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"GOODBYE TO ALL THAT" 135<br />
vatic stance for his achievements. 2o and the fact that Pindar's literary<br />
output included dirges leads naturally into the next elegy.<br />
In 17 Propertius asserted that only death or wine could free him<br />
from the tyranny of love: from experimenting with wine in 17 he<br />
moves on to death in 18. But Propertius does not here. as he does so<br />
often in other poems. envisage his own death. Instead this elegy is a<br />
consolatio or epikedion for Marcellus. Augustus' possible successor.<br />
who died at Baiae. the fashionable watering place on the Bay of Naples.<br />
By following the Horatian-inspired elegy 17 with a poem that is in<br />
fact devoted to a member of the Augustan gens. it seems that Propertius<br />
is again teasing the reader about the direction he will take. But the<br />
elegy does not, on the whole. devote much space to eulogising the Augustan<br />
gens and its achievements. On the contrary. Propertius rather<br />
focuses on the futility of Marcellus' genus and his connection with the<br />
house of Caesar in the face of the all-consuming fires of death:<br />
quid genus aut virtus aut optima profuit illi<br />
mater. et amplexum Caesaris esse focos?<br />
aut modo tarn pleno fluitantia vela theatro.<br />
et per maternas omnia gesta manus?<br />
occidit. et rnisero steterat vicesimus annus.<br />
How did he benefit from his birth or courage or<br />
His mother's excellence or his union with the house of Caesar<br />
Or the waving awnings of a theatre. recently full.<br />
And all the things his mother's care contrived?<br />
He is dead, his twentieth year the appointed term for him. poor<br />
wretch!<br />
(II-IS)<br />
While it is the case that such lamentations are not untypical in a cansolatio.<br />
21 the true bleakness and negativity of this picture becomes clear<br />
when one compares the lament for Marcellus in Aeneid 6. There. at<br />
least, Virgil devotes more space to eulogising Marcellus' potential in a<br />
series of future statements and unfulfilled conditions. 22 Here any sug-<br />
20 It is at this point in the poem that the echoes of Hor. Carm.3.25 are most<br />
pronounced: haec ego non humili referam memoranda eoturno. "I will recount<br />
such things which are worthy to be recorded in no humble style" in Propertius<br />
3.17.39 echoes Horace's nil parvum aut humili modo. "nothing small or in humble<br />
manner" at 3.25.17. This suggests that this is the real point of the poem. even if. as<br />
Millar (above. n. 16) 79 observes. Propertius' pledge of a Pindaric offering is<br />
somewhat of a fantasy.<br />
21 See P. Fedeli. Praperzio: IJ Libra Terzo delle Elegie (Bari 1985) 553. Compare<br />
Hor. Carm. 1.24.5-12.<br />
22 neepuer Iliaea quisquam de gente Latinos / in tantum spe tollet avos. nee<br />
Romula quondam / ullo se tantum tellus iaetabit alumno ... non Wi se quisquam<br />
impune tuJisset /obvius armato. seu cum pedes iret in hostem. / seu spumantis