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OUSEION - Memorial University's Digital Archives Initiative ...

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216 BOOK REVIEWS/COMPTES RENDUS<br />

DIALOGUE<br />

Republic<br />

Parmenides<br />

Tht.-Sph.-Plt.<br />

Phaedrus<br />

BEGINNING<br />

Book I: narrated. high<br />

drama. full spectrum of<br />

real characters. elenctic<br />

Part A: narrated. characterized.<br />

sanitized elenctic. a<br />

dramatic experience for<br />

the interlocutor<br />

Thaetetus: direct dialogue.<br />

speakers idealized but individualized.<br />

sanitized elenctic<br />

method. a dramatic<br />

experience for the interlocutor<br />

Early: direct dialogue. real<br />

characters involved in debate.<br />

competitive atmosphere<br />

aimed at refutation<br />

of Lysias' thesis<br />

ENDING<br />

Books II-X: narrated. less<br />

drama. idealized but individuated<br />

characters. didactic<br />

Part B: direct dialogue.<br />

without characterization.<br />

without drama. didactic<br />

Sophist-Politicus: direct dialogue.<br />

with little characterization<br />

and idealized speakers.<br />

without drama. didactic<br />

Late: direct dialogue. idealized<br />

or tempered (but still<br />

r a1) characters now less<br />

involved in the debate. didactic<br />

Three dialogues and a "trilogy" (as it became) begin with what one<br />

might legitimately call a protreptic phase. which seeks to involve the<br />

audience in a debate that is developing and which proceeds competitively<br />

and with a view to the unsettling of a thesis that needed questioning.<br />

They go on to a new stage where the interlocutors, in most<br />

cases chosen at random. show no deep-seated need to avoid any particular<br />

conclusions or to find the right answers, where they and the<br />

protagonist are idealized or show little individuated character at all.<br />

and where the protagonist proceeds in a didactic fashion while continuing<br />

to use question and answer methods. The protreptic-didactic<br />

division, though showing variations. persists. This makes the Clitophon<br />

a text that cannot be ignored. That it speaks to us in the hiatus-avoiding<br />

manner of Sophist-Statesman is of considerable interest.<br />

HAROLD TARRANT<br />

UNIVERSITY OF NEWCASTLE<br />

NSW 2308<br />

AUSTRALIA

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