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ROMAN URBAN TOPOGRAPHY in Britain and the western Empire

ROMAN URBAN TOPOGRAPHY in Britain and the western Empire

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L<strong>in</strong>g: The mechanics of <strong>the</strong> build<strong>in</strong>g trade<br />

Fig 37 Detail of <strong>the</strong> city walls of Silchester, show<strong>in</strong>g bond<strong>in</strong>g-courses of flat stones <strong>and</strong> a vertical ‘gang jo<strong>in</strong>’ at <strong>the</strong> left (Photo:<br />

M Fulford)<br />

with large vaults, <strong>and</strong> <strong>in</strong>evitably with domes, such as that<br />

of <strong>the</strong> Pan<strong>the</strong>on, <strong>the</strong> center<strong>in</strong>g had to be built up from<br />

floor level <strong>and</strong>, as one can see from reconstruction<br />

draw<strong>in</strong>gs, would itself have been a structural tour de force.<br />

Despite <strong>the</strong> great surviv<strong>in</strong>g triumphs of Roman vault<br />

construction, <strong>the</strong>re were obviously many failures, <strong>and</strong> it is<br />

strik<strong>in</strong>g to observe a certa<strong>in</strong> caution, if not actual diffidence,<br />

on <strong>the</strong> part of builders throughout Roman times.<br />

Down to <strong>the</strong> end of <strong>the</strong> 1st century BC <strong>the</strong> rubble caementa<br />

which formed <strong>the</strong> aggregate <strong>in</strong> <strong>the</strong> core of <strong>the</strong> vault were<br />

laid radially like <strong>the</strong> voussoirs of an arch, as if <strong>the</strong> builders<br />

distrusted <strong>the</strong> strength of <strong>the</strong>ir material. Only later did<br />

<strong>the</strong>y beg<strong>in</strong> to build up <strong>the</strong>ir vaults over <strong>the</strong> center<strong>in</strong>g <strong>in</strong><br />

horizontal layers, just as <strong>the</strong>y did walls. When gro<strong>in</strong>ed<br />

vaults appeared at <strong>the</strong> time of Nero’s Golden House <strong>in</strong><br />

Rome, <strong>the</strong> angles were first carried out <strong>in</strong> brick, <strong>and</strong> <strong>the</strong><br />

<strong>in</strong>terven<strong>in</strong>g spaces <strong>the</strong>n filled with concrete. The architect<br />

may have felt that he was re<strong>in</strong>forc<strong>in</strong>g a po<strong>in</strong>t of weakness,<br />

but <strong>in</strong> fact brick ribs tend to create a l<strong>in</strong>e of potential<br />

cleavage. There are many examples of vaults or domes <strong>in</strong><br />

which ribs <strong>and</strong> concrete have come apart, <strong>the</strong> one perhaps<br />

still st<strong>and</strong><strong>in</strong>g, <strong>the</strong> o<strong>the</strong>r collapsed. Brick ribs were also<br />

used to divide up barrel vaults, presumably so that <strong>the</strong><br />

work could be completed <strong>in</strong> manageable sections <strong>and</strong> <strong>the</strong><br />

same center<strong>in</strong>g moved from one to <strong>the</strong> next; once aga<strong>in</strong> <strong>the</strong><br />

result was frequently a crack (or worse) between <strong>the</strong> brick<br />

<strong>and</strong> <strong>the</strong> concrete. More success was achieved by careful<br />

selection of <strong>the</strong> materials for <strong>the</strong> caementa. For example, <strong>in</strong><br />

<strong>the</strong> Pan<strong>the</strong>on <strong>the</strong>y were graded from <strong>the</strong> heaviest <strong>and</strong><br />

strongest <strong>in</strong> <strong>the</strong> lower part of <strong>the</strong> dome to <strong>the</strong> lightest<br />

26<br />

(pumice) <strong>in</strong> <strong>the</strong> area round <strong>the</strong> central oculus. At a later<br />

period, for example <strong>in</strong> <strong>the</strong> Circus of Maxentius outside<br />

Rome, vaults were lightened by <strong>the</strong> <strong>in</strong>corporation of<br />

empty amphorae,’ <strong>and</strong> later still (chiefly <strong>in</strong> <strong>the</strong> Christian<br />

period) by <strong>the</strong> use of purpose-made terracotta tubes.<br />

To return f<strong>in</strong>ally to Brita<strong>in</strong>. Here concrete walls were<br />

comparatively weak, <strong>and</strong> on <strong>the</strong> whole <strong>the</strong>y are more<br />

accurately described as mortared rubble. Although brickwork<br />

is not unknown, fac<strong>in</strong>gs were generally <strong>in</strong> rubble or<br />

small squared blocks (‘petit appareil’) with frequent<br />

bond<strong>in</strong>g-courses of tiles or flat stones, often two or three<br />

courses thick. Good examples of <strong>the</strong> former can be seen <strong>in</strong><br />

<strong>the</strong> ‘Old Work’ <strong>in</strong> <strong>the</strong> Roman baths at Wroxeter (Fig 36),<br />

<strong>and</strong> of <strong>the</strong> latter <strong>in</strong> <strong>the</strong> town walls at Silchester (Fig 37),<br />

where one can also discern <strong>the</strong> vertical jo<strong>in</strong>ts between<br />

sections of wall<strong>in</strong>g carried out by different work gangs. As<br />

was <strong>the</strong> case with ashlar construction, <strong>the</strong> aggregate <strong>and</strong><br />

fac<strong>in</strong>g-stone were regularly those which could be most<br />

easily obta<strong>in</strong>ed. Thus at Colchester <strong>the</strong> city walls were<br />

built with <strong>the</strong> locally-available septarian nodules, while <strong>in</strong><br />

<strong>the</strong> chalk country, as at Verulamium, <strong>the</strong> normal fac<strong>in</strong>g<br />

material was fl<strong>in</strong>t. But while British builders were certa<strong>in</strong>ly<br />

affected by regional factors, it would be wrong to th<strong>in</strong>k<br />

of <strong>the</strong>m apart from <strong>the</strong>ir cont<strong>in</strong>ental counterparts. Brita<strong>in</strong><br />

was merely one part of a much larger cultural world <strong>and</strong><br />

most of <strong>the</strong> build<strong>in</strong>g practices found here followed those<br />

developments <strong>in</strong> <strong>the</strong> ma<strong>in</strong>stream of Roman architecture<br />

which have been <strong>the</strong> subject of this paper.

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