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Exhibition labels & didactics - National Gallery of Victoria

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142<br />

Robert LEFÈVRE<br />

French 1755–1830<br />

Dominique-Vivant, Baron Denon,<br />

known as Vivant Denon (1747–1825),<br />

Director General <strong>of</strong> the Imperial Museums,<br />

shown holding an album <strong>of</strong> engravings<br />

by Jean Pesne after the work <strong>of</strong><br />

Nicolas Poussin<br />

Dominique-Vivant, baron Denon,<br />

dit Vivant Denon (1747–1825),<br />

Directeur Général des musées Impériaux,<br />

représenté en 1808, feuilletant un album de<br />

gravures de Jean Pesne d’après l’oeuvre de<br />

Nicolas Poussin<br />

1808<br />

oil on canvas<br />

Versailles, musée national du château MV1692<br />

At the Musée Napoléon, Vivant Denon<br />

pioneered many important museological<br />

approaches including hanging the collection<br />

according to a coherent art-historical<br />

construct <strong>of</strong> stylistic development. At the time<br />

it could be said that the Musée Napoléon<br />

led the world, with visitors relishing the<br />

opportunity to experience in Paris a<br />

‘condensed’ Grand Tour. Napoleon’s defeat<br />

at the Battle <strong>of</strong> Waterloo in 1815 inevitably<br />

meant the demise <strong>of</strong> the Musée Napoléon,<br />

with the allied powers approving the return<br />

<strong>of</strong> the majority <strong>of</strong> its looted works <strong>of</strong> art to<br />

their countries <strong>of</strong> origin.<br />

© COPYRIGHT<br />

This document remains the property <strong>of</strong> the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Victoria</strong> and must be returned upon request. Reproduction in part or in whole is prohibited without written authorisation.

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