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166 STEPHEN BRUNET<br />

carnassus or some nearby site (the relief showing Amazon and Akhillia).<br />

Another noticeable feature is that women were seemingly not required<br />

to participate in any of the elaborate spectacles. such as naumachiae<br />

or Domitian's re-creation of the geranomachy. which became<br />

increasingly popular in the early empire. The only special staging was<br />

the use of some costuming to make them resemble Venus (Titus' show<br />

according to the interpretation given above) or more often as Amazons<br />

(for certain in the Halicarnassus relief, probably in the Saturnalia of<br />

Domitian. and implied as the typical dress of a female venator in Juv.<br />

1.22-23).6, It made sense that female gladiators and venatores would<br />

wear such costumes. The effect of including women in munera would<br />

have been lost if audiences did not recognize that they were in fact<br />

watching women. But this may have been difficult to achieve when<br />

women were dressed in full armor. In this connection it is important to<br />

remember that. except for not wearing breastplates. the two gladiators<br />

on the Halicarnassus relief were fully armed. including having their<br />

heads covered by helmets. It was only their imitation of the tradition<br />

that Amazons fought bare breasted. along with their having names that<br />

were appropriate for female warriors, which identified their gender 62<br />

Having female gladiators dress as Amazons was also connected with<br />

the major motivation for employing women as gladiators. Contrary to<br />

what has often been assumed by many scholars. women did not play at<br />

being gladiators in an amusing burlesque of their male counterparts.<br />

Rather. their combats represented a serious undertaking in that they<br />

allowed women to demonstrate the courage n rmally expected only of<br />

men. Wiedemann captures this aspect of women gladiators well: "Paradoxically.<br />

the very fact that women were not expected to share male<br />

virtues enabled a female gladiator to symbolize that virtus as an abstract<br />

quality. ,,63 Ancient authors are very explicit about the outstanding<br />

6' The Roman interest in Amazons is apparent from at least two other incidents.<br />

When he began his campaign against Vindex. one of the first things Nero<br />

did was to arm his concubines like Amazons (Suet. Nero 44.1). In his triumph to<br />

celebrate his Dacian victory Aurelian claimed that the women who had fought<br />

on the side of the Goths were Amazons and displayed them in his triumph as<br />

such without actually having them fight (SHA Aurel. 34.1).<br />

62 Their names were probably made known to the audience either by being<br />

announced by a praeco or being written on tabulae. On announcements to the<br />

audience. see Ville (above, n. 7) 274 n. 100.375-376; Junkelmann (above. n. 59)<br />

133-134. fig. 10-13.204.207.<br />

63 Wiedemann (above. n. 4) 112. Women were used in other contexts as examples<br />

of the fortitude that one should imitate. In Dial. 6.16 Seneca describes in<br />

some detail the strong-minded reaction of famous women from Roman history<br />

as a way of demonstrating the path that anyone should follow when faced by a

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