Exhibition labels & didactics - National Gallery of Victoria

Exhibition labels & didactics - National Gallery of Victoria Exhibition labels & didactics - National Gallery of Victoria

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36 Jean-Jacques HAUER French 1751–1829 Louis XVI farewelling his family, 20 January 1793 Les adieus de Louis XVI à sa famille, 20 janvier 1793 1794 oil on canvas Musée Carnavalet – Histoire de Paris, France Gift of Madame Bedeaux Charles, 1961 inv. P. 1988 On 10 August 1792 France’s fragile trial period of constitutional monarchy ended when an enraged mob stormed the Tuileries Palace, murdering the King’s Swiss guards. Three days later the royal family was arrested and taken to the Temple Prison. Having been kept in solitary confinement for the final six weeks of his incarceration here, on 20 January 1793 the King was permitted to see his wife and family one last time, on the night before his beheading. This agonising scene was captured in this contemporaneous painting by Jean-Jacques Hauer. © COPYRIGHT This document remains the property of the National Gallery of Victoria and must be returned upon request. Reproduction in part or in whole is prohibited without written authorisation.

Charles BENAZECH English 1767/68–1794 Louis XVI and the Abbé Edgeworth de Firmont at the foot of the scaffold, 21 January 1793 Louis XVI et l’Abbé Edgeworth de Firmont au pied de l’échafaud, le 21 janvier 1793 1793 oil on canvas Versailles, musée national du château MV 5832 Charles Benazech, an English historical painter who was studying in Paris when the French Revolution erupted, here shows King Louis XVI poised with one foot on the steps leading to the guillotine, on 21 January 1793, accompanied by the Abbé Edgeworth de Firmont, his last confessor. While eyewitness accounts of the King’s beheading record his final words being ‘I die innocent of the crimes laid against me’, in the popular imagination to this day his last words have become ‘Is there still no news of La Pérouse?’ After Louis XVI’s execution, Marie-Antoinette remained in prison with her children until her own beheading, on 16 October 1793. © COPYRIGHT This document remains the property of the National Gallery of Victoria and must be returned upon request. Reproduction in part or in whole is prohibited without written authorisation. 37

Charles BENAZECH<br />

English 1767/68–1794<br />

Louis XVI and the Abbé Edgeworth<br />

de Firmont at the foot <strong>of</strong> the scaffold,<br />

21 January 1793<br />

Louis XVI et l’Abbé Edgeworth de Firmont<br />

au pied de l’échafaud, le 21 janvier 1793<br />

1793<br />

oil on canvas<br />

Versailles, musée national du château MV 5832<br />

Charles Benazech, an English historical<br />

painter who was studying in Paris when the<br />

French Revolution erupted, here shows<br />

King Louis XVI poised with one foot on the<br />

steps leading to the guillotine, on 21 January<br />

1793, accompanied by the Abbé Edgeworth<br />

de Firmont, his last confessor. While<br />

eyewitness accounts <strong>of</strong> the King’s<br />

beheading record his final words being<br />

‘I die innocent <strong>of</strong> the crimes laid against me’,<br />

in the popular imagination to this day his last<br />

words have become ‘Is there still no news<br />

<strong>of</strong> La Pérouse?’ After Louis XVI’s execution,<br />

Marie-Antoinette remained in prison with her<br />

children until her own beheading,<br />

on 16 October 1793.<br />

© COPYRIGHT<br />

This document remains the property <strong>of</strong> the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Victoria</strong> and must be returned upon request. Reproduction in part or in whole is prohibited without written authorisation.<br />

37

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