Exhibition labels & didactics - National Gallery of Victoria

Exhibition labels & didactics - National Gallery of Victoria Exhibition labels & didactics - National Gallery of Victoria

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NAPOLEON: REVOLUTION TO EMPIRE That our region was originally named Terre Napoléon (Napoleon Land) was a compelling reason for the National Gallery of Victoria to wish to undertake this panoramic survey examining French art, culture and life from the 1770s to the 1820s. One of the principal goals of Napoleon: Revolution to Empire is to present Australian audiences with the complex network of connections between Australia and France in the late eighteenth and early nineteenth centuries. From its opening tale of Western Australia being claimed for France and Louis XV by the intrepid seafarer Saint Aloüarn in 1772, to its closing presentation of the copy of Captain James Cook’s narrative of his Pacific explorations that Napoleon was reading during his last days of exile (1815–21) on the remote island of St Helena, this exhibition tells a compelling story of France’s fascination with Australia throughout the Revolutionary and Napoleonic eras. It also traces the extraordinary career of Napoleon as supreme ruler of France following the political chaos of the French Revolution; as well as examining his wife Josephine’s passion for Australian flora and fauna. The exhibition further documents the remarkable changes in iconography and visual expression that occurred in the fine and decorative arts in France in this period. In creating the Empire Style, the Napoleonic era raised the arts in France to a new level of sumptuousness. 4 © COPYRIGHT This document remains the property of the National Gallery of Victoria and must be returned upon request. Reproduction in part or in whole is prohibited without written authorisation.

NAPOLEON AND JOSEPHINE Napoleone Buonaparte (1769–1821) was something of an outsider in France, having been born into a noble family of Italian ancestry on the French-ruled island of Corsica. French was not his native language and he spoke it with a strong Corsican accent, although he later Gallicised his name to Napoléon Bonaparte in order to better assimilate into his adopted country. Trained within the ranks of the French Royal and subsequently French Revolutionary Army, Napoleon rose to power on the back of civil unrest that broke out in Paris following the Reign of Terror (1793–94). His future wife Josephine (1763–1814), whom he married in 1796, was also an outsider, being of Creole background, a member of a French plantation dynasty based in Martinique. As Marie- Josèphe-Rose de Tascher de la Pagerie, she was first married to a Martinique-born nobleman – Alexandre, Vicomte de Beauharnais, with whom she had two children, Eugène and Hortense. Both she and Alexandre were imprisoned during the Reign of Terror. Alexandre, then General-in-Chief of the French Revolutionary Army of the Rhine, was guillotined in 1794. Narrowly escaping execution herself, Josephine re-entered Parisian society as a survivor, determined to find security for herself and her children. © COPYRIGHT This document remains the property of the National Gallery of Victoria and must be returned upon request. Reproduction in part or in whole is prohibited without written authorisation. 5

NAPOLEON: REVOLUTION TO EMPIRE<br />

That our region was originally named Terre Napoléon<br />

(Napoleon Land) was a compelling reason for the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong><br />

<strong>Victoria</strong> to wish to undertake this panoramic survey examining<br />

French art, culture and life from the 1770s to the 1820s. One <strong>of</strong><br />

the principal goals <strong>of</strong> Napoleon: Revolution to Empire is to present<br />

Australian audiences with the complex network <strong>of</strong> connections<br />

between Australia and France in the late eighteenth and early<br />

nineteenth centuries. From its opening tale <strong>of</strong> Western Australia<br />

being claimed for France and Louis XV by the intrepid seafarer<br />

Saint Aloüarn in 1772, to its closing presentation <strong>of</strong> the copy <strong>of</strong><br />

Captain James Cook’s narrative <strong>of</strong> his Pacific explorations that<br />

Napoleon was reading during his last days <strong>of</strong> exile (1815–21)<br />

on the remote island <strong>of</strong> St Helena, this exhibition tells a compelling<br />

story <strong>of</strong> France’s fascination with Australia throughout the<br />

Revolutionary and Napoleonic eras. It also traces the extraordinary<br />

career <strong>of</strong> Napoleon as supreme ruler <strong>of</strong> France following the<br />

political chaos <strong>of</strong> the French Revolution; as well as examining<br />

his wife Josephine’s passion for Australian flora and fauna.<br />

The exhibition further documents the remarkable changes in<br />

iconography and visual expression that occurred in the fine and<br />

decorative arts in France in this period. In creating the Empire Style,<br />

the Napoleonic era raised the arts in France to a new level<br />

<strong>of</strong> sumptuousness.<br />

4<br />

© COPYRIGHT<br />

This document remains the property <strong>of</strong> the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Victoria</strong> and must be returned upon request. Reproduction in part or in whole is prohibited without written authorisation.

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