Exhibition labels & didactics - National Gallery of Victoria
Exhibition labels & didactics - National Gallery of Victoria Exhibition labels & didactics - National Gallery of Victoria
NAPOLEON: REVOLUTION TO EMPIRE That our region was originally named Terre Napoléon (Napoleon Land) was a compelling reason for the National Gallery of Victoria to wish to undertake this panoramic survey examining French art, culture and life from the 1770s to the 1820s. One of the principal goals of Napoleon: Revolution to Empire is to present Australian audiences with the complex network of connections between Australia and France in the late eighteenth and early nineteenth centuries. From its opening tale of Western Australia being claimed for France and Louis XV by the intrepid seafarer Saint Aloüarn in 1772, to its closing presentation of the copy of Captain James Cook’s narrative of his Pacific explorations that Napoleon was reading during his last days of exile (1815–21) on the remote island of St Helena, this exhibition tells a compelling story of France’s fascination with Australia throughout the Revolutionary and Napoleonic eras. It also traces the extraordinary career of Napoleon as supreme ruler of France following the political chaos of the French Revolution; as well as examining his wife Josephine’s passion for Australian flora and fauna. The exhibition further documents the remarkable changes in iconography and visual expression that occurred in the fine and decorative arts in France in this period. In creating the Empire Style, the Napoleonic era raised the arts in France to a new level of sumptuousness. 4 © COPYRIGHT This document remains the property of the National Gallery of Victoria and must be returned upon request. Reproduction in part or in whole is prohibited without written authorisation.
NAPOLEON AND JOSEPHINE Napoleone Buonaparte (1769–1821) was something of an outsider in France, having been born into a noble family of Italian ancestry on the French-ruled island of Corsica. French was not his native language and he spoke it with a strong Corsican accent, although he later Gallicised his name to Napoléon Bonaparte in order to better assimilate into his adopted country. Trained within the ranks of the French Royal and subsequently French Revolutionary Army, Napoleon rose to power on the back of civil unrest that broke out in Paris following the Reign of Terror (1793–94). His future wife Josephine (1763–1814), whom he married in 1796, was also an outsider, being of Creole background, a member of a French plantation dynasty based in Martinique. As Marie- Josèphe-Rose de Tascher de la Pagerie, she was first married to a Martinique-born nobleman – Alexandre, Vicomte de Beauharnais, with whom she had two children, Eugène and Hortense. Both she and Alexandre were imprisoned during the Reign of Terror. Alexandre, then General-in-Chief of the French Revolutionary Army of the Rhine, was guillotined in 1794. Narrowly escaping execution herself, Josephine re-entered Parisian society as a survivor, determined to find security for herself and her children. © COPYRIGHT This document remains the property of the National Gallery of Victoria and must be returned upon request. Reproduction in part or in whole is prohibited without written authorisation. 5
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- Page 3: Jean-Baptiste LEMOYNE French 1704-7
- Page 7 and 8: Louis Antoine MILET-MUREAU French 1
- Page 9 and 10: J. M. MOREAU le Jeune French 1741-1
- Page 11 and 12: ANCIEN RÉGIME Though literally mea
- Page 13 and 14: PAINTERS OF THE CABINET DU ROI Éli
- Page 15 and 16: THE FRENCH REVOLUTION AND REIGN OF
- Page 17 and 18: ATELIER BASSET, Paris France active
- Page 19 and 20: NEVERS, Burgundy Revolutionary plat
- Page 21 and 22: FRANCE Cockade Cocarde 1790 fabric
- Page 23 and 24: FRANCE The French Constitution as d
- Page 25 and 26: Jacques Louis PERÉE engraver Frenc
- Page 27 and 28: Jacques Julien Houtou de LABILLARDI
- Page 29 and 30: Jean-François GARNERAY French 1755
- Page 31 and 32: Jean-François SABLET Swiss 1745-18
- Page 33 and 34: Hubert ROBERT French 1733-1808 A co
- Page 35 and 36: FRANCE M. and Mme. Darbouville in t
- Page 37 and 38: Charles BENAZECH English 1767/68-17
- Page 39 and 40: FRANCE Claude BORNET (after) Marie-
- Page 41 and 42: Isidore-Stanislas HELMAN engraver F
- Page 43 and 44: NAPOLEON’S RISE TO POWER The prom
- Page 45 and 46: Joseph COTEAU enameller French 1740
- Page 47 and 48: Louis GAUFFIER French 1762-1801 The
- Page 49 and 50: Charles-Louis CORBET French 1758-18
- Page 51 and 52: FRANCE Pair of Sphinx fireplace gua
- Page 53 and 54: François-Louis-Joseph WATTEAU Fren
NAPOLEON: REVOLUTION TO EMPIRE<br />
That our region was originally named Terre Napoléon<br />
(Napoleon Land) was a compelling reason for the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong><br />
<strong>Victoria</strong> to wish to undertake this panoramic survey examining<br />
French art, culture and life from the 1770s to the 1820s. One <strong>of</strong><br />
the principal goals <strong>of</strong> Napoleon: Revolution to Empire is to present<br />
Australian audiences with the complex network <strong>of</strong> connections<br />
between Australia and France in the late eighteenth and early<br />
nineteenth centuries. From its opening tale <strong>of</strong> Western Australia<br />
being claimed for France and Louis XV by the intrepid seafarer<br />
Saint Aloüarn in 1772, to its closing presentation <strong>of</strong> the copy <strong>of</strong><br />
Captain James Cook’s narrative <strong>of</strong> his Pacific explorations that<br />
Napoleon was reading during his last days <strong>of</strong> exile (1815–21)<br />
on the remote island <strong>of</strong> St Helena, this exhibition tells a compelling<br />
story <strong>of</strong> France’s fascination with Australia throughout the<br />
Revolutionary and Napoleonic eras. It also traces the extraordinary<br />
career <strong>of</strong> Napoleon as supreme ruler <strong>of</strong> France following the<br />
political chaos <strong>of</strong> the French Revolution; as well as examining<br />
his wife Josephine’s passion for Australian flora and fauna.<br />
The exhibition further documents the remarkable changes in<br />
iconography and visual expression that occurred in the fine and<br />
decorative arts in France in this period. In creating the Empire Style,<br />
the Napoleonic era raised the arts in France to a new level<br />
<strong>of</strong> sumptuousness.<br />
4<br />
© COPYRIGHT<br />
This document remains the property <strong>of</strong> the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Victoria</strong> and must be returned upon request. Reproduction in part or in whole is prohibited without written authorisation.