a<strong>the</strong>r unpleasant f<strong>in</strong>ished surface (Fig 21). In <strong>the</strong> 2nd century this gave way to <strong>the</strong> brown or grey volcanic tuff from nearby Nuceria. Tuff was much favoured <strong>in</strong> central Italy before <strong>the</strong> time of Caesar <strong>and</strong> Augustus because it was readily available <strong>and</strong> had <strong>the</strong> dual advantages of be<strong>in</strong>g easy to cut <strong>in</strong> <strong>the</strong> quarry <strong>and</strong> <strong>the</strong>n harden<strong>in</strong>g on exposure to <strong>the</strong> air. The ma<strong>in</strong> snags were that it did not have <strong>the</strong> same aes<strong>the</strong>tic appeal as <strong>the</strong> hard white stones <strong>and</strong> that some varieties, especially <strong>the</strong> yellow tuff from <strong>the</strong> Campi Phlegraei, north of Naples, suffered badly <strong>in</strong> due course from <strong>the</strong> effects of wea<strong>the</strong>r<strong>in</strong>g. Eventually, even <strong>in</strong> central Italy, <strong>the</strong> hard white stones became normal for masonry that was to rema<strong>in</strong> visible, while tuff was often reta<strong>in</strong>ed <strong>in</strong> foundations <strong>and</strong> o<strong>the</strong>r hidden parts. St<strong>and</strong>ard work, for <strong>in</strong>stance <strong>the</strong> porticoes of <strong>the</strong> Pompeian forum (Fig 22), was executed <strong>in</strong> limestone, especially <strong>the</strong> so-called lapis Tiburt<strong>in</strong>us (travert<strong>in</strong>e) quarried near Tivoli, while for <strong>the</strong> more lavish build<strong>in</strong>gs, especially temples, <strong>and</strong> for carved decorative detail architects used white marble. The situation <strong>in</strong> Roman Brita<strong>in</strong> has been partially exam<strong>in</strong>ed by various writers, notably by Williams (1971) for <strong>the</strong> south <strong>and</strong> east of <strong>the</strong> prov<strong>in</strong>ce. Much of <strong>the</strong> masonry was cut <strong>in</strong> <strong>the</strong> most accessible varieties of limestone, but o<strong>the</strong>r materials were used locally; for example, red s<strong>and</strong>stone at Chester <strong>and</strong> greens<strong>and</strong> <strong>in</strong> parts of Kent, Sussex, <strong>and</strong> Norfolk, <strong>and</strong> <strong>in</strong> London. Williams po<strong>in</strong>ts out that <strong>the</strong> regions where greens<strong>and</strong> was employed outside its native area were those which could be served by boar from a possible source or depot on <strong>the</strong> Medway, a <strong>the</strong>ory which is supported by <strong>the</strong> presence of build<strong>in</strong>g stone of Kentish orig<strong>in</strong> <strong>in</strong> <strong>the</strong> cargo of <strong>the</strong> Blackfriars boat. Rarely <strong>in</strong> Brita<strong>in</strong> does stone seem to have been used far from its source; exceptions were made only where <strong>the</strong> stone was of good quality <strong>and</strong> <strong>the</strong> build<strong>in</strong>g project of a prestigious nature. For example, if Williams is correct, Ham Hill stone from Somerset was brought to Colchester for use <strong>in</strong> <strong>the</strong> Temple of Claudius. The most highlyrenowned material <strong>in</strong> Brita<strong>in</strong>, <strong>the</strong> so-called Purbeck marble from Dorset, occurs only <strong>in</strong> shallow strata <strong>and</strong> was <strong>the</strong>refore conf<strong>in</strong>ed to small-scale work, such as <strong>in</strong>scription slabs, ornamental pieces, <strong>and</strong> veneer; <strong>the</strong> largest items <strong>in</strong> its repertory are carved capitals. The techniques of h<strong>and</strong>l<strong>in</strong>g <strong>and</strong> work<strong>in</strong>g good-quality build<strong>in</strong>g stone varied little throughout antiquity, or 19 L<strong>in</strong>g: The mechanics of <strong>the</strong> build<strong>in</strong>g trade <strong>in</strong>deed <strong>in</strong> more recent times before <strong>the</strong> advent of mechanization. Quarry<strong>in</strong>g is <strong>the</strong> first stage. Rema<strong>in</strong>s of various quarries, both Greek <strong>and</strong> Roman, show that normally <strong>the</strong> workers would cut <strong>in</strong>to a face, proceed<strong>in</strong>g from top to bottom, so that for any given block only two ma<strong>in</strong> faces, <strong>the</strong> rear <strong>and</strong> <strong>the</strong> underside, had to be freed from <strong>the</strong> liv<strong>in</strong>g rock. This was a natural way of economiz<strong>in</strong>g on labour. At <strong>the</strong> same time care had to be taken to avoid fault-l<strong>in</strong>es, <strong>the</strong> devastat<strong>in</strong>g effects of which are attested by numerous half-f<strong>in</strong>ished <strong>and</strong> ab<strong>and</strong>oned pieces, both architectural <strong>and</strong> sculptural. But, provided that all was well, a roughly rectangular block would generally be procured. This was done by cutt<strong>in</strong>g grooves or, alternatively, by drill<strong>in</strong>g a series of parallel holes along <strong>the</strong> proposed edges, <strong>the</strong>n us<strong>in</strong>g chisels <strong>and</strong> wedges to split <strong>the</strong> stone. The next stage was transport. Some prelim<strong>in</strong>ary dress<strong>in</strong>g of <strong>the</strong> blocks could be undertaken by masons <strong>in</strong> <strong>the</strong> quarry <strong>and</strong> certa<strong>in</strong> elements, notably columns, were even roughly shaped, as can be seen from <strong>the</strong> numerous half-f<strong>in</strong>ished columns <strong>in</strong> <strong>the</strong> quarries of Carystus, but all pieces were transported <strong>in</strong> an unf<strong>in</strong>ished state to avoid damage. Many examples of quarry blocks have been found at Ostia, where <strong>the</strong>y were doubtless await<strong>in</strong>g transfer from sea- to river-craft on <strong>the</strong>ir voyage to <strong>the</strong> marble-yards of Rome; among <strong>the</strong>m is a cipoll<strong>in</strong>o columnshaft with a raised b<strong>and</strong> at <strong>the</strong> end to protect <strong>the</strong> ma<strong>in</strong> part from contact with <strong>the</strong> ground, <strong>and</strong> a series of blocks with a curious arrangement of different-sized steps <strong>and</strong> offsets. These bear no relation to any <strong>in</strong>tended architectural role <strong>and</strong> are best expla<strong>in</strong>ed as a device to convert an irregular shape, perhaps dictated by fault-l<strong>in</strong>es <strong>in</strong> <strong>the</strong> quarry, <strong>in</strong>to one which could be more easily stored <strong>and</strong> at <strong>the</strong> same time more easily measured for account<strong>in</strong>g purposes. Transport, as <strong>the</strong> Ostian f<strong>in</strong>ds demonstrate, would be conducted as far as possible by water; but <strong>the</strong>re was always an overl<strong>and</strong> component, sometimes a long <strong>and</strong> difficult one, between <strong>the</strong> quarries <strong>and</strong> <strong>the</strong> nearest river or port. This was <strong>in</strong>evitably <strong>the</strong> most expensive <strong>and</strong> time-consum<strong>in</strong>g part of <strong>the</strong> journey. Small blocks were presumably carried by ox-cart, but such methods were cumbersome <strong>and</strong> <strong>the</strong> axles would have been hard put to st<strong>and</strong> <strong>the</strong> stra<strong>in</strong>, especially as <strong>the</strong> surfaces can rarely have been smooth; one has only to read Carl Humann’s graphic account of his
L<strong>in</strong>g: The mechanics of <strong>the</strong> build<strong>in</strong>g trade Fig 25 Reconstruction of Roman derricks, based on (above) <strong>the</strong> pa<strong>in</strong>t<strong>in</strong>g from Stabiae (cf Fig 24) <strong>and</strong> (below) a relief from Capua (Drawn by R Lea, after Adam & Varène 1980) 20