Exhibition labels & didactics - National Gallery of Victoria
Exhibition labels & didactics - National Gallery of Victoria Exhibition labels & didactics - National Gallery of Victoria
106 Jacques-Louis DAVID French 1748–1825 Napoleon Bonaparte, First Consul, crossing the Alps at Great St Bernard Pass, 20 May 1800 Bonaparte, Premier Consul, franchissant les Alpes, au mont Saint-Bernard, le 20 mai 1800 1803 oil on canvas Versailles, musée national du château MV 8550 Of the thousands of images of Napoleon which exist, this is the most striking and memorable. It is a potent and unambiguous allegory of power that conveys Napoleon’s mastery over man, beast and especially nature. Leading a French army over the Alps for a surprise attack on the Austrians, is presented as the triumph of military genius and courage over physical adversity. In the French painting tradition, the depiction of leaders on horseback was usually the preserve of royalty. David shows a young, vigorous Napoleon totally in command, the saviour of France following the political instability of the post-Revolutionary period. Napoleon had a sophisticated understanding of the role and power of art as political propaganda, and five versions of this picture were eventually produced; this version is generally regarded as the best. The NGV warmly thanks Lady Potter AC for her generous support in bringing this work to Australia. © COPYRIGHT This document remains the property of the National Gallery of Victoria and must be returned upon request. Reproduction in part or in whole is prohibited without written authorisation.
Jacques-François-Joseph SWEBACH called SWEBACH-DESFONTAINES French 1769–1823 The Battle of Marengo La Bataille de Marengo 1801 oil on wood Fondation Napoléon, Paris Donation Lapeyre inv. 764 Dating from 1801, this Battle of Marengo is less an illustration of that victory than an evocation of the logistics surrounding the combat. It shows the supreme talent of Swebach-Desfontaines, who was fascinated by seventeenth-century Dutch painting. The battle takes place in the distance, but it is the artillery and catering convoy, moving slowly towards the site of the battle, that the artist has chosen to focus upon. First Consul Bonaparte can be seen on a rearing horse to the right. 107 © COPYRIGHT This document remains the property of the National Gallery of Victoria and must be returned upon request. Reproduction in part or in whole is prohibited without written authorisation.
- Page 55 and 56: TURKEY The First Consul’s sabre,
- Page 57 and 58: Jacques-Nicolas Paillot de MONTABER
- Page 59 and 60: MANUFACTURE DE SÈVRES manufacturer
- Page 61 and 62: FRANCE Antoine-Denis CHAUDET (after
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- Page 65 and 66: Constant BOURGEOIS French 1767-1841
- Page 67 and 68: JACOB FRÈRES manufacturer France 1
- Page 69 and 70: FRANCE Jean-Baptiste ISABEY (after)
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- Page 73 and 74: FRANCE Badge of the Grand Eagle of
- Page 75 and 76: THE ANTECHAMBER, DINING ROOM, COUNC
- Page 77 and 78: Robert LEFÈVRE French 1755-1830 Po
- Page 79 and 80: THE CONSULATE, 1799-1804 In Novembe
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- Page 83 and 84: MANUFACTURE JACQUEMART ET BÉNARD,
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- Page 87 and 88: NAPOLEON AND AUSTRALIA: THE BAUDIN
- Page 89 and 90: Louis-Claude de Desaulses FREYCINET
- Page 91 and 92: Charles-Alexandre LESUEUR French 17
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- Page 95 and 96: THE BAUDIN EXPEDITION AND THE ABORI
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- Page 99 and 100: AUSTRALIA Drawing made by Aborigina
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- Page 113 and 114: FRANCE Jacques Louis DAVID (after)
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- Page 117 and 118: Nicolas MARGUERITE goldsmith France
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- Page 125 and 126: Pierre-Joseph REDOUTÉ Flemish 1759
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- Page 149 and 150: FRANCE Ceremonial broadsword of Mar
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106<br />
Jacques-Louis DAVID<br />
French 1748–1825<br />
Napoleon Bonaparte, First Consul,<br />
crossing the Alps at Great St Bernard Pass,<br />
20 May 1800<br />
Bonaparte, Premier Consul, franchissant<br />
les Alpes, au mont Saint-Bernard, le 20 mai<br />
1800<br />
1803<br />
oil on canvas<br />
Versailles, musée national du château MV 8550<br />
Of the thousands <strong>of</strong> images <strong>of</strong> Napoleon<br />
which exist, this is the most striking and<br />
memorable. It is a potent and unambiguous<br />
allegory <strong>of</strong> power that conveys Napoleon’s<br />
mastery over man, beast and especially<br />
nature. Leading a French army over the Alps<br />
for a surprise attack on the Austrians,<br />
is presented as the triumph <strong>of</strong> military genius<br />
and courage over physical adversity.<br />
In the French painting tradition, the depiction<br />
<strong>of</strong> leaders on horseback was usually the<br />
preserve <strong>of</strong> royalty. David shows a young,<br />
vigorous Napoleon totally in command, the<br />
saviour <strong>of</strong> France following the political<br />
instability <strong>of</strong> the post-Revolutionary period.<br />
Napoleon had a sophisticated understanding<br />
<strong>of</strong> the role and power <strong>of</strong> art as political<br />
propaganda, and five versions <strong>of</strong> this picture<br />
were eventually produced; this version is<br />
generally regarded as the best.<br />
The NGV warmly thanks Lady Potter AC for her generous<br />
support in bringing this work to Australia.<br />
© COPYRIGHT<br />
This document remains the property <strong>of</strong> the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Victoria</strong> and must be returned upon request. Reproduction in part or in whole is prohibited without written authorisation.