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"GOODBYE TO ALL THA T" 13 1<br />

world of love elegy outwards to Greece for fresh inspiration from<br />

Greek learning.<br />

It comes as no surprise that Propertius represents this as a journey.<br />

for. as several scholars have observed. the topos of the journey is<br />

strong in Book 3. 12<br />

In 7. for instance. Paetus' drowning is described as<br />

a mortis iter. a journey towards death (2). In ro. the celebration of<br />

Cynthia's birthday is defined as a journey (natalis iter. 32). But it is<br />

between elegies 3.16 and 3.21 that the journey motif reaches its climax.<br />

All these poems have references of some sort to journeys. journeys of<br />

many different types. There are journeys through time and space.<br />

journeys in Africa. Italy and Greece. journeys through death and beyond<br />

it. As Propertius himself observes at the beginning of elegy 2 I.<br />

the journey he will make is a magnum iter indeed.<br />

Each of these poems from 3.16 to 3.21 will now be examined for the<br />

stages in the progress of this journey. Within this group of poems<br />

there is an interesting mixture of references to Propertius' monobiblos<br />

and Horace's Odes. In many of these elegies Propertius deliberately<br />

echoes the situations and motifs of elegies in his monobiblos; it is as<br />

though he revisits his former passion in order to farewell it. At the<br />

same time. by paying tribute. even in ironic tones. to Horace's Odes.<br />

Propertius suggests the widening of his outlook.<br />

Elegy 16 is where the journey begins. The poem begins in typical<br />

love elegy fashion in the middle of the night with a letter that comes<br />

from Propertius' mistress summoning him to visit her in the fashionable<br />

resort town of Tibur:<br />

Nox media. et dominae mihi venit epistula nostrae:<br />

Tibure me missa iussit adesse mora.<br />

Midnight. and a letter has come to me from my mistress.<br />

bidding me to be present at Tibur without delay.<br />

(1-2)<br />

Propertius allays his fears about travelling on the night-time roads by<br />

reminding himself that the lover is protected by his love wherever he<br />

goes.<br />

nec tamen est quisquam. sacros qui laedat amantis:<br />

Scironis media sic licet ire via.<br />

Yet there is none would hurt protected lovers:<br />

they can travel even in the middle of Sciron's road.<br />

(lI-I2)<br />

IZ M.C}. Putnam. "Propertius' third book: Patterns of cohesion." Arethusa 13<br />

(1980) 107. The journey motif throughout Book 3 was also the subject of a conference<br />

paper delivered by P. Lee-Stecum at the 2001 Australian Society for Classical<br />

Studies Conference, University of Adelaide.

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