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Reel<br />

World<br />

by Jim Joplin<br />

Every year around the end of February, for the<br />

past 80+ years, the Academy of Motion Picture<br />

Arts and Sciences has come together to honor<br />

<br />

Until recently, I wasn’t aware of how everything<br />

worked with the Oscars. Before we jump into<br />

all of this year’s nominations, I thought I’d bring<br />

you some history and information on how things<br />

work before the big show.<br />

<br />

Louis B. Mayer (of M-G-M) and his three<br />

dinner guests: Conrad Nagel, Fred Niblo and<br />

Fred Beetson (an actor, director and producer<br />

respectively) began discussing the idea of<br />

<br />

<br />

<br />

meeting on January 11, 1927 with 36 people<br />

in attendance. The “International” didn’t even<br />

<br />

of incorporation in mid-March. A few of the<br />

attendees were Mary Pickford, Cecil B. DeMille,<br />

Douglas Fairbanks, and many more. In the<br />

articles of incorporation, Douglas Fairbanks was<br />

named as the president of the Academy.<br />

<br />

banquet was held at the Biltmore Hotel. There<br />

were 300 guest in attendance; 230 joined<br />

the Academy (each paying $100). That very<br />

<br />

membership…to Thomas Edison. In the<br />

years since, the total number of members is<br />

somewhere in the neighborhood of 6000.<br />

Since I just learned how the process works,<br />

I thought I’d give you an insider’s glimpse as<br />

well. For the purposes of this adventure we’re<br />

going to cover the Academy Award for best<br />

Original Score. There are two other categories<br />

under the Music awards umbrella (Best Original<br />

Song, Best Original Musical), but to cover all<br />

three would take more than the space that I’m<br />

allowed.<br />

<br />

governors. They decide which Scores are<br />

eligible for the given year. In 2011, there were<br />

96 original scores that were deemed eligible<br />

for the Award. The eligible scores are listed<br />

in alphabetical order according to Film Title,<br />

and are listed with the composer(s). This list<br />

is then mailed to the 6000 members of the<br />

Academy. The members are given two weeks<br />

<br />

to the Academy for tabulation. At the end of<br />

<br />

on the primary voting ballot and sent back to<br />

the members. At this point, they are given three<br />

weeks to return the ballots to the Academy. The<br />

votes are counted, and the winner is placed in<br />

a sealed envelope, not to be opened until the<br />

night of the Oscars.<br />

As for the award…the gold-plated statuette<br />

is given to the composer of the score. If there<br />

are two composers who composed the score<br />

equally, they will both receive a statuette.<br />

Two awards is pretty commonplace, but very<br />

rarely do you see three awards. In the 84 year<br />

history there have never been more than three<br />

statuettes given for one Best Music Score<br />

Award.<br />

Now that we’ve covered the when’s, how’s,<br />

and why’s, let’s take a look at some of the<br />

nominations for the 84th Annual Academy<br />

Awards:<br />

Actor in a Leading Role: Demián<br />

Bichir (A Better Life), George Clooney (The<br />

Descendants), Jean Dujardin (The Artist), Gary<br />

Oldman (Tinker Tailor Soldier Spy), and Brad<br />

Pitt (Moneyball) – my prediction: Gary Oldman<br />

in Tinker Tailor Soldier Spy.<br />

Actor in a Supporting Role: Kenneth<br />

<strong>OKIE</strong> MAGAZINE www.okiemagazine.com Page 30

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