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29. Marx, Capital, vol. 1, p. 552n.<br />

30. "Der Urspnmg der Zeitung aus clem Geiste der Rhetorik," playing on the title of<br />

Nietzsche's first book, Die Geburt der Tragodie aus detn Geiste der Musik.<br />

g [<strong>The</strong> Stock Exchange, Economic History 1<br />

1. Karl Marx and Friedrich Engels, T7!e Holy Family, trans. Richard Dixon and Clemens<br />

Dutt, in Marx and Engels, Collected Works, vol. 4 (New York: International Publishers,<br />

1975), pp. 123-124.<br />

2. Colomba (1840) is a novel by Prosper Merimee. <strong>The</strong> COlIllnendatore appears in the<br />

final scene of Mozart's opera Don Giovanni.<br />

3. Date of Napoleon's abdication before the Allied armies at Fontainebleau. '<strong>The</strong> letter<br />

that follows uses the tu fonn of address as a sign of the writer's contempt.<br />

4, <strong>The</strong> author goes on (pp. 57-58) to describe the ((debacle" in which he was "taken,"<br />

by a speculator dealing in rabbit fur, to the tune of 12 francs, 15 centirnes-a loss that<br />

proves nlinolls for his £nances.<br />

5. Honore de Balzac, 'file Maranas, trans. G. Burnham Ives ( p hiladelphia: George Barrie,<br />

1899), p. 126.<br />

6. <strong>The</strong> Utopian Vision qf Charles Fourier, trans. Jonathan Beecher and Richard Bienvenu<br />

(1971; rpt. Columbia: University of Missouri Press, 1983) pp. 253-254.<br />

7. Karl Marx, Capital, vol. 1, trans. Samuel Moore and Edward Aveling (1887; rpt. New<br />

York: International Publishers, 1967), p. 24.<br />

k [<strong>The</strong> Commnne 1<br />

1. Agnes de Miranie (1846), a drama by Franl'ois Ponsard, is about a twelfth-century<br />

queen of France who was detln'oned on orders from Pope Innocent III. Calas (1819),<br />

a play by Victor Ducange, concerns an eighteenth-century Huguenot executed on<br />

false charges by an intolerant Toulouse parliament. Charles IX, ou L'Ecole des rou<br />

(1788) is a verse tragedy by Marie:Joseph Chenier about a cowardly sixteenth-cen­<br />

tury king; it was a favorite with revolutionary audiences.<br />

2. Cartes de civ£rme were identity cards which the Commune's Connnittee on Public<br />

Safety made compulsory for all citizens in May 1871, in response to heightened fears<br />

of spies.<br />

3. Rimbaud: Complete Works, Selected Leiters, trans. Wallace Fowlie (Chicago : University<br />

of Chicago Press, 1966), p. 89 ("<strong>The</strong> Hands ofJearme-Marie").<br />

4. It appears to have escaped Benjamin's notice that Courbet, in the caricature, is not<br />

standing on just any broken column but on the remains of the Place Vendome<br />

coluum, which was torn down during the Commune-an act of destruction for<br />

which the painter was later convicted. [R.'1] See Hgure 36 in this volume.<br />

5, A reference to the dismemberment of Poland in 1815, after the Congress ofVierma.<br />

6. Gustav Mayer, Friedrich Engels, trans. Gilbert Highet and Helen Highet (1936; rpt.<br />

New Yo rk: Howard Fertig, 1969), p. 220.<br />

7. Ibid., pp. 220-221.<br />

8. Karl Marx and Friedrich Engels, Selected Correspondence, 3rd ed" trans. 1. Lasker<br />

(Moscow: Progress Publishers, 1975), pp. 82-83.<br />

9. Henrik Ibsen, Leiters and Speeches, ed. Evert Sprinchorn (New York: Hill and Wang,<br />

1964), p. 106 (trans. Nilsen Laurvik and Mary Morison).<br />

10. After the victory at Sedan and the capture of Napoleon III, on September 1, 1870,<br />

Pnlssian forces advanced on Paris and, by September 23, had surrounded the cily.

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