OUSEION - Memorial University's Digital Archives Initiative ...
OUSEION - Memorial University's Digital Archives Initiative ...
OUSEION - Memorial University's Digital Archives Initiative ...
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
166 STEPHEN BRUNET<br />
carnassus or some nearby site (the relief showing Amazon and Akhillia).<br />
Another noticeable feature is that women were seemingly not required<br />
to participate in any of the elaborate spectacles. such as naumachiae<br />
or Domitian's re-creation of the geranomachy. which became<br />
increasingly popular in the early empire. The only special staging was<br />
the use of some costuming to make them resemble Venus (Titus' show<br />
according to the interpretation given above) or more often as Amazons<br />
(for certain in the Halicarnassus relief, probably in the Saturnalia of<br />
Domitian. and implied as the typical dress of a female venator in Juv.<br />
1.22-23).6, It made sense that female gladiators and venatores would<br />
wear such costumes. The effect of including women in munera would<br />
have been lost if audiences did not recognize that they were in fact<br />
watching women. But this may have been difficult to achieve when<br />
women were dressed in full armor. In this connection it is important to<br />
remember that. except for not wearing breastplates. the two gladiators<br />
on the Halicarnassus relief were fully armed. including having their<br />
heads covered by helmets. It was only their imitation of the tradition<br />
that Amazons fought bare breasted. along with their having names that<br />
were appropriate for female warriors, which identified their gender 62<br />
Having female gladiators dress as Amazons was also connected with<br />
the major motivation for employing women as gladiators. Contrary to<br />
what has often been assumed by many scholars. women did not play at<br />
being gladiators in an amusing burlesque of their male counterparts.<br />
Rather. their combats represented a serious undertaking in that they<br />
allowed women to demonstrate the courage n rmally expected only of<br />
men. Wiedemann captures this aspect of women gladiators well: "Paradoxically.<br />
the very fact that women were not expected to share male<br />
virtues enabled a female gladiator to symbolize that virtus as an abstract<br />
quality. ,,63 Ancient authors are very explicit about the outstanding<br />
6' The Roman interest in Amazons is apparent from at least two other incidents.<br />
When he began his campaign against Vindex. one of the first things Nero<br />
did was to arm his concubines like Amazons (Suet. Nero 44.1). In his triumph to<br />
celebrate his Dacian victory Aurelian claimed that the women who had fought<br />
on the side of the Goths were Amazons and displayed them in his triumph as<br />
such without actually having them fight (SHA Aurel. 34.1).<br />
62 Their names were probably made known to the audience either by being<br />
announced by a praeco or being written on tabulae. On announcements to the<br />
audience. see Ville (above, n. 7) 274 n. 100.375-376; Junkelmann (above. n. 59)<br />
133-134. fig. 10-13.204.207.<br />
63 Wiedemann (above. n. 4) 112. Women were used in other contexts as examples<br />
of the fortitude that one should imitate. In Dial. 6.16 Seneca describes in<br />
some detail the strong-minded reaction of famous women from Roman history<br />
as a way of demonstrating the path that anyone should follow when faced by a