a performance analysis of the khachaturian flute concerto - CSUN ...
a performance analysis of the khachaturian flute concerto - CSUN ...
a performance analysis of the khachaturian flute concerto - CSUN ...
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
Conclusion<br />
Khachaturian’s Concerto for Violin and Orchestra can be equally impressive and exciting<br />
when performed on <strong>the</strong> <strong>flute</strong>. Jean Pierre Rampal’s <strong>flute</strong> edition <strong>of</strong> <strong>the</strong> <strong>concerto</strong> is true to <strong>the</strong><br />
original composition while at <strong>the</strong> same time utilizing <strong>the</strong> strengths <strong>of</strong> <strong>the</strong> <strong>flute</strong> to allow for an<br />
effective transcription. The <strong>concerto</strong> is remarkable on ei<strong>the</strong>r instrument, <strong>the</strong> violin or <strong>the</strong> <strong>flute</strong>.<br />
Flutists must make every effort to learn how <strong>the</strong> piece would be performed on <strong>the</strong> violin<br />
in order to stay true to <strong>the</strong> composer’s idea, but ultimately, <strong>the</strong> <strong>flute</strong> <strong>performance</strong> is bound to be<br />
very different. But different means no better or worse. 31 Flutists can benefit by transcribing<br />
violin pieces and making <strong>the</strong>m <strong>the</strong>ir own because doing this expands <strong>the</strong>ir repertoire and<br />
challenges <strong>the</strong>ir technique. 32 When Aram Khachaturian composed this work he had no idea that<br />
it would become a standard in <strong>the</strong> repertoire <strong>of</strong> classical <strong>flute</strong>.<br />
31 David Shostac, Interview by <strong>the</strong> author, 13 April, 2012, Los Angeles, California.<br />
32 Rena Urso Trapani, Interview by <strong>the</strong> author, 11 April, 2012, California.<br />
24