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"GOODBYE TO ALL THA T" I39<br />

triguing, for here Propertius revisits the early stages of his relationship<br />

with Cynthia when there is scarcely a stain upon it. 2 ') Indeed, the<br />

language that Propertius employs of their relationship suggests freshness<br />

and renewal: the night of love is described as though it is the first<br />

(nox mihi prima venit, "the first night of love has come for me," 13), a<br />

new contract is written to seal the new love (15-16). The position of this<br />

poem, so close to the final separation, has puzzled some commentators<br />

to the extent that they feel the mistress referred to cannot be Cynthia.<br />

Camps, for instance, thinks that if Propertius had intended the mistress<br />

to be Cynthia and the placement of this poem to produce an<br />

ironic effect he would have exploited it more definitely.3 0 Several<br />

scholars have convincingly refuted this view. As we will see. there is<br />

plenty of irony in the circumstances and language of this poem and. as<br />

Barsby comments. if it is to Cynthia then the poem gains an extra dimension.3'<br />

Nevertheless there may be a level at which the poem is intended<br />

to be deliberately ambiguous. The reader is left guessing as to<br />

whether the poem describes a reconciliation with an old mistress or a<br />

move to a new one. On one level it doesn't really matter. for, given<br />

the conventions of love elegy. the reader should be aware that. new or<br />

old, the relationship once established will inevitably change and decay.<br />

Thus the placement of this poem, next to Propertius' departure for<br />

Athens in 21 and the bitter repudiations of 23 and 24. is designed to<br />

undercut the sense of joy and the protestations of fidelity that are associated<br />

with this first night of love. 32 Quite a lot of space in the poem is<br />

devoted to describing the contract that will guard the renewed love<br />

against the destructive powers of lust; following immediately after<br />

elegy 19 where women's lust breaks all bounds. the reader must be<br />

aware that this contract is doomed to be broken. Significantly there are<br />

several references to cycles of time in this poem. Propertius appeals to<br />

the moon to lengthen its progress and the sun to shorten its course so<br />

the first night of love is prolonged:<br />

nox mihi prima venit! primae date tempora noctis!<br />

longius in primo. Luna, morare toro.<br />

2') Some commentators. for instance Butler and Barber. have divided this elegy<br />

into two. but I agree with Baker's arguments (above. n. 7,338-339) that it is better<br />

to read the elegy as a single poem where a reconciliation is described as though it<br />

is a new love.<br />

30 W.A. Camps. Propertius. Elegies, Book III (Cambridge 1966) 147. Likewise<br />

Butler and Barber (above, n. 3) 312.<br />

3 1 Barsby (above. n. 28) 36. See also R.J. Baker, "Propertius' lost bona," AJPh 90<br />

(1969); G. Williams, Tradition and Originality in Roman Poetry (Oxford 1968) 417.<br />

3 2 See also Baker (above. n. 31) 333-334: Barsby (above, n. 28) 38.

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