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"GOODBYE TO ALL THAT" 135<br />

vatic stance for his achievements. 2o and the fact that Pindar's literary<br />

output included dirges leads naturally into the next elegy.<br />

In 17 Propertius asserted that only death or wine could free him<br />

from the tyranny of love: from experimenting with wine in 17 he<br />

moves on to death in 18. But Propertius does not here. as he does so<br />

often in other poems. envisage his own death. Instead this elegy is a<br />

consolatio or epikedion for Marcellus. Augustus' possible successor.<br />

who died at Baiae. the fashionable watering place on the Bay of Naples.<br />

By following the Horatian-inspired elegy 17 with a poem that is in<br />

fact devoted to a member of the Augustan gens. it seems that Propertius<br />

is again teasing the reader about the direction he will take. But the<br />

elegy does not, on the whole. devote much space to eulogising the Augustan<br />

gens and its achievements. On the contrary. Propertius rather<br />

focuses on the futility of Marcellus' genus and his connection with the<br />

house of Caesar in the face of the all-consuming fires of death:<br />

quid genus aut virtus aut optima profuit illi<br />

mater. et amplexum Caesaris esse focos?<br />

aut modo tarn pleno fluitantia vela theatro.<br />

et per maternas omnia gesta manus?<br />

occidit. et rnisero steterat vicesimus annus.<br />

How did he benefit from his birth or courage or<br />

His mother's excellence or his union with the house of Caesar<br />

Or the waving awnings of a theatre. recently full.<br />

And all the things his mother's care contrived?<br />

He is dead, his twentieth year the appointed term for him. poor<br />

wretch!<br />

(II-IS)<br />

While it is the case that such lamentations are not untypical in a cansolatio.<br />

21 the true bleakness and negativity of this picture becomes clear<br />

when one compares the lament for Marcellus in Aeneid 6. There. at<br />

least, Virgil devotes more space to eulogising Marcellus' potential in a<br />

series of future statements and unfulfilled conditions. 22 Here any sug-<br />

20 It is at this point in the poem that the echoes of Hor. Carm.3.25 are most<br />

pronounced: haec ego non humili referam memoranda eoturno. "I will recount<br />

such things which are worthy to be recorded in no humble style" in Propertius<br />

3.17.39 echoes Horace's nil parvum aut humili modo. "nothing small or in humble<br />

manner" at 3.25.17. This suggests that this is the real point of the poem. even if. as<br />

Millar (above. n. 16) 79 observes. Propertius' pledge of a Pindaric offering is<br />

somewhat of a fantasy.<br />

21 See P. Fedeli. Praperzio: IJ Libra Terzo delle Elegie (Bari 1985) 553. Compare<br />

Hor. Carm. 1.24.5-12.<br />

22 neepuer Iliaea quisquam de gente Latinos / in tantum spe tollet avos. nee<br />

Romula quondam / ullo se tantum tellus iaetabit alumno ... non Wi se quisquam<br />

impune tuJisset /obvius armato. seu cum pedes iret in hostem. / seu spumantis

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