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Exhibition labels & didactics - National Gallery of Victoria

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THE DIRECTORY, 1795-99<br />

The Directoire exécutif, or Directory, was a body <strong>of</strong> five directors<br />

that held executive power in France from 2 November 1795 until<br />

10 November 1799, following the end <strong>of</strong> the Reign <strong>of</strong> Terror.<br />

The republican ideals <strong>of</strong> the Directory found expression in<br />

contemporary design, encouraged by a renewed interest in<br />

domestic decoration facilitated by a return to relative political calm.<br />

A product <strong>of</strong> the Neoclassical style in vogue under Louis XVI, the<br />

Directoire style continued to draw its inspiration from the art and<br />

architecture <strong>of</strong> the Classical Greek and Roman worlds, with their<br />

associations <strong>of</strong> democracy and republicanism, but a new sobriety<br />

was evident.<br />

The range <strong>of</strong> furniture forms was reduced and decoration<br />

simplified. The use <strong>of</strong> ormolu mounts declined, and plain expanses<br />

<strong>of</strong> unadorned veneer proliferated. While local woods were<br />

sometimes employed, <strong>of</strong>ten painted, there was a revival <strong>of</strong> interest<br />

in imported hardwoods such as mahogany, continuing a fashion<br />

apparent in the final years <strong>of</strong> the ancien régime. Emblems like<br />

the Phrygian cap, and the political slogans that had adorned<br />

Revolutionary period objects, gave way to more neutral, classical<br />

motifs, including vases, lozenges, rosettes and palmettes.<br />

The ‘Etruscan style’, actually colonial Greek from southern Italy,<br />

was highly influential. In the wake <strong>of</strong> Napoleon’s 1798 campaign<br />

in Egypt, Egyptian motifs also joined the decorative vocabulary.<br />

With the turmoil <strong>of</strong> the Terror at an end, Directory style reflected<br />

a revival <strong>of</strong> luxury and elegance in interior design, mirroring the<br />

renewal <strong>of</strong> elegant social life in the capital overseen by fashionable<br />

women such as the future Josephine Bonaparte.<br />

44<br />

© COPYRIGHT<br />

This document remains the property <strong>of</strong> the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Victoria</strong> and must be returned upon request. Reproduction in part or in whole is prohibited without written authorisation.

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