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228 BOOK REVIEWs/COMPTEs RENDUS<br />
erotic art (769-808). The note on poetic lama is also interesting (405-32).<br />
but Gibson is too quick to write off the possibility that Ovid is referring<br />
to a real decline in Augustus' interest in patronizing poetry. He may be<br />
closer to the mark when he suggests (on 387ff.) that Augustus might not<br />
have been attuned to eulogy in the "playful Hellenistic style." Some<br />
readers will be a bit more sceptical than Gibson in finding allusions to<br />
earlier literature. We have grown accustomed to the observation that<br />
any occurrence of arma at or near the beginning of a book or poem<br />
must be a reference to the Aeneid. as Gibson duly notes on I. But when<br />
at 77-8 we are told that "Ovid is referring particularly to Tib. 1.4.35f....<br />
one might ask how so. since the context is altogether different and the<br />
lexical resemblances are slight. Likewise. it is hard to see how interpretation<br />
is assisted at 128 by positing Horace as an intertext. The parallels<br />
to the Georgics and didactic in general. adduced by Gibson on 149-52.<br />
are apt. but it hardly seems the case that these are specific allusions<br />
rather than the common stock of the genre. It would be possible to multiply<br />
the examples where Gibson sees intertexts and I see texts. but prevailing<br />
tastes at present tend to err on the side of seeing allusion always.<br />
coincidence never. On lexical matters Gibson most often defers to other<br />
authorities with frequent. salutary reference to McKeown. But this<br />
sometimes leads him astray. At 226. for instance. he refers to Palmer on<br />
Her. 6.156 for temporal abo a precarious instance of the usage. There are<br />
a few too many notes like the following (on 13) for my taste: "Oeclides is<br />
very rare in Latin (see Bomer on Met. 8.317)." If the point is relevant.<br />
then it is worth saying just why it would be worth the reader's while to<br />
scurry after a copy of Bomer.<br />
A good commentary tends to elicit marginalia. Herewith a few examples<br />
from my own:<br />
1 The elision of dem may be harsh. but Gibson's point about the resulting ambiguity<br />
depends upon a scarcely creditable view of its pronunciation, on which see<br />
J. Soubiran. L'Elision dans la poesie latine (1966) 55-91.<br />
19-20 Gibson's remark that "Her story [sc. Alces is'] is not otherwise mentioned<br />
by the elegists" is a bit odd with Pont. 3.1.105-6 cited in the following note. Cf..<br />
in addition. Trist. 2.403. 5.5.55-56. Prop. 2.6.23-4.<br />
63 The reference is not to the adynaton of reversing the course of rivers. associated<br />
with witchcraft. but to the passage of time and Heraclitus' celebrated saying<br />
that you would never step twice into the same river (PI. erat. 402a).<br />
95 The sense of non expedit is not "it is not advantageous," but"it doesn't suit<br />
me." as examples at TLL S.v. 1614.33ff. show.<br />
111-12 Gibson's translation. "Doubtless-a beautiful wife-you would have approached<br />
Ajax," is not only awkward. it is wrong. since it both misconstrues the<br />
meaning of ornata and misses the predicative force: "you would corne dressed<br />
up."<br />
206 Gibson repeats the old misunderstanding of TVT66v at Call. fro 1.5 as an epi-