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ROMAN URBAN TOPOGRAPHY in Britain and the western Empire

ROMAN URBAN TOPOGRAPHY in Britain and the western Empire

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L<strong>in</strong>g: The mechanics of <strong>the</strong> build<strong>in</strong>g trade<br />

Fig 35 Brick-faced wall at Pompeii, covered with mortar <strong>in</strong> preparation for marble veneer (Photo: author)<br />

time of Nero onwards, <strong>the</strong> predom<strong>in</strong>ant technique. The<br />

fac<strong>in</strong>g consisted of horizontal courses of flat, shallow<br />

bricks, generally (<strong>in</strong> Italy at least) triangular <strong>in</strong> shape <strong>and</strong><br />

laid with one po<strong>in</strong>t <strong>in</strong>wards. Vertical jo<strong>in</strong>ts alternated, as<br />

<strong>in</strong> ashlar construction. At first <strong>the</strong> ‘bricks’ were roof-tiles<br />

cut along <strong>the</strong> diagonal, but under Claudius <strong>the</strong>y began to<br />

be cut from true bricks fired to st<strong>and</strong>ard sizes (multiples or<br />

fractions of <strong>the</strong> Roman foot). From <strong>the</strong>n on, as builders<br />

realized <strong>the</strong> advantages of <strong>the</strong> new technique, which was<br />

simple to use, provided greater stability <strong>in</strong> <strong>the</strong> construction<br />

process, <strong>and</strong> had a high resistance to heat, brick<br />

production developed on a large scale, with many makers<br />

of <strong>the</strong> 2nd <strong>and</strong> early 3rd centuries stamp<strong>in</strong>g <strong>the</strong>ir wares.<br />

It should be stressed aga<strong>in</strong> that <strong>the</strong> role of <strong>the</strong>se fac<strong>in</strong>gs<br />

was primarily to assist <strong>in</strong> <strong>the</strong> construction process.<br />

None<strong>the</strong>less, <strong>the</strong>y also provided an attractive surface to<br />

<strong>the</strong> f<strong>in</strong>ished wall (Vitruvius (ii.8.1) calls reticulate ‘charm<strong>in</strong>g’),<br />

<strong>and</strong> <strong>the</strong>ir decorative potential was sometimes exploited<br />

by <strong>the</strong> use of different colours to emphasize<br />

specific areas or to form overall patterns. Even so <strong>the</strong>y<br />

were not always left visible. Some of <strong>the</strong> most careful<br />

fac<strong>in</strong>gs <strong>in</strong> reticulate <strong>and</strong> brickwork were orig<strong>in</strong>ally concealed<br />

beneath a bl<strong>and</strong> <strong>and</strong> monotonous coat of stucco.<br />

The role of <strong>the</strong> so-called reliev<strong>in</strong>g arches visible <strong>in</strong> <strong>the</strong><br />

fac<strong>in</strong>g of many walls is <strong>in</strong>terest<strong>in</strong>g. These are often merely<br />

superficial <strong>and</strong> have no effect on <strong>the</strong> concrete beh<strong>in</strong>d; <strong>the</strong>ir<br />

sole function lay <strong>in</strong> <strong>the</strong> statics of <strong>the</strong> reticulate or<br />

brickwork before <strong>and</strong> dur<strong>in</strong>g <strong>the</strong> sett<strong>in</strong>g of <strong>the</strong> core. Once<br />

<strong>the</strong> concrete was hard <strong>the</strong>y became redundant. There are<br />

of course exceptions, as <strong>in</strong> <strong>the</strong> Pan<strong>the</strong>on, where <strong>the</strong><br />

well-known reliev<strong>in</strong>g arches are an <strong>in</strong>tegral part of <strong>the</strong><br />

structure, help<strong>in</strong>g to transfer thrusts away from niches<br />

<strong>and</strong> cavities <strong>in</strong> <strong>the</strong> <strong>in</strong>terior of <strong>the</strong> walls <strong>and</strong> at <strong>the</strong> same time<br />

25<br />

divid<strong>in</strong>g <strong>the</strong> concrete mass <strong>in</strong>to more manageable volumes<br />

<strong>in</strong> <strong>the</strong> event of settl<strong>in</strong>g.<br />

The build<strong>in</strong>g of vaults <strong>and</strong> domes was <strong>the</strong> most complex<br />

operation <strong>in</strong> Roman concrete architecture, s<strong>in</strong>ce it required<br />

<strong>the</strong> prelim<strong>in</strong>ary construction of timber center<strong>in</strong>g.<br />

Where vaults were of limited span this could be lodged <strong>in</strong><br />

<strong>the</strong> spr<strong>in</strong>g of <strong>the</strong> vault, just as <strong>the</strong> center<strong>in</strong>g for <strong>the</strong><br />

stone-built arches of <strong>the</strong> Pont du Gard rested on <strong>the</strong><br />

cornices <strong>and</strong> on project<strong>in</strong>g blocks built <strong>in</strong>to <strong>the</strong> piers. But<br />

Fig 36 The ‘Old Work’ at Wroxeter, show<strong>in</strong>g petit<br />

appareil with tile bond<strong>in</strong>g-courses <strong>and</strong> putlog holes<br />

pass<strong>in</strong>g right through <strong>the</strong> wall. Some of <strong>the</strong> holes<br />

perhaps served for <strong>the</strong> construction of center<strong>in</strong>g for<br />

<strong>the</strong> vault, not simply for scaffold<strong>in</strong>g (Photo: author)

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