The Arcades Project - Operi

The Arcades Project - Operi The Arcades Project - Operi

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56. Ibid., pp. 198-199. 57. Ibid., pp. 201-202. 58. Ibid., p. 50n. The passage from Marx is in Marx and Engels, Collected Work.r, vol. 1 (New York: Intemational Publishers, 1975), p. 203 ("The Philosophical Manifesto of the I-Iistorical School of Law;' trans. Clemens Dutt). 59. From G. W. F. Hegel, Encyclopedia of the Philosophical Sciences, trans. William Wallace, in Hegel: Selections) ed. Jacob Loewenberg (New York: Charles Scribner's Sons, 1929), pp. 237-238. 60. Marx, "On the Jewish QJlestion;' Selected Writings, pp. 54-56. 6l. Now in GS, vol. 2, pp. 476-478. In English in Walter Benjamin, "One-Way Street" and Other Writings (London: Verso, 1979), pp. 359-36l. 62. Theodor Adorno, In SearcH if T#zgner, trans. Rodney Livingstone (London: Verso, 1981), pp. 82-83. It might be said that the method of citation in Tlte Arcades Project, the polyphony of the text, works precisely to counter the phantasmagoria Adorno speaks of. Y [Photography 1 1. Feenstiicke (a translation of the French ften'es) are theatrical spectacles involving often pantomime, the appearance of supernatural chaTacters like fairies and enchanters, and the use of stage machinery to create elaborate scenic effects. 2. Anicet Bourgeois and Adolphe Dennery, Gaspard Hause drama in four acts (paris, 1838). [RoT] 3. Nadar's account, "Paris souterrain," was first published in 1867, in connection with the Exposition Universelle. His photographs of the catacombs (fonner quarries refit­ ted to house skeletons from overfull cemeteries) in 1861-1862, and of the Paris sewers in 1864-1865, in which he employed his patented new process of photogra­ phy by electric light, followed on his experiments with aerial photography. See the catalogue of the exhibition Nadal' (New York: Metropolitan Museum of Axt, 1995), pp. 98-100, 248 (plate 93 shows one of Nadar's matmequins in the sewer) . 4. Nadar actually interviewed the famous chernist on the latter's hundredth birthday. Eight of the series of twenty-seven instantaneous photos are reproduced in Nada pp. l02-103. 5. Honon de Balzac, Cousin Pons) trans. Herbert ]. Hunt (London: Penguin, 1968), pp. 131, 133. 6. Nadar helped organize an exhibition of the work of Constantin Guys in 1895. 7. Charles Baudelaire, "The Painter of Modern Lift" and Other Essays, trans. Jonathan Mayne (1964; rpt. New York: Da Capo, 1986), p. 201. 8. Charles Baudelaire, Selected Writings on Art and Literature, trans. P. E. Charvet (1972; rpt. London: Penguin, 1992), pp. 295-296. 9. Ibid., p. 225. 10. Baudelaire, The Mirror of Art, trans. Jonathan Mayne (London: Phaidon, 1955), pp. 230-231; "factual exactitude') translates exactitude matenelle. 1l. Les Mariis de la tour Eiffil (Marriage and the EifTel Tower) , ballet scenario of 1921. "Experience;' in this entry, translates Erlebnis. Z [The Doll, The Automaton 1 1. Puppe) in German, can mean "puppet" as well as "doll:'

2. Karl Marx and Friedrich Engels, Selected Correspondence, 3rd ed., trans. I. Lasker (Moscow: Progress Publishers, 1975), pp. 129-130. 3. The Poems 0/ Hesiod, trans. R. M. Frazer (Nonnan: University of Oklahoma Press, 1983), p. 98. 4. Charles Baudelaire, "The Painter 0/ Modern Lift)} and Other EsJaYJ, trans. Jonathan Mayne (1964; rpt. New York: Da Capo, 1986), pp. 36-37 (citing La Bruyere, Les Caracteres, "Des Femmes," section 2, andJuvenal, Satire VI). Benjamin refers here to Baudelaire's poem "I..:Amour du mensonge;' in Les Fleurs du mal. 5. The epigram quoted here is actually by Antipatros of Sidon, a Greek poet who flourished around 120 B.C., and whose work is represented (together with that of Antiphilos) in the Palatine Anthology, the tenth-century Byzantine compilation of Greek poetic epigrams, of which the only manuscript was found in Count Palatine's library in Heidelberg. It is Antipatros whom Marx cites in volume 1 of Das Kap£tal,' see Capital, trans. Samuel Moore and Edward Aveling (1887; rpt. New York: Interna­ tional Publishers, 1967), p. 385. Aristotle's discussion of the slave as 'living instrument" is in book 1, chapter 3 of his PoliticJ, trans. BenjaminJowett, in The Basic Works 'Ii Aristotie, ed. Richard McKeon (New York: Random House, 1941), p. 113l. a [Social Movement 1 1. In France, in dIe nineteenth century, state engineers, in charge of public works, were distinguished from civil engineers, who were employed not by the state but by mu­ nicipalities or private individuals. [J.L.] 2. That is, "The People's Hive." 3. Ecrivai11S publics: persons who, for a fee, would write out letters and docmnents for those who could not write. 4. On June 25, the archbishop of Paris, Monsignor Affre, was killed by a stray bullet in the Faubourg Saint-Antoine while trying to arrange a cease fire. 5. Fifteen thousand workers confronted the Garde Nationale in the streets of Lyons, and suffered some 600 casualties before capitulating. 6. In 1830, students of the Ecole Polyteehnique led an attack on the Swiss Guards at the Babylone barracks and the Louvre; one student was killed. 7. Jules Miehelet, The People, trans.John P. McKay (Urbana: University oflllinois Press, 1973), p. 86. 8. In La Chartreuse d( Parme (chapter 3). For Flaubert's descriptions, see part 3, chapter I, of L'Education sentimentale. Compare the passage by Nescio with Benjamin's idea of 'interpretation in detail" (Ausdeutung in den Einzelheiten) in N2,l. 9. See "Mutualists," in the "Guide to Names and Te nus." In response to a new law limiting free assembly, a republican insurrection broke out, on April 13, 1834, in the Marais district of Paris. During the quick suppression, all the occupants of a house on the Rue Transnonain were killed by General Bugeaud's troops, an incident depicted by Daumier in his lithograph of 1834, Rue Transnonain. See Baudelaires essay "Qyelques caricaturistes franais," and Figure 29 in this volume. 10. Victor Hugo, Les Miserables, trans. Charles E. Wilbom (1862; rpt. New York: Mod· ern Library, 1992), p. 1107 (re 1832). 11. Ibid., pp. 970-971 (re June 5, 1832); pp. 730-731 and 734-735 (re April 1832). Emeute: "riot;' "disturbance." 12. Ibid., pp. 924-925. 13. Langes, perhaps a miSplint for langues, "languages." 14. Benjamin writes in English: l'selfmade-man."

2. Karl Marx and Friedrich Engels, Selected Correspondence, 3rd ed., trans. I. Lasker<br />

(Moscow: Progress Publishers, 1975), pp. 129-130.<br />

3. <strong>The</strong> Poems 0/ Hesiod, trans. R. M. Frazer (Nonnan: University of Oklahoma Press,<br />

1983), p. 98.<br />

4. Charles Baudelaire, "<strong>The</strong> Painter 0/ Modern Lift)} and Other EsJaYJ, trans. Jonathan<br />

Mayne (1964; rpt. New York: Da Capo, 1986), pp. 36-37 (citing La Bruyere, Les<br />

Caracteres, "Des Femmes," section 2, andJuvenal, Satire VI). Benjamin refers here to<br />

Baudelaire's poem "I..:Amour du mensonge;' in Les Fleurs du mal.<br />

5. <strong>The</strong> epigram quoted here is actually by Antipatros of Sidon, a Greek poet who<br />

flourished around 120 B.C., and whose work is represented (together with that of<br />

Antiphilos) in the Palatine Anthology, the tenth-century Byzantine compilation of<br />

Greek poetic epigrams, of which the only manuscript was found in Count Palatine's<br />

library in Heidelberg. It is Antipatros whom Marx cites in volume 1 of Das Kap£tal,'<br />

see Capital, trans. Samuel Moore and Edward Aveling (1887; rpt. New York: Interna­<br />

tional Publishers, 1967), p. 385. Aristotle's discussion of the slave as 'living instrument"<br />

is in book 1, chapter 3 of his PoliticJ, trans. BenjaminJowett, in <strong>The</strong> Basic Works<br />

'Ii Aristotie, ed. Richard McKeon (New York: Random House, 1941), p. 113l.<br />

a [Social Movement 1<br />

1. In France, in dIe nineteenth century, state engineers, in charge of public works, were<br />

distinguished from civil engineers, who were employed not by the state but by mu­<br />

nicipalities or private individuals. [J.L.]<br />

2. That is, "<strong>The</strong> People's Hive."<br />

3. Ecrivai11S publics: persons who, for a fee, would write out letters and docmnents for<br />

those who could not write.<br />

4. On June 25, the archbishop of Paris, Monsignor Affre, was killed by a stray bullet in<br />

the Faubourg Saint-Antoine while trying to arrange a cease fire.<br />

5. Fifteen thousand workers confronted the Garde Nationale in the streets of Lyons, and<br />

suffered some 600 casualties before capitulating.<br />

6. In 1830, students of the Ecole Polyteehnique led an attack on the Swiss Guards at the<br />

Babylone barracks and the Louvre; one student was killed.<br />

7. Jules Miehelet, <strong>The</strong> People, trans.John P. McKay (Urbana: University oflllinois Press,<br />

1973), p. 86.<br />

8. In La Chartreuse d( Parme (chapter 3). For Flaubert's descriptions, see part 3, chapter<br />

I, of L'Education sentimentale. Compare the passage by Nescio with Benjamin's idea of<br />

'interpretation in detail" (Ausdeutung in den Einzelheiten) in N2,l.<br />

9. See "Mutualists," in the "Guide to Names and Te nus." In response to a new law<br />

limiting free assembly, a republican insurrection broke out, on April 13, 1834, in the<br />

Marais district of Paris. During the quick suppression, all the occupants of a house on<br />

the Rue Transnonain were killed by General Bugeaud's troops, an incident depicted<br />

by Daumier in his lithograph of 1834, Rue Transnonain. See Baudelaires essay<br />

"Qyelques caricaturistes franais," and Figure 29 in this volume.<br />

10. Victor Hugo, Les Miserables, trans. Charles E. Wilbom (1862; rpt. New York: Mod·<br />

ern Library, 1992), p. 1107 (re 1832).<br />

11. Ibid., pp. 970-971 (re June 5, 1832); pp. 730-731 and 734-735 (re April 1832).<br />

Emeute: "riot;' "disturbance."<br />

12. Ibid., pp. 924-925.<br />

13. Langes, perhaps a miSplint for langues, "languages."<br />

14. Benjamin writes in English: l'selfmade-man."

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