Great Beginnings Palette Sampler 10 x 20ml tubes: Titanium White Raw Umber Napthol Crimson Yellow Deep Ultramarine Blue Product Code 3931 Medium Kits Crackle Pack 2 x 60ml Bottles: Mediums Starter Kit 6 x 60ml Bottles: All Purpose Sealer Clear Glaze Medium Polyurethane Water Based Satin Varnish Product Code 3872 Brilliant Green Vermilion Carbon Black Red Violet Rich Gold Crackle Medium Décor Crackle plus step-by-step instruction sheet on Regular Crackle, Décor Crackle, Combination Crackle and Gently Aged Wood techniques Product Code 3844 Magic Mix Retarder <strong>Jo</strong> <strong>Sonja</strong>’s Brush Soap and Conditioner 57 CHROMA’S JO SONJA Sets Surface, temperature, humidity and paint application affect any paint’s performance. Due to the individual nature of art, Chroma makes no express or implied warranties regarding the suitability of a particular paint for a particular situation. ISSUE 3
Promotional Literature Artists’ Companion Booklet and Product Guide ARTISTS’ PAINTING SYSTEM Any Surface, Any Design Artists’ Companion Booklet & Product Guide www.chromaonline.com Chro Chroma’s <strong>Jo</strong> <strong>Sonja</strong> Artists’ Colours Chroma’s a’s <strong>Jo</strong> <strong>Jo</strong> So <strong>Sonja</strong> Artists’ Colours are flow formula mula acrylics a offering the opacity of color and the the beautiful, beautifu velvet matte finish associated with traditional gouache plus superb handling and brushing ch characteristics. Unlike gouache, they are water-r water-resistant and will not chip or crack crack when when cure cured. Made from the fifinest quality pure pigments, the colors will rremain vibrant and true for generations. They Th are safe, water based and clean up easily with so soap and water. Choose from 80 exceptional colors including metallics (see below). Su Suitable for mmost surfaces including paper, papier mach maché, card, canvas, wood, fabric, tin, terracotta, otta, gl gglass and tile. Directions: Di Directions: Drying ng time ti time ma may be accelerated with a hair dryer and warm/cool air blowing over ver tthe th surface, however the colors have the added advantage of drying throug through each other, so additional layers can be applied within minutes, withou without lifting the color underneath. (Longer drying times may be needed between b layers when using some mediums.) The colors dry a little darke darker than they appear when wet, approximately one value difference. They will brighten with the application of varnish. Approximate coverage: coverag 1ml = 157 sq cm 1 oz = 5 sq ft Available in: 775ml / 2.5 US fl oz tubes. Select colors also available in 250ml / 8.4 US U fl oz bottles or in 20ml / 0.65 US fl oz tube sets. Chroma’s Chroma <strong>Jo</strong> <strong>Sonja</strong> Metallic Colours Chroma’s <strong>Jo</strong> So <strong>Sonja</strong> brilliant Metallic Colours are formulated using Mica pigments - high quality, heavy bodied pigments pi that will not tarnish over time. Compatible with all Chroma’s <strong>Jo</strong> <strong>Sonja</strong> Mediums, they may be be use used to achieve dramatic and beautiful effects effects in stencill stencilling, color bands, highlighting, line work, bronzing and Faux Finishes. Apply alone or mix mix directly into other colors to achieve iridescent effects. * Note: Note: e: Pearl Pea WWhite may be used alone (requires two to three coats) or mixed with with any other color to impart a pearlescent look. Approximate coverage: coverag 1ml = 157 sq cm 1 oz = 5 sq ft Available in: 775ml / 2.5 US fl oz tubes and a 20ml / 0.65 US fl oz tube set. Select colo colors also available in 250ml / 8.4 US fl oz bottles. TITANIUM WHITE PW.6 SERIES 1 ASTM 1 N WARM WHITE PW.6, PY.42 SERIES 1 ASTM 1 N NAPLES YELLOW HUE PW.6, PY.42, PY.74LF SERIES 1 ASTM 1 Y CADMIUM YELLOW LIGHT PY.35 SERIES 3 ASTM 1 Y YELLOW LIGHT PY.74LF, PW.6 SERIES 1 ASTM 1 Y CADMIUM YELLOW MID PY.35 SERIES 3 ASTM 1 Y YELLOW DEEP PY.65, PW.6 SERIES 1 ASTM 1 Y YELLOW ORANGE PW.6, PY.74LF, PO.73 SERIES 1 ASTM 1 YO SERIES 1 ASTM 1 O Color Characteristics <strong>Colors</strong> are shown as accurately as printing allows. A lightfastness rating and pigment specification is provided for each color as your warranty of quality. Pigment Description PY = Pigment Yellow PO = Pigment Orange PW = Pigment White PBr = Pigment Brown Product Code Creative inspiration for Chroma’s <strong>Jo</strong> <strong>Sonja</strong> users! A new newsletter is produced every three to four months and focuses on one product or product group. Includes a product fact fi le, photos of up to the minute JSTIPS projects plus step by steps for some of the latest techniques. Previous newsletters can be downloaded from our website: www.chromaonline.com Product Code A 36-page full color guide to the Chro ma’s <strong>Jo</strong> <strong>Sonja</strong> range, including color charts. Each product is photographed and explained, along with instructions for use. 58 PB = Pigment Blue PV = Pigment Violet PG = Pigment Green PBk = Pigment Black INDIAN YELLOW PY.139 SERIES 1 ASTM 1 Y TURNERS YELLOW PY.74LF, PY.42, PW.6 SERIES 1 ASTM 1 Y YELLOW OXIDE PY.42 SERIES 1 ASTM 1 Y RAW SIENNA PBr.7 SERIES 1 ASTM 1 O GOLD OXIDE PY.42 SERIES 1 ASTM 1 O RED EARTH PR.101 SERIES 1 ASTM 1 RO NORWEGIAN ORANGE PR.112, PY.42, PY.74LF, PW.6 SERIES 1 ASTM 2 O JAUNE BRILLANT PY.74LF, PR.9, PW.6 PR = Pigment Red LF = Light Fast CHROMA’S JO SONJA Promotional Materials Chroma’s <strong>Jo</strong> <strong>Sonja</strong> Artists’ Colours CADMIUM ORANGE PO.20 SERIES 3 ASTM 1 O ORANGE PO.73 SERIES 2 ASTM 1 O VERMILION PR.9, PY.74LF, PW.6 SERIES 1 ASTM 1 O ROSE PINK PR.112, PY.42, PW.6 SERIES 1 ASTM 2 RO CADMIUM SCARLET PR.108 SERIES 3 ASTM 1 RO NAPTHOL RED LIGHT PR.9, PY.74LF, PW.6 SERIES 1 ASTM 1 RO BROWN MADDER PR.175 SERIES 2 ASTM 1 RO PERMANENT ALIZARINE PR.122, PR.175 SERIES 2 ASTM 1 R BURGUNDY PR.170, PB.29 SERIES 1 ASTM 2 RV INDIAN RED OXIDE PR.101 SERIES 1 ASTM 1 RV PLUM PINK PR.112, PB.15.3, PW.6 SERIES 1 ASTM 2 RV PURPLE MADDER PR.175, PV.23RS SERIES 2 ASTM 1 RV RED VIOLET PV.19 SERIES 2 ASTM 1 RV BRILLIANT MAGENTA PR.122, PW.6 SERIES 1 ASTM 1 RV NAPTHOL CRIMSON TRANSPARENT MAGENTA PR.170 PR.122 SERIES 1 ASTM 1 R SERIES 3 ASTM 1 RV Pigments Transparent Semi Opaque Both opaque and transparent pigments are used in the Chroma’s <strong>Jo</strong> <strong>Sonja</strong> line. Transparent pigments reflect light differently than opaque pigments, which do not allow the light to pass through. <strong>Colors</strong> labelled as transparent allow the light to pass through the transparent pigment particles, thus allowing the undercoat to show through. These make wonderful colors for glazing. JS - 2011 - 1 AMETHYST PV.19, PW.6 SERIES 1 ASTM 1 RV BRILLIANT VIOLET PV.23RS, PW.6 SERIES 1 ASTM 1 V DIOXAZINE PURPLE PV.23RS SERIES 3 ASTM 2 V PACIFIC BLUE PV.23RS, PB.15.3, PW.6 SERIES 1 ASTM 1 BV BLUE VIOLET PB.15.3, PV.23RS SERIES 1 ASTM 1 BV STORM BLUE PB.15.3, PBk.11, PW.6 SERIES 1 ASTM 1 B FRENCH BLUE PB.15.3, PR.101, PW.6 SERIES 1 ASTM 1 BV SAPPHIRE PB.29, PB.15.3, PW.6, PBk.11 SERIES 1 ASTM 1 B WARNING: This product contains cadmium, a chemical known to the state of California to cause cancer, birth defects, and other reproductive harm. COBALT BLUE HUE PB.29, PB.15.3, PW.6 SERIES 1 ASTM 1 B ULTRAMARINE BLUE PB.29, PB.15.3, PW.6 SERIES 1 ASTM 1 B ULTRAMARINE BLUE DEEP PB.29 SERIES 1 ASTM 1 B PTHALO BLUE PB.15.3 SERIES 1 ASTM 1 B PRUSSIAN BLUE HUE PB.15.3, PBk.11 SERIES 1 ASTM 1 B PAYNES GREY PB.29, PBk.11 SERIES 1 ASTM 1 B COLONY BLUE PB.15.3, PY.42, PW.6 SERIES 1 ASTM 1 BG AQUA PG.7, PB.15.3, PW.6 SERIES 1 ASTM 1 BG www.chromaonline.com WARNING: This product * contains a chemical known to the state of California to cause cancer, birth defects, and other reproductive harm. 3938 New Year’s Greetings to all! Let’s have another wonderful year of painting! In this year’s classes, we are going to be using Gel Retarder. I have really been enjoying the blendability of it as a painting medium. Basically, I use it one of two ways: 1. You can brush as a thin coat directly over the painting surface for an extended working time . Then, paint or faux finish over top of it. Gel Retarder may need to be thinned a little for climate conditions in your area. If your painting surface becomes tacky easily, add a little Retarder Medium to thin. 2. You can use Gel Retarder as a painting medium to basecoat an object or blend shadows and highlights, etc. Just remember do not use Gel Retarder over Clear Glaze Medium or Magic Mix as it will dissolve your mixtures. Of course, you can use Clear Glaze Medium over top of a surface that has been painted with Gel Retarder. Kleister Medium is another fun medium. If added to your paint, it will provide extra body for textural patterns. It is transparent and will also extend the blending time like Gel Retarder. Our hearts and prayers go out to all of you who have been ill or suffered through the terrible winter storms. You are thought of often and loved. Wishing you peace and joy in your painting endeavors! Surface, temperature, humidity and paint application affect any paint’s performance. Due to the individual nature of art, Chroma makes no express or implied warranties regarding the suitability of a particular paint for a particular situation. ISSUE 3
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