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The Arcades Project - Operi

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11. GleicllSclzaltung ('alignment"-term used by the Nazis as a euphemism for the elimi­<br />

nation of undesirable persons from public and professional life), chiming here with<br />

Umschaltung (,Igearing') or "switching") in the preceding sentence. "Empathy" translates<br />

Einfohlung.<br />

12. JeanJacques Rousseau, Tile Cotifessions, trans. J. M. Cohen (Baltimore: Penguin,<br />

1954), p. 591. <strong>The</strong> passage continues: lI<strong>The</strong> idleness I love . . . is the idleness of a<br />

child . ... I love ... to follow nothing but the whim of the moment:'<br />

13. <strong>The</strong> Letters of Gustave Flaubert, 1857-1880, trans. Francis Steegmuller (Cambridge,<br />

Mass.: Harvard University Press, 1982), p. 24. "MOll arne est triste et j'ai Iu tous les<br />

livres" is Belamin)s exquisite misquotation of the opcning of Mallanne's poem<br />

"Brise marine" (see J87,5). 'Ine line from Goethe is from Faust, trans. Louis Macneice<br />

(New York: Oxford University Press, 1952), p. 19 (part 1, line 354).<br />

14. Oswald Spengler, <strong>The</strong> Decline of the West, vol. 2, trans. Charles Francis Atkinson<br />

(New Yo rk: Knopf, 1928), p. 100.<br />

15. Ibid., p. 90.<br />

p [Anthropological Materialism, History of Sects 1<br />

1. Christian Dietrich Grabbe, Werke und Briefl, vol. 1 (Darmstadt, 1960), pp. 142ff.<br />

[R.T.]<br />

2. Damnier's series of forty lithographs on career women was published under the title<br />

Les Bas-bleus in Le Charivari in 1844. It was followed by series on socialist women and<br />

divorced women.<br />

3. <strong>The</strong> New Oxford Annotated Bible (New York: Oxford University Press, 1977), p. 1202<br />

(Matthew 23.9). On the woman caught in adultery, see John 8.1-11.<br />

4. John 2.1-11.<br />

5. Honore de Balzac, Tlte Girl witlt the Golden Eyes, trans. G. B. Ives, with Walter<br />

Robins and E. P. Robins (philadelphia: George Barrie, 1896), p. 310. Curtius is<br />

concerned here with the opening paragraph of Balzac's novel, in which Paris is<br />

presented as a city of masks.<br />

6. See Gustav Mayer, Friedrich Engels, trans. Gilbert Highet and Helen Highet (1936;<br />

rpt. New Yo rk: Howard Fertig, 1969), pp. 14-16. <strong>The</strong> passages quoted by Benjamin<br />

are not found in this English edition.<br />

7. Karl Marx and Friedrich Engels, Selected Correspondence, 3rd ed., trans. 1. Lasker<br />

(Moscow: Progress Publishers, 1975), pp. 18-19.<br />

8. Baudelaire as a Literary Critic, tTans. Lois Boe Hyslop and Francis E. Hyslop, Jr.<br />

(University Park: Pennsylvania State University Press, 1964), p. 336.<br />

r [Ecole Polyteclmiquc 1<br />

1. See "Ecole Poly technique" in the 'IGuide to Names and Terms."<br />

2. Jules Michelet, <strong>The</strong> People, trans.john P. McKay (Urbana: University ofIllinois Press,<br />

1973), pp. 195-196. Reference is to the extremely severe winter of 1794-1795 (Year<br />

III, according to the Revolutionary calendar), after the guillotining of Robespierre,<br />

onJuly 28, 1794, had ended the Reigu of Te rror.<br />

3. Honore de Balzac, <strong>The</strong> Country Panon, h'ans. anonymous (New Yo rk: Fred De Fau,<br />

1923), p. 187.<br />

4. In 1833, Thiers had presented to dIe Chamber of Deputies a project for erecting<br />

detached forts outside the city, <strong>The</strong> proposal was abandoned; but in 1840, on ac­<br />

count of new threats of war, a royal ordinance directed that Paris be encircled by<br />

fortifications . TIlis project was implemented in February 1841. <strong>The</strong> resulting enceinte

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