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this idea; for how can we be sure that those tribes which we call 'savage' may not in fact be the disjecta membra of great extinct civilizations? ... It is hardly necessary to say that when Monsieur G. sketches one of his dandies on paper, he never fails to give him his historical personality-his legendary personality, I would venture to say, if we were not speaking of the present time and of things generally considered frivolous." Baudelaire, L 'Art romantique, vol. 3, ed. Hachette (Paris), pp. 94-95. 1H this idea; for how can we be sure that those tribes which we call 'savage' may not in fact be the disjecta membra of great extinct civilizations? ... It is hardly necessary to say that when Monsieur G. sketches one of his dandies on paper, he never fails to give him his historical personality-his legendary personality, I would venture to say, if we were not speaking of the present time and of things generally considered frivolous." Baudelaire, L 'A rt romantique, vol. 3, ed. Hachette (Paris), pp. 94-95. [D5,IJ 1H [D5,IJ Baudelaire describes the impression that the consummate dandy must convey: "A rich man, perhaps, but more likely an out-of-work Hercules!" Baudelaire, L 'Art romantiqlte romantiqlte (Paris), (Paris), p. p. 96.19 96.19 [D5,2J In the essay on Guys, the crowd appears as the supreme remedy for boredom: '''Any man,' he said one day, in the course of one of those conversations which he illumines with burning glance and evocative gesture, 'any man ... who can yet be bored in the heart of the multitude is a blockhead! A blockhead! And I despise him!" Baudelaire, L'Art romantique, p. 65. 20 In the essay on Guys, the crowd appears as the supreme remedy for boredom: '''Any man,' he said one day, in the course of one of those conversations which he illumines with burning glance and evocative gesture, 'any man . .. who can yet be bored in the heart of the multitude is a blockhead! A blockhead! And I despise him!" Baudelaire, L'Art romantique, p. 65.20 [D5,3] Among all the subjects first marked out for lyric expression by Baudelaire, one can be put at the forefront: bad weather. [D5,4J As attributed to a certain " "Carlin," Carlin," the well-known anecdote about Debul'au (the actor afflicted with boredom) forms the piece de resistance of the versified Eloge de I 'ennui
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THE ARCADES PROJECT
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CONTENTS T"anslators' Foreword Expo
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A A page of Benjamin's manuscript m
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Saturnring oder Etwas vom Eisenbau"
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The The German German edition of th
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trace in a thousand configurations
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III. Grandville, or the World Exhih
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impinge impinge on on social social
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Paris, Capital of the the Nineteent
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Pericles could ah-eady have underta
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D. D. Baudelaire, or the Streets of
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witnesses its birth. Here we meet t
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plantation owner among his slaves:'
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Overview A Arcades, Magasins de Nou
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The Passage des Panoramas. Watercol
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eaders will be be disturbed by this
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For the first time in history, with
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A branch of La BelleJardiniere in M
Page 74: Au Bon Marche department store in P
Page 77: B B [Fashion] Fashion: Madam Death!
Page 80: Le Pont des planetes (Interplanetar
Page 96: case, the woman would have been the
Page 103: Sudden past of a city: windows lit
Page 112 and 113: two lines by Baudelaire could serve
Page 128: froy writes: ""He thus inscribes hi
Page 135 and 136: E [Haussmannization, [Haussmannizat
Page 140: I-Iaussmann and the Chamber of Depu
Page 148 and 149: '-If we had to define, in a word, w
Page 150: himself himself more more susceptib
Page 159 and 160: Basse-du-Rampart. Basse-du-Rampart.
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Paris of the past three centuries.
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'The complicated construction (out
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"Railroad tracks;' with the peculia
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form are, as it were, more homogene
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speak, 'concealed;" This last point
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people could raise themselves, as f
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La Casse-tete-omanie, ou La Fureur
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1ne Palais de l'lndustrie at the wo
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sort. ""Labrouste . . . in 1868, .
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marked the triumph of exposed ironw
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alded. Naturally, one can say that
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As is sonletimes the case with very
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around the world, for all nations h
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lows over a streetcorner. The best
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palace erected by Formige. It is ch
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'&:! fetish character of the commo
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decisive impetus, within this perio
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into the midst of these horrible pl
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dustrial credit.-that is to say, cr
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wrote . .. Prince Albert to his mot
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Clairville and Jules Cordier, Le Pa
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long eagerness: it approaches, alwa
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2§; contact with the air or the h
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le tomb . ... But what appalled me
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o o '" "Les Ev€mements, les insti
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8 N cisely in this, one can recogni
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exactly how the sanguine and the ne
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hythm of perception and experience
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00 o "" societies, the need to accu
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cates: "It ... is . . . certain tha
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I [The Interior, The Trace] "In 183
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.. whether the fireplace was there
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.. Maurice Barres has characterized
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.. nate. . . . The same picture can
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.. than he sees through the semblan
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.. have, up to now, borrowed only t
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". ed. Landshut and Mayer (Leipzig
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.. is tic manifestations: "I have b
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J [Baudelaire] For it pleases me, a
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Have pity on them! Pity! When on th
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. 1 ... TI,e Pant-Neuf. Etching by
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conduded ? There never was such a s
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the poet when he has to describe .
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Baudelaire in L'Art philosophique,"
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In " L'Oeuvre et la vie d'Eugene De
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Theophile Gautier, 1854·1855. Phot
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melting of rumhling glaciers; her n
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'"The dandy, Baudelaire has said, '
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mistress betrays you, of being able
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o en '" ner.-Brunetiere arrived at
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ing the great epochs of urban life,
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Gide, Preface to Charles Baudelaire
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Lemaitre observes that Baudelaire r
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According to Champfleury, Baudelair
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"The hypothesis of Baudelaire s P.
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Never, according to this witness, .
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Maire writes (p. 417) that the inco
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Ours is an age of gaiety and distru
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'Nachtgedanken" , by Goethe: "'I pi
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· . . what would become of poetry
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The reviews by d' Aurevilly and As
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excuses a man over thirty who foist
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In Honfleur, he had hung two painti
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Pontmartin in his critique of the p
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presses . . . . All machinery is sa
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The banquets organized by Philoxene
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little scraps of men-that is, to bu
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"'The life of Baudelaire is a deser
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Meryon and Baudelaire were born in
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"Voltaire jests about our inunortal
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the most priceless material, is fir
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On a sheet with the sketch of a fem
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Pierre de Fayis. "La Fanfarlo' appe
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Conclusion of the 'Salon de 1845"":
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someone of an outlandish profession
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On Joseph de Maistre: "To the prete
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possessing great vigor and marvelou
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quotes, in connection with this, Ba
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to amuse myself, whether such a pro
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May 1852: (."Les Limbes : intimate
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July 10, 1861, on the planned de lu
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vol. 2, pp. 639, 641-642. 25°_In t
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A decisive line for the comparison
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Apropos of' "Harmonie du soil''' an
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Sainte-Beuve's characterization of
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which creeps into the life of artis
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ated from the antique world, as fro
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ecause of the greedy Irony which in
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have been under the compulsion of r
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to the doctrine of German Idealism
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conjured by "Le Soleil;' no less th
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The elaborate theorems with which t
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masses on its public. Particularly
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What concerned Baudelaire was not m
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his life, was incapable of developi
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4"Of course, Marx and Engels ironiz
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praiseworthy in their very excessiv
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Itis a very specific experience tha
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work in the latter are different so
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Baudelaire builds stanzas where it
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L'Etemifif par ieJ astreJ. Compare
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If "Le Cn'puscule du matin" opens w
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Earthquakes rumhle in the helly of
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ined with this passage from Marx, p
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exploited, we would be spared the i
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Lamartine's industrial Christ reapp
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The figure of the poet in "Benedict
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In the poetry of Baudelaire, notwit
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the commodity delights, according t
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merchandise now gathers around it t
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our time and that of the time of Lu
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fact that a purely philological com
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On "the metaphysics of the agent pr
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Hermann Wendel !.!.Jules Valles," D
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ourgeoisie, and ending with the peo
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pIe, for themselves and their partn
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houses abutted with one yard after
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Regarding spleen. Blanqui to Lacamb
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primacy over history. The facts bec
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It is not only that the forms of ap
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primordial passions, fears, and ima
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Happy are they who can feel the bea
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also Revolution and war, like a fev
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F Maynard, "L'Avenir est beau," in
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stairways in well-organized houses
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from what is meant by those who spe
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L [Dream House, Museum, Spa] The ge
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e saturated with the past: the muse
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structing private residential dwell
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less putrefied naked bodies of both
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The sewers of Paris, 1861-1862. Pho
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ground and sometimes set leaning to
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An intoxication comes over the man
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winks at the flaneur: What do you t
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properly sacred ground of flilnerie
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sions, for balls and concerts, alth
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advances the needle on a transparen
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paving stones that are being baked
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Remarkable distinction between Hane
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Diderot's (,'How beautiful the stre
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A Paris omnibus. Lithograph by Hono
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(This preface appeared-presumably a
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oots or shoes, a farmer that he is
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K.racauer writes that "the boulevar
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Chapter 2, "Physiognomie de la rue,
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mont P,"omenades litteraires, secon
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what is below man distinguishes thr
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use value available to a general an
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Regarding the intoxication of empat
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Tissot, in justifying his proposal
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Beginning of Rousseau's Second Prom
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The most characteristic building pr
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A page of BenJamin's manuscript, sh
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"In the windswept stairways of the
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A central problem of historical mat
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y the images that are synchronic wi
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enascences adopted as models. For t
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holds for law and religion holds fo
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'overcome' the official Catholic re
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Telescoping of the past through the
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Scientific method is distinguished
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If the object of history is to be b
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mathematical studies-so unsteady in
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which had suffered in a previous im
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also an increase in men's concern f
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should be adopted." J. Joubert, Oeu
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so-called historical materialism th
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ers except the one for whom it wait
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o [Prostitution, Gambling] Love is
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A gallery of the Palais-Royal. From
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ville, to make sure he will be reco
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Talma, Talleyrand, Rossini, Balzac"
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cabriolets for rent in the Palais d
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a bad game,' they say. They find fa
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elsewhere, the investigations of th
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On the floor of the Stock Exchange,
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Lecomte on the fashion corresponden
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In the sixteenth section of Baudela
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and young girls with no work would
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sion to fertilize and give birth to
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independent of the others-to summon
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only at opening time." Balzac, La P
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and their earliest green glow at du
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ennes; the Faubourg Saint-Marceau w
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'"I know nothing more ridiculous an
Page 538 and 539:
""The way the cutups go to make fac
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ery." Victor Hugo, Oeu.vres cornple
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[Panorama] Does anyone still want t
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A panorama under construction, in a
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The multiple deployment of figures
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have expected that Jerusalem and At
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knight kneels before his lady while
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R [Mirrors] The way mirrors bring t
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fortune, and whereas there is scarc
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Berlin Arcade, there is no grass gr
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s [Painting, Jugendstil, Novelty] T
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higher concreteness, redemption of
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identity, we can transport ourselve
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triumphs is the aquarium, the green
Page 566 and 567:
Delvau speaks? at one point? of the
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Influence of the processes of techn
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"The rapid overpopulation of the ca
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The idea of eternal return in Zarat
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them as if over electrical wires!'
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in those peculiar places, railway s
Page 578 and 579:
"During this same period, the amoun
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ing prosaic and ghostly illuminatio
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and they soon found two highly repu
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A la petite vertu" , 1769: The poor
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u [Saint-Simon, Railroads] I.'Chara
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'loOn August 27, 1817, the steamshi
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importance, from the point of view
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friends and acquaintances . ... He
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the emergence of' the Liberal Empir
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On Saint-Simon's idea of progress (
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"0 Poets! You have eyes, but you do
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"In 1852 the brothers Pereire, two
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that of the word . ... They opened
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follies ofM€milmontant, the bizar
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happens when several people have to
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this same text with reference to Sa
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Jules Mercier, " Dieu nous Ie rendr
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The Saint-Simonians looked for a fe
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wake of these organic ages, two cri
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Ledoux, Temple de Memoire (House of
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v [Conspiracies, Compagnonnage] ·"
Page 620 and 621:
mund Englander, Geschichte der Jran
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La Hodde also helping himself from
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"The Independents had their secret
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The Societe des Droits de l'Homme
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trades. Common, as well, are earrin
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sans in Paris for the Prussian gove
Page 632 and 633:
conspiracy of hankers, an office ma
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la boh?mw." Karl Marx Der achtzehnt
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een), which last would have the rig
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L'Esprit des betes (Paris, 1862),
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than he earns as a producer. Laf
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Fourier's point of departure: the r
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milieu in whieh such ideas flourish
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'The American hoax,' he declares, '
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some careful and intelligent hand d
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Fourier's long-tailed men became th
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having before it more than 300 year
Page 654 and 655:
extreme idyllic of Fourier. Les ext
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the weight of the fruit to drop bel
Page 658 and 659:
"The phalanstery will be an immense
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""Under the term "opera' I comprehe
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sort of industrial tournament where
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Under the heading "Le Garantisme d'
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x [Marx] The man who buys and sells
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Point of departure for a critique o
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Hugo Fischer, Karl Marx u.nd sein V
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· . . is the most fitting form of
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ceeds of labor." Marx, Randglossen
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all the threads of the deliberation
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earth, the interpretation of intere
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to the sphere of so-called immutabl
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measures taken hy the hourgeois sta
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egoistic man . ... Far from the rig
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[Photography] Sun, look out for you
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TI,e photographic reproduction of a
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tion and, on the other hand, by two
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tographie au point de vue sociologi
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Steam-Last word of him who died on
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the other hand, Fournel condemns th
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quired of the images forming the ma
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voyages photographiques. p. 35. Lou
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advantages to boot especially where
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ism of his works, but through a mor
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must be correlated with a well-defi
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z [The Doll, The Automaton] I was a
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arming of those charms which allowe
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Mensonge. "-In the same section, Ba
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promote unceasingly in the face of
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days later, from out of this thicke
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they would then deliver alms person
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egular intervals, those tremors whi
Page 722 and 723:
The Convention, organ of the sovere
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tion. The enemy of the workers had
Page 726 and 727:
fi'o.ubourien: JOltrno.l de 10. cww
Page 728 and 729:
a raise of one sou, then the bourge
Page 730 and 731:
Republique de 1848: Exposition de l
Page 732 and 733:
Rue 'Fransnonain, Ie 15 avr£l 1834
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waHhed everywhere, and maintained o
Page 736 and 737:
Edme Champion: self-made man/l phil
Page 738 and 739:
Charles Benoist c1aims to fmd in Co
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· .. rather excessive, and certain
Page 742 and 743:
Audiganne, is the air of ceremony w
Page 744 and 745:
truly to defeat him, one would have
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Marx on Proudhon: i.'The February R
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the Chamber of Deputies> if he had
Page 750 and 751:
Fifty thousand workers in the June
Page 752 and 753:
Nouvelle Nemesis, by Barthelemy (Pa
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propagated, and maintained the egal
Page 756 and 757:
unscrupulous speculator and promot.
Page 758 and 759:
'Monsieur pegnchet."" Marie-Jeanne
Page 760 and 761:
novelist his own." Paulin Limayrac,
Page 762 and 763:
Victor Hugo, ca. 1860. Photo by Eti
Page 764 and 765:
""The multiplication of readers is
Page 766 and 767:
Castellane point.edly questioned th
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professional applauders." J. Lucas-
Page 770 and 771:
the sea for the roar of applause."
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some other author of his choosing (
Page 774 and 775:
pp. 219-220, cited in Jean Skerlitc
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Sue, compared with George Sand: " O
Page 778 and 779:
political convictions it expressed
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scorn on gold? To secure this freed
Page 782 and 783:
Origines des Miserables," in La Rev
Page 784 and 785:
letters ... is always hawking his o
Page 786 and 787:
one is arrested, for the privilege
Page 788 and 789:
Three forms of bohemianism: '"That
Page 790 and 791:
tint. We did not wish to have any p
Page 792 and 793:
Le Boheme-was, at first, the organ
Page 794 and 795:
g--- - [The Stock Exchange, Economi
Page 796 and 797:
Protestantism . .. did away with th
Page 798 and 799:
c L'Etrangomanie bfamee) ou D 'Etre
Page 800 and 801:
meeting as a whole, there are 24,00
Page 802 and 803:
Raffet undertook lithographic repor
Page 804 and 805:
served as pretexts. This type of 't
Page 806 and 807:
een discovered at this tmderground
Page 808 and 809:
epic. One has not yet understood th
Page 810 and 811:
German race with the seal of predes
Page 812 and 813:
'"The Seine seems to exhale the air
Page 814 and 815:
Saint-Martin. At the crossroads of
Page 816 and 817:
Bilanz der preussischen Revolution,
Page 818 and 819:
Idleness seeks to avoid any sort of
Page 820 and 821:
Habits are the armature of connecte
Page 822 and 823:
[Anthropological Materialism, Histo
Page 824 and 825:
just as he was horn to command the
Page 826 and 827:
Henri Bonchot, La Lit]wgraphie (Par
Page 828 and 829:
The Fourierist missionary JeanJoume
Page 830 and 831:
Bahick, deputy of the t.ent.h arron
Page 832 and 833:
Religion jusionienne) ou Doctrine d
Page 834 and 835:
ceased to have the character of a p
Page 836 and 837:
went on to invent as well. Imagine
Page 838 and 839:
forts will be occupied hy regular a
Page 842 and 843:
First Sketches Paris Arcades These
Page 844 and 845:
Everywhere stockings play a starrin
Page 846 and 847:
commentating naturalist theater of
Page 848 and 849:
Surrealism-"wave of dreams"-new art
Page 850 and 851:
Impasse Maubert, formerly d'Arnbois
Page 852 and 853:
Rachel resided in the Passage Vero-
Page 854 and 855:
a good subject for wax. Boredom is
Page 856 and 857:
111e true expressive character of s
Page 858 and 859:
less is it a question here of etern
Page 860 and 861:
Duveyrier. Dartois. [ Specialty a
Page 862 and 863:
The Hower as emblem of sin and its
Page 864 and 865:
Other names : optical belvedere. I
Page 866 and 867:
its continually reappearing doctor,
Page 868 and 869:
envelop his sun, images arise like
Page 870 and 871:
for the collective. It interprets t
Page 872 and 873:
again, isn't there a whole world of
Page 874 and 875:
The grandiose mechanical-materialis
Page 876 and 877:
Notes on montage in my journal. Per
Page 878 and 879:
From Der Bazar, illustrated ladies'
Page 880 and 881:
mation, actualization of the object
Page 882 and 883:
Hans Kistemaecker, "Die Kleidung de
Page 884:
EARLY DRAFTS
Page 887 and 888:
ooth with prices of seats posted-wo
Page 889 and 890:
with the human nlaterial on the ins
Page 891 and 892:
viriti, or Miss Daisy: The Journal
Page 893 and 894:
museum. On the other hand, the reso
Page 895 and 896:
o 00 00 precipitous. It leads downw
Page 897 and 898:
want to hear of toys that are bewit
Page 899 and 900:
dream. But there is also a false li
Page 901 and 902:
For the rest, people were accustome
Page 903 and 904:
Walter BCIamin consulting the Grand
Page 906:
ADDENDA
Page 909 and 910:
that have left their trace in a tho
Page 911 and 912:
solves into a legal opposition and
Page 913 and 914:
[1] (Balzac was the first to speak
Page 915 and 916:
o '" 0> 1870 Plebiscite: 7,350,000
Page 917 and 918:
The not-yet-conscious knowledge of
Page 919 and 920:
Influence of industry on language l
Page 921 and 922:
Attaclllng to the first appearance
Page 923 and 924:
00 o '" Efforts to shed light on t
Page 925 and 926:
(Beginning: description of the pres
Page 927 and 928:
The now of recognizability is the m
Page 929 and 930:
;': No. 20" 0> Plan of March 1934 +
Page 931 and 932:
No. 22 The sex appeal of the commod
Page 933 and 934:
tory of humanity-as prophecy-has, a
Page 935 and 936:
g '" Parisians on Paris. Pickup, mo
Page 937 and 938:
(fA fa Capricieuse/' lingerie de to
Page 939 and 940:
.". '" m '. .1j G " '" -*I . '(B
Page 942:
"Dialectics at a Standstill" I "The
Page 945 and 946:
Gesannnelte Schriften-rarely go the
Page 947 and 948:
For the reader endowed with such an
Page 949 and 950:
ment with dmgs. Both represented at
Page 951 and 952:
image of the "eternal retmn of the
Page 953 and 954:
century France-back to what Marx ha
Page 955 and 956:
ture is the expression of the infra
Page 957 and 958:
and, above ail," it feels "this obj
Page 959 and 960:
could employ at any time, For him,
Page 961 and 962:
The Story of Old Benjamin By Lisa F
Page 963 and 964:
were going to cross the border and
Page 965 and 966:
chief, he said: "Oh that. The morni
Page 967 and 968:
oad; through a haze, I see us stand
Page 969 and 970:
Halmah Arendt has "Written about th
Page 971 and 972:
6. Jules Michelet, "Avenir! Avenir!
Page 973 and 974:
17. "The Seven Old Men;' in Baudela
Page 975 and 976:
o '" '" 7. Andre Breton, Niuija, tr
Page 977 and 978:
11. Karl Marx, Capital, vol. 1, tra
Page 979 and 980:
the room-was a spacious, half-open
Page 981 and 982:
Press, 1992), p. 177. Adomo's essay
Page 983 and 984:
II o Z 10. The MilTor of Art: Criti
Page 985 and 986:
8 II Z 71. See Tile Mirror of Art,
Page 987 and 988:
f! m N co N I m '" N 00 0': B 00
Page 989 and 990:
181. See Selected Leiters ofCharies
Page 991 and 992:
251. Ibid., pp. 171, 172, 173. Niet
Page 993 and 994:
325. Baudelaire, Oeuvres completes,
Page 995 and 996:
o 00 '" 392. Baudelaire, Les Fleurs
Page 997 and 998:
454. "Die Modeme hat die Antike wie
Page 999 and 1000:
jarnin's phrase, in the second sent
Page 1001 and 1002:
hashish (GS, vol. 6, p. 564; in Eng
Page 1003 and 1004:
Frisby (London: Routledge, 1990), p
Page 1005 and 1006:
co 0> 0> with reference to dle four
Page 1007 and 1008:
7. Anatole France, The Garden qf Ep
Page 1009 and 1010:
2. Anatole France, The Gmd(''J1 qf
Page 1011 and 1012:
ImjJroved. The preface was extensiv
Page 1013 and 1014:
shameful than fraud." Cicero, De Of
Page 1015 and 1016:
o o o 00
Page 1017 and 1018:
2. Karl Marx and Friedrich Engels,
Page 1019 and 1020:
38. Baudelaire as a LiteraJY Critic
Page 1021 and 1022:
29. Marx, Capital, vol. 1, p. 552n.
Page 1023 and 1024:
00 o o 11. GleicllSclzaltung ('ali
Page 1025 and 1026:
21. Benjamin wrote this sketch in F
Page 1027 and 1028:
3. Alfred Gotthold Meyer, Eisenbaut
Page 1029 and 1030:
or in a desultory fashion, we fll1d
Page 1031 and 1032:
Guide to Names and Terms Abdel Krim
Page 1033 and 1034:
Bairam. Either of two Muslim religi
Page 1035 and 1036:
Blonde!, Jacques Franois (1705-1774
Page 1037 and 1038:
Carnot, Lazare (1753-1823). Statesm
Page 1039 and 1040:
lections of folklore and popular ta
Page 1041 and 1042:
Delord, TaxiIe (1815-1877). French
Page 1043 and 1044:
Enfantin, Barthelemy-Prosper (1796-
Page 1045 and 1046:
founded the religion known as Evada
Page 1047 and 1048:
2 information about his parentage.
Page 1049 and 1050:
Jehuda Uudah) ben Halevy (ca. 1085-
Page 1051 and 1052:
La Hodde, Lucien de (1898-1865). Po
Page 1053 and 1054:
.9 Loban, Georges (1770-1838). High
Page 1055 and 1056:
Mehring, Franz (1846-1919). German
Page 1057 and 1058:
Les Mysteres de Londres. Novel by P
Page 1059 and 1060:
acquired the patent, and developed
Page 1061 and 1062:
Prevost, Pierre (1764-1823). French
Page 1063 and 1064:
guages at Erlangen and Berlin. Auth
Page 1065 and 1066:
scent. Author of Nouveaux PrincijJe
Page 1067 and 1068:
Unold, Max (1885-1964). German writ
Page 1070 and 1071:
Index Abele! Krim, 531, 878 About,
Page 1072 and 1073:
377; Toussenel and, 2111-242; trans
Page 1074 and 1075:
Borme, Daniel, 617618 Bome, Ludwig,
Page 1076 and 1077:
Degas, Edgar, 688 D'Eichthal, Gusta
Page 1078 and 1079:
Galeries de Bois, 39 Galignani, Le,
Page 1080 and 1081:
Ingres,Jean Auguste Dominique, 556,
Page 1082 and 1083:
Lucas-Dubrctol1,J, 47, 523, 744, 75
Page 1084 and 1085:
Paris, Gaston, 549 Paris Chronicle,
Page 1086 and 1087:
Romains,jules, 99, 266,373, 443-444
Page 1088 and 1089:
Varlil1, Louis-Eugene, 795 Varnhage
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