.2013 Views

"Eternal return" is the fimdamental fonn of the urgeschichtlichen, mythic consciousness. (Mythic because it does not reflect.) [DlO,3] ness. (Mythic because it does not reflect.) [DlO,3] L'Elernite par les astres should he compared with the spirit of '48, '48, as it animates Reynaud's Terre et del. With regard to this, Casson: " "On On discovering his earthly destiny, destiny, man man feels a sort of vertigo and and cannot at first reconcile himself himself to this destiny alone. alone. He He must link link it it up up to to the the greatest greatest possible possible immensity immensity of of time time and and spacc. spacc. Only in the contcxt of its most sweeping breadth will he intoxicate himself with with heing, heing, with movement, movement, with progress. progress. Only then then can can he he in in all confidence confidence and and in in all dignity dignity pronounce pronounce the the sublime sublime words of of Jean Reynaud: Reynaud: 'I have have long long made made a a practice of the universe. '" "'We find nothing in the universe that cannot serve to elevate elevate us, us, and and we we are are genuinely genuinely elevated elevated only only in in taking taking advantage of of what what the universe offers. offers. The stars stars themselves, themselves, in in their their sublime sublime hierarchy, are are hut a a series series of steps by which we mount progressively toward infinity." dean> Cassou, Quarante-I",it

E [Haussmannization, [Haussmannization, Barricade Fighting] The flowery realm of decorations, The chann of landscape, of architecnlrc, And all the effect of scenery rest Solely on the law of perspective. -Franz Bohle, 'I7leater-CatechismusJ 'I7leater-CatechismusJ odeI' humoristische Erkliirung versclliedener vorziiglich im Biihnenleben fiblieher Fremdworter (Mtulich), (Mtulich), p. p.74 74 I I venerate the Beautiful, the Good, and all things great; Beautiful nature, on which great great art rests- How it enchants the ear and charms the eye! eye! I love spring in blossom: women and roses. -eorifhsion d'un lion devol'll vieux (Baron Haussmann, 1888) The breathless capitals Opened themselves to the cannon. -Pierre Dupont, Le Chant des etudiants ( (paris, 1849) paris, 1849) The characteristic and, properly speaking, sole decoration of the Biederrneier room "was "was afforded by the curtains, which-extremely refined and compounded preferably from several fabrics of different colors-were fumished by the upholsterer. For nearly a whole century afterward, interior decoration amounts, amounts, in theory, to providing instructions to upholsterers for the tasteful tasteful arrangement of draperies:' Max von Boehu, Die Mode im XIX. Jahrhundert, vol. 2 (Munich, 1907), 1907), p. p. 130. 130. This is something like the interior's perspective on the window. [EI,I] Perspectival character of the crinoline, with its manifold flounces. At least five to six petticoats were worn underneath. (E1,2] Peep-show rhetoric, perspectival figures of speech: !.!.Incidentally, t.he figure of greatest effect, employed by all French orators from their podiums and trihunes, sounds pretty much like this: 'There was in the Middle Ages a book which concen-

"Eternal return" is the fimdamental fonn of the urgeschichtlichen, mythic consciousness.<br />

(Mythic because it does not reflect.) [DlO,3]<br />

ness. (Mythic because it does not reflect.) [DlO,3]<br />

L'Elernite par les astres should he compared with the spirit of '48, '48, as it animates<br />

Reynaud's Terre et del. With regard to this, Casson: " "On On discovering his earthly<br />

destiny, destiny, man man feels a sort of vertigo and and cannot at first reconcile himself himself to this<br />

destiny alone. alone. He He must link link it it up up to to the the greatest greatest possible possible immensity immensity of of time time and and<br />

spacc. spacc. Only in the contcxt of its most sweeping breadth will he intoxicate himself<br />

with with heing, heing, with movement, movement, with progress. progress. Only then then can can he he in in all confidence confidence and and<br />

in in all dignity dignity pronounce pronounce the the sublime sublime words of of Jean Reynaud: Reynaud: 'I have have long long made made a a<br />

practice of the universe. '" "'We find nothing in the universe that cannot serve to<br />

elevate elevate us, us, and and we we are are genuinely genuinely elevated elevated only only in in taking taking advantage of of what what the<br />

universe offers. offers. <strong>The</strong> stars stars themselves, themselves, in in their their sublime sublime hierarchy, are are hut a a series series<br />

of steps by which we mount progressively toward infinity." dean> Cassou, Quarante-I",it<br />

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