Exhibition labels & didactics - National Gallery of Victoria
Exhibition labels & didactics - National Gallery of Victoria Exhibition labels & didactics - National Gallery of Victoria
190 Martin-Guillaume BIENNAIS silversmith French 1764–1843 Tea and coffee service with the coat of arms of Empress Josephine Service à thé et à café aux armes de l’impératrice Joséphine c. 1805–09 silver-gilt, Ebony (Diospyros sp.), Mahogany (Swietenia macrophylla), Cypress (Thuja sp.) Fondation Napoléon, Paris Donation Lapeyre inv. 966 Aside from the teapot with a swan’s head spout and the coffee pot, jam pot, milk jug and sugar bowl, this service contains only one teacup and saucer, which suggests that it was designed as an égoïste or service for one. Each item in the service bears the Empress Josephine’s full coat of arms, the whole standing on a claw-footed platter. An Imperial reference is also provided by the two eagles that serve as the finials on the sugar bowl and jam pot. © COPYRIGHT This document remains the property of the National Gallery of Victoria and must be returned upon request. Reproduction in part or in whole is prohibited without written authorisation.
Martin-Guillaume BIENNAIS silversmith French 1764–1843 Punch bowl with the coat of arms of Empress Josephine Bol à punch aux armes de l’impératrice Joséphine c. 1805–10 silver-gilt Fondation Napoléon, Paris Donation Lapeyre inv. 567 Martin-Guillaume Biennais was silversmith to the Imperial Court. He supplied the bulk of the silverware ordered for the Imperial tables and in 1804 he was commissioned to create Napoleon’s coronation insignia. This splendid silver-gilt punchbowl, delivered to the Empress Josephine, is ornamented with mythological marine imagery. The punch bowl was a popular element of silver and porcelain tea services at this time. It was customary to take a little punch before going to bed in order to promote a restful sleep. 191 © COPYRIGHT This document remains the property of the National Gallery of Victoria and must be returned upon request. Reproduction in part or in whole is prohibited without written authorisation.
- Page 139 and 140: Pierre-Joseph REDOUTÉ Flemish 1759
- Page 141 and 142: Pierre-Joseph REDOUTÉ Flemish 1759
- Page 143 and 144: NAPOLEON AND THE MUSÉE NAPOLÉON T
- Page 145 and 146: Louis-Léopold BOILLY French 1761-1
- Page 147 and 148: MANUFACTURE DE DAGOTY, Paris manufa
- Page 149 and 150: FRANCE Ceremonial broadsword of Mar
- Page 151 and 152: FRANCE Ceremonial mantle of Marshal
- Page 153 and 154: Baron François GÉRARD French 1770
- Page 155 and 156: MANUFACTURE DE NAST, Paris manufact
- Page 157 and 158: PORCELAINE DE PARIS (MANUFACTURE DE
- Page 159 and 160: FRANCE Ring with the letter E, belo
- Page 161 and 162: Daniel SAINT decorator French 1778-
- Page 163 and 164: Pierre-Dominique MAIRE silversmith
- Page 165 and 166: Abraham-Louis BRÉGUET French 1747-
- Page 167 and 168: H. J. GIBERT jeweller France active
- Page 169 and 170: LUXURY A soldier at heart, Napoleon
- Page 171 and 172: MANUFACTURE DIHL ET GUÉRHARD, Pari
- Page 173 and 174: Philip-Heinrick DUNKER German 1780-
- Page 175 and 176: Baron François GÉRARD French 1770
- Page 177 and 178: FRANCE Acrostic bracelet belonging
- Page 179 and 180: FRANCE Chamberlain’s key with the
- Page 181 and 182: FRANCE Empress Josephine’s belt c
- Page 183 and 184: FRANCE The Napoleonic Code Code Nap
- Page 185 and 186: Jean LEPAGE French 1746-1834 Napole
- Page 187 and 188: THE EMPIRE, 1804-15 The Empire was
- Page 189: Jean-Nicolas BOULANGER silversmith
- Page 193 and 194: GRAND FRÈRES, Lyon manufacturer Fr
- Page 195 and 196: Pierre-Philippe THOMIRE French 1751
- Page 197 and 198: Pierre-Étienne BUTEUX French 1772-
- Page 199 and 200: Antonio CANOVA Italian 1757-1822 Na
- Page 201 and 202: Charles THÉVENIN French 1764-1838
- Page 203 and 204: Alexandre-Evariste FRAGONARD French
- Page 205 and 206: Antoine-Denis CHAUDET designer Fren
- Page 207 and 208: Horace VERNET French 1789-1863 The
- Page 209 and 210: Martin-Guillaume BIENNAIS silversmi
- Page 211 and 212: FRANCE Shako of a Young Guard Offic
- Page 213 and 214: FRANCE Fantasy or personalized swor
- Page 215 and 216: FRANCE Helmet, breastplate and back
- Page 217 and 218: FRANCE Imperial marshal’s baton o
- Page 219 and 220: FRANCE Uniform of a Colonel of the
- Page 221 and 222: Charles de STEUBEN French 1788-1856
- Page 223 and 224: MANUFACTURE DES GOBELINS, Paris man
- Page 225 and 226: MANUFACTURE DE SÈVRES manufacturer
- Page 227 and 228: FRANCE Napoleon on Saint Helena, po
- Page 229 and 230: James COOK author English 1728-1779
- Page 231 and 232: Augustus EARLE English 1793-1838, w
- Page 233 and 234: MANUFACTURE DE SÈVRES manufacturer
- Page 235 and 236: Anne-Louis GIRODET-TRIOSON (studio
Martin-Guillaume BIENNAIS silversmith<br />
French 1764–1843<br />
Punch bowl with the coat <strong>of</strong> arms <strong>of</strong><br />
Empress Josephine<br />
Bol à punch aux armes de<br />
l’impératrice Joséphine<br />
c. 1805–10<br />
silver-gilt<br />
Fondation Napoléon, Paris<br />
Donation Lapeyre inv. 567<br />
Martin-Guillaume Biennais was silversmith<br />
to the Imperial Court. He supplied the bulk<br />
<strong>of</strong> the silverware ordered for the Imperial<br />
tables and in 1804 he was commissioned<br />
to create Napoleon’s coronation insignia.<br />
This splendid silver-gilt punchbowl, delivered<br />
to the Empress Josephine, is ornamented<br />
with mythological marine imagery.<br />
The punch bowl was a popular element <strong>of</strong><br />
silver and porcelain tea services at this time.<br />
It was customary to take a little punch<br />
before going to bed in order to promote a<br />
restful sleep.<br />
191<br />
© COPYRIGHT<br />
This document remains the property <strong>of</strong> the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Victoria</strong> and must be returned upon request. Reproduction in part or in whole is prohibited without written authorisation.