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BOOK REVIEWS/COMPTES RENDUS 227 tractive and plausible. Other departures from Kenney's text are less appealing. Gibson's only emendation. est for sit at 146. is unnecessary. while I am unpersuaded that the obelus can be removed at 629. At 213 mittatur should be retained. At 575 the contrast is rhetorically more effective if we retain at; but at 241 et. not Heinsius' ut, is wanted (d. OLD s.v. 15a). At 377 Gibson introduces parenthesis. which does not rescue the vapid rhetorical question: read with Burman (and Goold) tabulaeque nouae. and note that indeed accusations of cheating do tend to accompany the big gambling losses that lead to bankruptcy. At 439 the introduction of parenthesis is relatively innocuous. but the reference to Priam here is still doubtful and the force of uix certainly suggests an allusion rather to Cassandra. as in Goold's edition. Note that it would have been a kindness to Madvig's legacy to have passed over his Priamei. which introduces a synizesis entirely anomalous in Ovid. I am sympathetic to his attempt to rescue 655-6, generally regarded as interpolated. but his defence focuses on the sense of the couplet and does nothing to dispel the doubts imposed by the lexical anomalies in the lines. At 192 Gibson rightly hesitates over the force of the pluperfect: perhaps we should read erit and see in the apostrophe a reference to a subsequent stage of the myth? At 295 quaedam is still in search of an explanation, and Goold's "more radical solution" (quaerunt) is still appealing. Finally. at 726 Gibson prints Wakefield's mulcet for pulsat of the paradosis. This can scarcely be right and can hardly explain the consensus of the MSS: perhaps read palpat. which is also confused with pulsat at Stat. Theb. 1.55. The Introduction of 46 pages is concise and workmanlike. Gibson deals with the content and structure of the book and locates it within the literary and social contexts of the didactic tradition and Augustan culture. His generalizations are well grounded in his discussions in the notes. For example his long note on 89ff. is well coordinated with the observations on the male reader of Ars 3 on 35-36. This extends also to less extensive discussion in the notes. as in the briefer treatment of modus and decor at 305-6. which ties in nicely with Gibson's introductory comments on 34. Gibson deals efficiently with the date of composition of the book and the transmission of the text. The latter in particular is not the object of independent investigation in this commentary. and more extensive treatment is not called for. The commentary offers a great deal of useful information on the extraordinarily wide range of topics introduced in Ovid's discourse on the seduction of men. Several of the more discursive notes are informative beyond the immediate purpose of construing the text. Particularly helpful were the discussions of recitation (329-48). board games (353ff.), writing tablets (617ff.), myth in elegy (683ff.). apostrophe (713ff.), and
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BOOK REVIEWS/COMPTES RENDUS 227<br />
tractive and plausible. Other departures from Kenney's text are less<br />
appealing. Gibson's only emendation. est for sit at 146. is unnecessary.<br />
while I am unpersuaded that the obelus can be removed at 629. At 213<br />
mittatur should be retained. At 575 the contrast is rhetorically more<br />
effective if we retain at; but at 241 et. not Heinsius' ut, is wanted (d.<br />
OLD s.v. 15a). At 377 Gibson introduces parenthesis. which does not<br />
rescue the vapid rhetorical question: read with Burman (and Goold)<br />
tabulaeque nouae. and note that indeed accusations of cheating do tend<br />
to accompany the big gambling losses that lead to bankruptcy. At 439<br />
the introduction of parenthesis is relatively innocuous. but the reference<br />
to Priam here is still doubtful and the force of uix certainly suggests<br />
an allusion rather to Cassandra. as in Goold's edition. Note that it<br />
would have been a kindness to Madvig's legacy to have passed over his<br />
Priamei. which introduces a synizesis entirely anomalous in Ovid. I am<br />
sympathetic to his attempt to rescue 655-6, generally regarded as interpolated.<br />
but his defence focuses on the sense of the couplet and does<br />
nothing to dispel the doubts imposed by the lexical anomalies in the<br />
lines. At 192 Gibson rightly hesitates over the force of the pluperfect:<br />
perhaps we should read erit and see in the apostrophe a reference to a<br />
subsequent stage of the myth? At 295 quaedam is still in search of an<br />
explanation, and Goold's "more radical solution" (quaerunt) is still appealing.<br />
Finally. at 726 Gibson prints Wakefield's mulcet for pulsat of<br />
the paradosis. This can scarcely be right and can hardly explain the consensus<br />
of the MSS: perhaps read palpat. which is also confused with pulsat<br />
at Stat. Theb. 1.55.<br />
The Introduction of 46 pages is concise and workmanlike. Gibson<br />
deals with the content and structure of the book and locates it within the<br />
literary and social contexts of the didactic tradition and Augustan culture.<br />
His generalizations are well grounded in his discussions in the<br />
notes. For example his long note on 89ff. is well coordinated with the<br />
observations on the male reader of Ars 3 on 35-36. This extends also to<br />
less extensive discussion in the notes. as in the briefer treatment of modus<br />
and decor at 305-6. which ties in nicely with Gibson's introductory<br />
comments on 34. Gibson deals efficiently with the date of composition of<br />
the book and the transmission of the text. The latter in particular is not<br />
the object of independent investigation in this commentary. and more<br />
extensive treatment is not called for.<br />
The commentary offers a great deal of useful information on the extraordinarily<br />
wide range of topics introduced in Ovid's discourse on the<br />
seduction of men. Several of the more discursive notes are informative<br />
beyond the immediate purpose of construing the text. Particularly helpful<br />
were the discussions of recitation (329-48). board games (353ff.),<br />
writing tablets (617ff.), myth in elegy (683ff.). apostrophe (713ff.), and