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FEMALE AND DWARFGLADIATORS 169<br />

female gladiators a substantial challenge to the social order. In the end.<br />

for female gladiators to have a substantial role in the games. they<br />

needed to fight opponents that presented a realistic and substantial<br />

challenge. No other real choices presented themselves except certain<br />

animals and other women.<br />

It is now clear why no Roman expressed any contempt or ridicule<br />

for the practice per se of having women fight in the arena. In fact. the<br />

general attitude is one of acceptance and even approval. The objections<br />

raised to the appearance in the arena of women from the equestrian<br />

and senatorial classes do not count here since they arose from the high<br />

social status of the participants. not the use per se of women as gladiators.<br />

The complaints we hear in Tacitus. Dio. and Juv. Sat. I about upper-class<br />

women becoming gladiators or venatores represent fairly<br />

typical reactions to the transgressions by anyone of the rules regarding<br />

who could perform publicly.66 Yet provided that emperors avoided the<br />

problems engendered by allowing or requiring noblewomen to appear<br />

in the arena. female gladiators provided a very visible and striking lesson<br />

that military bravery and fortitude were within the grasp of any<br />

Roman. In this role they functioned to affirm values essential to Roman<br />

society and they thereby affirmed that the gladiatorial games had a<br />

greater purpose than simply entertaining the Roman populace. 67 Martial<br />

and Statius are therefore likely to have reflected the opinions of<br />

many Romans when they greatly praised Titus and Domitian for arranging<br />

for women to provide such notable demonstrations of virtue.<br />

So if we pay close heed to what the Romans said and did not say<br />

66 On the infamia that attached to certain Romans from appearing as public<br />

performers. see Friedlander. Sittengeschichte Roms 'o II 19-21 (he lists many of<br />

the pertinent references in ancient authors); Ville (above, n. 7) esp. 255-262,<br />

267-27°,339-343: Levick (above, n. 48) 108-110; Wiedemann (above, n. 4) 26-30:<br />

P. Plass. The Game of Death in Ancient Rome: Arena Sport and Political Suicide<br />

(Madison 1995) 74-75; C. Edwards, "Unspeakable professions: Public performance<br />

and prostitution in ancient Rome," in J. Hallett and M. Skinner. eds., Roman<br />

Sexualities (Princeton 1997) 66-95·<br />

67 The reasons why the Romans valued gladiatorial games cannot be considered<br />

here in any detail. Yet some ancient authors-e.g. Plin. Pan. 33, Tac. Ann.<br />

12.56.2, and Lib. Or. 64,60-clearly felt that it was inspiring to watch people<br />

fight and die bravely, especially if they were not normally considered capable of<br />

virtus. On the moral value of watching gladiators, see further Ville (above, n. 7)<br />

455-456; M. Wistrand. "Violence and entertainment in Seneca the Younger,"<br />

Eranos 88 (1990) 39-42: Wiedemann (above, n. 4) 35-40; P. Cagniart, "The philosopher<br />

and the gladiator," CW 93 (1999-2000) 607-618. See also the review<br />

articles by S. Brown, "Explaining the arena: Did the Romans 'need' gladiators?,"<br />

JRA 8 (1995) 376-384: D. Kyle, "Rethinking the Roman arena: Gladiators. sorrows,<br />

and games," AHB 11.2-3 (1997) 94-97·

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