The Arcades Project - Operi

377; Toussenel and, 2111-242; translations of
Poe, 280, 281, 282, 285, 385, 445; Va lery and,
335; Wagner and, 230, 236, 237, 895, 897; images
of and views on women, 309-310, 312,
313, 318, 331, 342, 373, 896. WORKS: "A
Anene Houssaye," 437; "Abel et Cain," 327;
"r..:A1batms:' 278; "AllCgorie," 296; "VAme du
vin," 281, 350; "VAmour du mensonge;' 314;
"VAmonr et Ie crane," 276; "VAmour et Ie
crane: Vieux CuI-dc-lampe:' 328; Argument dll
livre Jllr la Belgique, 244, 245, 441, 555; DArt
philoJophique, 238; L'Art romantique, 58, 110-
111, 235-240, 442, 443, 555, 618, 689, 697,
735, 743, 745, 772, 816, 968; "I1Avertisseur,"
314, 326, 352; "Les Aveugles," 272, 776; "Le
Baleon;' 268, 309, 969; "La Beatrice," 326-
327, 332; "Lc Beau Navire;' 80, 330, 426; "La
Beaute," 327; "Benediction," 278, 349, 353,
365, 557; "Bohemiens en voyage;' 336; "Les
Bonnes Soeurs," 228-229; "Les Bons Chiem,"
774; "Aux Bourgeois," 317; "Brumes ct pluies;'
356; "Chacun sa chimere;' 296; "La Chambre
double," 317; "Chant d'automne," 338; "Une
Chamgne," 240, 253, 278, 283; "La Cheve­
lure," 327, 924; "Choix de maximes consolan­
tes sur ramour," 247-248, 316; "Comment on
paie ses dettes quand on a du genic," 294;
"Confession," 330; "Les Correspondances,"
264, 288,336, 558; "Le Coucher du solei! ro­
mantique," 239, 324; "Le Couvercle," 353; "Le
Crepuscule du matin;' 234, 257, 267, 268, 272,
296, 332, 355, 358,381, 445; "Le Cn!puscule
du soir," 234, 257, 267, 272, 313, 343, 370, 378,
134,, 445; "Le Cygne," 10, 21, 276, 333, 356,
896; "De l'Ideal artificiel," 278; "De Profundis
clamavi," 355; Derniins LeUres iniditeJ a sa
mere, 2Bl-292; Les DmillJ de Damnia, 233,
741; "La Deslruction," 256, 319, 34·9; "Les
Deux Bonnes Soeurs," 334; "VEcole palenne;'
235, 313, 316, 743 ; "I.;Ennemi," 327; Les
EjJ aves, 257, 275, 316; "VEsprit de M. Ville­
main;' 365; "De I'Essence du rire," 285, 325,
329; "I..:Examen de minuit," 326; "Exposition
Universellc, 1855," 298, 315; "La Fanfarlo,"
261, 297; "Femmes damnees," 274, 305, 371;
"Femmes damnees: Delphine et Hippolyte;'
267, 283, 371, 557; "Les Femmes et Ies filles,"
696; "Les Fenetres," 437; "La Fin de la
joumee," 352; LeJ F!tU/:s du mal, 200, 205, 224,
228, 234, 235, 240, 243, 244, 246, 254, 256,
257, 258, 262, 263, 264, 268, 270, 271, 272, 274,
275-276, 280,281, 283, 286, 288, 292, 295,
296, 303, 305, 308, 312-313, 317, 325, 329-
330, 335, 336, 337, 339,351, 353, 355, 383,
386, 471, 556, 557, 560, 917; "Les Foules," 437;
"Fusees," 293, 295, 300, 314-315, 352, 356,
376, '143, 445; "La Geante," 264; "Le Gouffre,"
353, 354, "Une Gravure fantastique," 328,
"Harmonie du soil'," 317, 319; "VHeautonti­
moroumenos;' 314, 327; "Dc l'Heralsme de la
vic modeme," 368; Histoires grotesques et
serieuJes par hagar Poe, 570; "VHomme-dieu,"
365; "VHorloge," 326, 351, 384, 507; "Horreur
sympathique," 351, 352; "lJlmprevu;'
327, 354; "lJlrremediable," 328, 353; "lJlrreparable,"
351; 'je n'ai pas oublie," 296; 'je te
dOIUle ces vers;' 330; "LeJeu," 334, 380, 514;
"Un Jour de pluie;' 353, 446; ''Au Lectcur;'
377, 384; "Les Lesbicnnes," 280, 556; Les Lesbielllles,
263; ';Lesbos;' 265, 266, 274, 351; Lettm,
322; LeUres a sa mere, 58, 312-313, 379;
LeJ Limbes, 233, 235, 263, 297, 301, 311; "Les
Litanies de Satan;' 111, 327, 557; ''A Vne
Madone," 264-265; "Marceline Desbordes-Valmore,"
371, 442; "Une Martyre," 8, 19, 309,
349; "Le Mauvais Vitrier," 266; "Le Mensonge,"
696-697; "Mon Coeur mis a nu," 291,
295, 300, 315,319, 332, 376, 445, 967; "La
Mort;' 309, 351; "La Mort des amants;' 349;
"Le Mort joyeux;' 267, 355; "Musee dassique
du Bazar Bonne-Nouvelle;' 318; "La Muse
malade;' 330; "La Muse venal," 330; "Notes et
documents pour mon avocat," 280; No uvelles
HistoireJ e:draordinaires, 319, 454; "Notes Nouvelles
sur Edgar Poe," 319; "Obsession;' 267,
336; "lJOeuvre at 1a vie d'Eugene Delacroix;'
239-240; Oeuvres, 60, 111, 199,200, 245, 248,
269, 285, 286-287, 290, 293, 296, 298-301,
330, 342, 360,365, 555; Oeuvres completes, 227,
263, 314, 376, 385, 454; Oeuvres poitiques, 247;
Les Paradis artfficiels, 206, 276, 278, 279, 365,
375, 841; ''A Une Passante;' 262, 267, 268, 276,
380, 384; "Le Paysage," 356, 382, 387, 536;
"Le Peintre de la vie moderne," 239, 442, 443;
"Perte d'aureole;' 375, 557; "Les Petites
Vieillcs," 243, 252, 319, 354, 355, 382, 755,
1004; Petits Pohnes en j} rose (Le Sp leen de Paris) ,
225, 233, 235, 244, 262, 263, 278, 279, 294,
312, 318, 322, 330, 346, 414, 434, 437, 507,
553, 774, 896; "Petrus Borel;' 772; "Les
Phares," 278, 330; "Physiognomic de la rue,"
441; Pieces cOlldamllies, 309; "Pierre Dupont:'
237; Poemes diven, 446; "Le Possede;' 291;
"Les Promesses d'un visage," 267, 328, 370;
"Que cliras-tu ce soir;' 306; "Qyelqucs carica­
tl.lristes eo-angers:' 322-323; "Qyelques caricaturistes
fran