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Exhibition labels & didactics - National Gallery of Victoria

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78<br />

Andrea APPIANI<br />

Italian, 1754–1817<br />

Madame Hamelin, née Jeanne Geneviève<br />

Fortunée Lormier-Lagrave (1776–1851)<br />

1798<br />

oil on canvas<br />

Musée Carnavalet – Histoire de Paris, France<br />

Bequest <strong>of</strong> Mme Augustine Heurtault, great-granddaughter <strong>of</strong> the sitter inv. P. 1685<br />

During the Directory and Consulate years,<br />

with the fears and privations <strong>of</strong> the Terror<br />

behind them, a new female social elite flouted<br />

their wealth and delighted in wearing and<br />

defining the latest fashions. Among these<br />

ladies, who were known as les Merveilleuses<br />

(the marvellous women), was Fortunée<br />

Hamelin, a friend <strong>of</strong> Josephine Bonaparte.<br />

A renowned dancer, Mme Hamelin achieved<br />

notoriety for her public appearances in<br />

provocatively see-through gowns, a vogue<br />

which the Merveilleuses justified through<br />

its adherence to the classical Greek culture<br />

that was currently so fashionable.<br />

© COPYRIGHT<br />

This document remains the property <strong>of</strong> the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Victoria</strong> and must be returned upon request. Reproduction in part or in whole is prohibited without written authorisation.

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