The Arcades Project - Operi

2. Anatole France, The Gmd(''J1 qf Epicurus) trans, Alfred Allinson (New York: Dodd,
Mead, 1923), p. 129.
3. See Julien Benda, The Betrayal of the Intellectuals, trans . Richard Aldington (1928; rpt.
Boston: Beacon, 1955), p. 166 (letter of August 13, 1789, from an Englishman, Ar·
thur Yo ung) ; and Anatole France, "The Procurator of Judaea," in Mother qf Pearl,
trans. Frederic Chapman (New York: Dodd, Mead, 1922), p. 26.
4. Franz Kafka, Tlte Trial, trans. Wi lla and Edwin Muir, rev. E. M. Butler (1935; rpt.
New York: Schocken, 1968), p. 163.
5. Sein und Zeit (Halle, 1927). [R.T.]
6, Hugo von Hofmannsthal, Selected R·ose) trans, Mary Hottinger, Ta nia Stern, and
James Stem (New Yo rk: Pantheon, 1952), p. 364. The Buch der Fi-eunde (l3ook of
Friends) was compiled from Hofmannsthal's notebooks of 1917-1922 and from
quotations, and was first published in 1922.
7, Sketch for a play; now in Hofinannsthal, Gesammelte Werlie) voL 3, Dratnen (Frankfurt
am Main, 1957), pp. 491-493. [R.T.] Aside from the reference to Freud, the uniden·
tified citations at the end of S2,3 are in French,
8, Theodor W. Adorno, "Arabesken zur Operette;' in Die Rampe: Bliitter des Deutschen
Schauspielhauses (Hamburg, 1931-1932), p. 5. Adorno speaks of the "negative eter·
nity of the operetta:' [R.T.]
9. Benjamin refers to the great Catalan architect Antonio Gaudi (1852-1926).
10, Adonlo, Kierkegaard: Construction qf the Aesthetic, trans . Robert Hullot-Kentor (Minneapolis:
Urriversity of Minnesota Press, 1989), pp. 45-46. The passage from Repeh··
tion describes the apartment Kierkegaard occupied during his residence in Berlin in
1843.
11. Ovid, MetamOlplwses, trans . Rolfe Humphries (Bloomington: Indiana University
Press, 1955), p. 73 (the reference is to Narcissus).
12. ", . . denJugendstil bis in seine Auswirkung in die Jugendbewegung verfolgend."
13, Charles Baudelaire, Pan's Spleen, trans. Louise Va rese (New Yo rk: New Directions,
1947), p. 5 ("The Double Room").
14. Paul Valery, Degas, Manet, Morisot, trans. David Paul (Princeton: Princeton Univer­
sity Press, 1960), p. 152 ("About Corot").
15. Karl Marx, Selected Writing', ed. David McLellan (New York: Oxford University
Press, 1977), p. 338.
16. Baudelaire as a Literaryl Criti(. trans . Lois Boe Hyslop and Francis E. Hyslop, Jr.
(University Park: Pennsylvarria State Urriversity Press, 1964), p. 143.
17. Ibid., pp. 44, 45.
18, T(lgebuch einer Tierlorenell (Diary of a Lost Woman) , anonymous memoir of a prosti­
tute, cd. Margarete B6hme (l3erlin, 1905). The reference to Alfred Capus that follows
remains obscure. (R.1]
19, Baudelaire, The Complete Verse) trans. Francis Scarfe (London: Anvil, 1986), p. 55.
20, "Loss of a Halo;' section 46 of Pans Spleen.
21. Baudelaire, "Flowers qf Evil" and Other Works, traIlS. Wallace Fowlie (1964; rpt. New
Yo rk: Dover, 1992), p. 27.
22. Baudelaire, "The Sun" ("Le Soleil"), in Tlte Complete Verse, p. 171.
23. Friedrich Nietzsche, Thus Sf)oke Zamthustra, trans. R.J. Hollingdale (1961; rpt. Balti·
more: Penguin, 1968), p. 286 ("The Shadow").
24. Ibid., p. 315 ("Among the Daughters of the Desert").
25. See Hemik Ibsen, The Wild Duck, in "Hedda Gabler" and Other Plays, trans. Una
Ellis·l