a performance analysis of the khachaturian flute concerto - CSUN ...

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EXAMPLE 3 movement 1, mm. 25-26 Violin Part Flute Part Another example from movement I, with slightly more variation of notes, is found at measure 109 (see example 4). The flute plays the violin line up an octave starting at the last beat of the measure. However, in order to get there, the first three beats have been altered. The flute plays an ascending figure and the main change happens in beat two, where the flute part is playing a third above the violin on the first two notes of the beat, and a sixth above on the last one. This resolves smoothly on an e at the top of the staff, an octave above where the violin lands. The flute continues to play up an octave until measure 117. An even more complicated change had to take place in movement II at measure 88 (see example 5). In order to stay in range, the flute moves in an ascending, scalar pattern, while the violin is scored to move in a descending pattern moving in thirds. The flute part is leading to beat 10
three, which lands up an octave above from the violin and continues to play in this octave until the downbeat of the next measure, where it then jumps to the same octave as the violin. EXAMPLE 4 movement 1, mm. 109-117 Violin Part Flute Part EXAMPLE 5 movement 2, mm. 88-89 Flute Part Violin Part 11
Page 1 and 2: CALIFORNIA STATE UNIVERSITY, NORTHR
Page 3 and 4: Table of Contents Signature Page ii
Page 5 and 6: ABSTRACT A PERFORMANCE ANALYSIS OF
Page 7 and 8: Introduction to the Concerto for Vi
Page 9 and 10: The Life of Aram Khachaturian Aram
Page 11 and 12: The Music of Khachaturian Khachatur
Page 13 and 14: The Violin Concerto Transcribed for
Page 15: EXAMPLE 1 movement 3, mm. 782-786 V
Page 19 and 20: This idea of leaving out notes to b
Page 21 and 22: Timbre The violin and the flute are
Page 23 and 24: Double Stops Double stops are argua
Page 25 and 26: in his arrangement of the concerto.
Page 27 and 28: In these situations, the flute play
Page 29 and 30: Violinists have the advantage of be
Page 31 and 32: Bibliography Ehrenburg, R.S.I., Kha
Page 33 and 34: APPENDIX 27
Page 35: Program Sonata in B minor George Fr

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