Exhibition labels & didactics - National Gallery of Victoria
Exhibition labels & didactics - National Gallery of Victoria Exhibition labels & didactics - National Gallery of Victoria
36 Jean-Jacques HAUER French 1751–1829 Louis XVI farewelling his family, 20 January 1793 Les adieus de Louis XVI à sa famille, 20 janvier 1793 1794 oil on canvas Musée Carnavalet – Histoire de Paris, France Gift of Madame Bedeaux Charles, 1961 inv. P. 1988 On 10 August 1792 France’s fragile trial period of constitutional monarchy ended when an enraged mob stormed the Tuileries Palace, murdering the King’s Swiss guards. Three days later the royal family was arrested and taken to the Temple Prison. Having been kept in solitary confinement for the final six weeks of his incarceration here, on 20 January 1793 the King was permitted to see his wife and family one last time, on the night before his beheading. This agonising scene was captured in this contemporaneous painting by Jean-Jacques Hauer. © COPYRIGHT This document remains the property of the National Gallery of Victoria and must be returned upon request. Reproduction in part or in whole is prohibited without written authorisation.
Charles BENAZECH English 1767/68–1794 Louis XVI and the Abbé Edgeworth de Firmont at the foot of the scaffold, 21 January 1793 Louis XVI et l’Abbé Edgeworth de Firmont au pied de l’échafaud, le 21 janvier 1793 1793 oil on canvas Versailles, musée national du château MV 5832 Charles Benazech, an English historical painter who was studying in Paris when the French Revolution erupted, here shows King Louis XVI poised with one foot on the steps leading to the guillotine, on 21 January 1793, accompanied by the Abbé Edgeworth de Firmont, his last confessor. While eyewitness accounts of the King’s beheading record his final words being ‘I die innocent of the crimes laid against me’, in the popular imagination to this day his last words have become ‘Is there still no news of La Pérouse?’ After Louis XVI’s execution, Marie-Antoinette remained in prison with her children until her own beheading, on 16 October 1793. © COPYRIGHT This document remains the property of the National Gallery of Victoria and must be returned upon request. Reproduction in part or in whole is prohibited without written authorisation. 37
- Page 1 and 2: Exhibition labels & didactics
- Page 3 and 4: Jean-Baptiste LEMOYNE French 1704-7
- Page 5 and 6: NAPOLEON AND JOSEPHINE Napoleone Bu
- Page 7 and 8: Louis Antoine MILET-MUREAU French 1
- Page 9 and 10: J. M. MOREAU le Jeune French 1741-1
- Page 11 and 12: ANCIEN RÉGIME Though literally mea
- Page 13 and 14: PAINTERS OF THE CABINET DU ROI Éli
- Page 15 and 16: THE FRENCH REVOLUTION AND REIGN OF
- Page 17 and 18: ATELIER BASSET, Paris France active
- Page 19 and 20: NEVERS, Burgundy Revolutionary plat
- Page 21 and 22: FRANCE Cockade Cocarde 1790 fabric
- Page 23 and 24: FRANCE The French Constitution as d
- Page 25 and 26: Jacques Louis PERÉE engraver Frenc
- Page 27 and 28: Jacques Julien Houtou de LABILLARDI
- Page 29 and 30: Jean-François GARNERAY French 1755
- Page 31 and 32: Jean-François SABLET Swiss 1745-18
- Page 33 and 34: Hubert ROBERT French 1733-1808 A co
- Page 35: FRANCE M. and Mme. Darbouville in t
- Page 39 and 40: FRANCE Claude BORNET (after) Marie-
- Page 41 and 42: Isidore-Stanislas HELMAN engraver F
- Page 43 and 44: NAPOLEON’S RISE TO POWER The prom
- Page 45 and 46: Joseph COTEAU enameller French 1740
- Page 47 and 48: Louis GAUFFIER French 1762-1801 The
- Page 49 and 50: Charles-Louis CORBET French 1758-18
- Page 51 and 52: FRANCE Pair of Sphinx fireplace gua
- Page 53 and 54: François-Louis-Joseph WATTEAU Fren
- Page 55 and 56: TURKEY The First Consul’s sabre,
- Page 57 and 58: Jacques-Nicolas Paillot de MONTABER
- Page 59 and 60: MANUFACTURE DE SÈVRES manufacturer
- Page 61 and 62: FRANCE Antoine-Denis CHAUDET (after
- Page 63 and 64: MANUFACTURE DE SÈVRES manufacturer
- Page 65 and 66: Constant BOURGEOIS French 1767-1841
- Page 67 and 68: JACOB FRÈRES manufacturer France 1
- Page 69 and 70: FRANCE Jean-Baptiste ISABEY (after)
- Page 71 and 72: Jean-Baptiste-Jacques AUGUSTIN Fren
- Page 73 and 74: FRANCE Badge of the Grand Eagle of
- Page 75 and 76: THE ANTECHAMBER, DINING ROOM, COUNC
- Page 77 and 78: Robert LEFÈVRE French 1755-1830 Po
- Page 79 and 80: THE CONSULATE, 1799-1804 In Novembe
- Page 81 and 82: MANUFACTURE DE SÈVRES manufacturer
- Page 83 and 84: MANUFACTURE JACQUEMART ET BÉNARD,
- Page 85 and 86: MANUFACTURE DE SÈVRES manufacturer
Charles BENAZECH<br />
English 1767/68–1794<br />
Louis XVI and the Abbé Edgeworth<br />
de Firmont at the foot <strong>of</strong> the scaffold,<br />
21 January 1793<br />
Louis XVI et l’Abbé Edgeworth de Firmont<br />
au pied de l’échafaud, le 21 janvier 1793<br />
1793<br />
oil on canvas<br />
Versailles, musée national du château MV 5832<br />
Charles Benazech, an English historical<br />
painter who was studying in Paris when the<br />
French Revolution erupted, here shows<br />
King Louis XVI poised with one foot on the<br />
steps leading to the guillotine, on 21 January<br />
1793, accompanied by the Abbé Edgeworth<br />
de Firmont, his last confessor. While<br />
eyewitness accounts <strong>of</strong> the King’s<br />
beheading record his final words being<br />
‘I die innocent <strong>of</strong> the crimes laid against me’,<br />
in the popular imagination to this day his last<br />
words have become ‘Is there still no news<br />
<strong>of</strong> La Pérouse?’ After Louis XVI’s execution,<br />
Marie-Antoinette remained in prison with her<br />
children until her own beheading,<br />
on 16 October 1793.<br />
© COPYRIGHT<br />
This document remains the property <strong>of</strong> the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Victoria</strong> and must be returned upon request. Reproduction in part or in whole is prohibited without written authorisation.<br />
37