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FEMALE AND DWARFGLADIATORS r67<br />

martial valor shown by women gladiators. Martial makes much in Sp.<br />

6B about how wonderful it was to see women performing feats normally<br />

typical only of great men like Hercules. Likewise. in Silv. 1.6 Statius<br />

expresses his amazement at the daring shown by the female gladiators<br />

who appeared in Domitian's Saturnalia. Going against the norms of<br />

their gender. they engaged in battles typical of men (pugnas viriles<br />

53-54) and fought like Amazons. who traditionally were the only<br />

women able to match men in bravery on the battlefield. On Coleman's<br />

analysis. the artist who made the relief from Halicarnassus had specifically<br />

chosen as his subject the particular moment in the careers of these<br />

two gladiators when they had shown the greatest skill and determination<br />

as fighters. Given that the motivation for employing women to<br />

fight in the arena was to see them as exemplars of courage and military<br />

ability. it would have made sense to have them wear costumes of a particular<br />

type. Seeing female gladiators not so much as women but as reincarnations<br />

of the famous female warriors of mythology would have<br />

focused the audience's attention on their martial valor.<br />

It should also be noted that this list includes no additional sources<br />

that can be taken as indicating that women actually fought dwarfs. The<br />

one source not discussed in the first section of the paper that might<br />

have mentioned dwarfs is Petronius. Yet even if one accepts Scheffer's<br />

probably unnecessary emendation of nanos for Manios. Petronius in no<br />

way indicates that the woman essedarius of Echion's dream show was<br />

going to fight these figures. This survey then strengthens the conclusion<br />

reached in the first section of the paper. namely that. while Domitian<br />

made good use in his spectacles of both women and dwarfs. no justification<br />

exists for the claim that Dornitian (or any other emperor) went so<br />

far as to pit one against the other. Odd as it may seem. Domitian should<br />

be seen as a traditionalist in his use of women in his games. As noted<br />

above. female gladiators had been a part of the Roman games from before<br />

the time of Nero. and Domitian essentially followed the lead of<br />

emperors like Titus. who had already discovered that an emperor<br />

would be praised for providing the Romans with the chance to see<br />

women fighting bravely.6 4<br />

To modern thinking. it is rather surprising that some emperor. faced<br />

with the challenge of finding a novel way to entertain the Roman peo-<br />

personal disaster.<br />

64 This was not the only occasion in which Domitian's spectacles were inspired<br />

by elements of Titus' games. See Brunet (above. n. 20) 31. where I argue<br />

that the display of fighting cranes at the inaugural games for the Colosseum<br />

gave Domitian the idea for the re-creation of the geranomachy recorded in Stat.<br />

Silv. 1.6.57-64.

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