"We The People" Project 2011 - Virgin Islands Humanities Council
"We The People" Project 2011 - Virgin Islands Humanities Council
"We The People" Project 2011 - Virgin Islands Humanities Council
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Board of Directors<br />
Annie Smith, Chair<br />
Vacant Vice-Chair<br />
Alscess Lewis-Brown, Treasurer<br />
Claudette Georges, Secretary<br />
Percival Edwards<br />
Lomarsh Roopnarine, Ph.D.<br />
Opal Palmer Adisa, Ph.D.<br />
Celestina Lapenna<br />
Gayle Dancy Benjamin<br />
Charles W. Turnbull, Ph.D.<br />
Barbara Petersen<br />
Gwen-Marie Moolenaar, Ph.D.<br />
Rosalie Simmonds-Ballentine, Esq.<br />
Roy Watlington, Ad Hoc<br />
Anette Williams, Ad Hoc<br />
Program, Planning & Evaluation Committee<br />
Opal Palmer Adisa, Ph.D., Chair & Program Director<br />
Annie Smith<br />
Alscess Lewis-Brown<br />
Celestina Lapenna<br />
Gayle Dancy Benjamin<br />
Percival Edwards<br />
Conference Team<br />
Karen M. Andrews<br />
Executive Director<br />
Ayesha Morris<br />
Program Officer<br />
Zaida Castro<br />
Office Manager<br />
Kyra Hansen<br />
Office Assistant<br />
Research Grant<br />
ST. CROIX FOUNDATION<br />
<strong>The</strong> House That Freedom Built<br />
Conference Volunteers<br />
Ramona Hobson<br />
UVI Students<br />
Janet Smith<br />
George Hamilton<br />
Youth Quelbe Lyrical Competition Advisors<br />
Dimitri Copemann<br />
Eugene Petersen<br />
Cedelle Petersen<br />
Wayne “Bully” Petersen<br />
Youth Art Competition Advisors<br />
Maud Pierre-Charles<br />
Danica David<br />
Graphic Design<br />
Ed La Borde Jr.<br />
Lasima M’Bilashaka<br />
Transportation<br />
Guidance Taxi and Tours<br />
Videography<br />
Earl Morris<br />
Photography<br />
Nycole Canegata<br />
Sound<br />
Kleon Gaskin, K.S.S.<br />
Cultural Pencils<br />
Bridget Julius<br />
Conference Partners<br />
<strong>Virgin</strong> <strong>Islands</strong> Department of Tourism<br />
Fort Frederik Museum<br />
Division of Archives, Libraries, and Museums<br />
Department of Planning and Natural Resources<br />
Office of the Governor<br />
King’s Alley Hotel<br />
<strong>The</strong> Caribbean Writer<br />
Holger Danske Hotel<br />
Teddy’s Party Rental<br />
Outside Evaluator<br />
Gerard Emanuel<br />
….and to all those whose names we have not remembered!<br />
Catering<br />
Top Class V.I.<br />
Navetta <strong>We</strong>bster<br />
Other Vendors<br />
Jan Mitchell Studios<br />
Wild Orchid<br />
V.I.P. Engraving<br />
Niarus Walker<br />
Ten Sleepless Knights<br />
23
VIRGIN ISLANDS HUMANITIES COUNCIL<br />
DOCUMENTARY SCREENINGS<br />
THE HERITAGE AND ARCHITECTURE OF ST. CROIX: A WALKING<br />
TOUR<br />
Crucian Heritage and Nature Tourism Inc. created this documentary to expose visitors and<br />
residents to the intricacies of Crucian culture and history by examining the towns of<br />
Christiansted and Frederiksted with particular emphasis on the Black population who built their<br />
beautiful buildings. Focus is also given to “free gut” neighborhoods where freed slaves lived.<br />
<strong>The</strong> video tour, led by historian Wayne James, is meant to be used as a tourguide training tool,<br />
and can be used by residents and visitors as a self-guided tour. It is directed by Cathy Sitaram<br />
and sponsored by Crucian Heritage and Nature Tourism.<br />
THE HOUSE THAT FREEDOM BUILT (trailer)<br />
This film will be the first documentary about the story OF Free Gut, an area of Christiansted,<br />
<strong>Virgin</strong> <strong>Islands</strong> where the freed black population was allowed to live during the 18th and 19th<br />
century slavery period. <strong>The</strong> story follows artist La Vaughn Belle, the most recent owner of an<br />
abandoned property located in the area of Free Gut and follows her along her journey in<br />
restoring the building, researching its previous owners and learning about the larger, very<br />
special community to which they belonged. It is directed by La Vaughn Belle and sponsored by<br />
the St. Croix Foundation.<br />
LIBERATED MINDS (trailer)<br />
Liberated Minds is a documentary tracing mental slavery as it has developed in the<br />
<strong>Virgin</strong> <strong>Islands</strong>, from the time enslaved Africans arrived here on ships from the Gold<br />
Coast. It connects three points in the Triangular Slave Trade — the <strong>Virgin</strong> <strong>Islands</strong>,<br />
Denmark, and Ghana — to analyze the state of the collective African mind today after<br />
exposure to Danish slavery and colonization from 1671 to 1917, and American rule from<br />
then until the present. It is directed by Oliver Harboe and sponsored by Strength to<br />
Strength.<br />
JACK DELANO PHOTO COLLECTION<br />
Jack Delano (August 1, 1914 – August 12, 1997) was an American photographer for the Farm<br />
Security Administration (FSA) and a composer noted for his use of Puerto Rican folk material. In<br />
1941, the Ukranian-born American photographer sitting in the back seat of a "single-engine,<br />
cloth-covered biplane," landed in the United States <strong>Virgin</strong> <strong>Islands</strong>, ready to begin an assignment<br />
for the federal government. <strong>The</strong> Japanese had just bombed Pearl Harbor, and the nation was at<br />
war. <strong>The</strong>se are some of the photos that Delano took during his visit to the islands. <strong>The</strong> <strong>Humanities</strong><br />
<strong>Council</strong>’s collection is a result of a grant funded in the 1990s.<br />
SANDRA MICHAEL COLLECTION<br />
Moko jumbies are a cultural group that originated in Africa. <strong>The</strong> enslaved brought their<br />
culture with them from Africa. <strong>The</strong> Moko Jumbies are a form of Masquerading. <strong>The</strong>y all<br />
wear mask to hide their identity. <strong>The</strong> mask is essentially a dramatic device enabling the<br />
performer to stand apart from his or her everyday role in the community. Sandra<br />
Michael’s grandmother Ms. Elizabeth Clarke was a masquerader on foot and her<br />
grandfather Mr. William Robinson was a Moko Jumbie.<br />
3
Elizabeth Rezende, Ph.D.<br />
ELIZABETH REZENDE, PH.D.<br />
Elizabeth Rezende has worked in the <strong>Virgin</strong> <strong>Islands</strong> for 36 years in a variety of professional<br />
capacities. Most recently she co-taught in an archaeological/ethnographic field school for<br />
undergraduate students in a consortium of University of South Carolina and University of the<br />
<strong>Virgin</strong> <strong>Islands</strong>, St. Croix Campus. She is working intensively with ethno-musicologist Mary Jane<br />
Soule in preparing the historical background of the cariso and quelbe songs of 1900-50. She is<br />
gathering the photographs for an upcoming book on the topic. In 2009 she published St. Croix in<br />
Historic Photos with Anne Walbom and is working on the St. Thomas volume. Currently, she is<br />
teaching English composition courses and anthropology at the University of the <strong>Virgin</strong> <strong>Islands</strong>.<br />
21
Shelley Moorhead<br />
SHELLEY MOORHEAD<br />
In 2004, Shelley Moorhead founded the African-Caribbean Reparations & Resettlement Alliance<br />
(ACRRA) and pursued a role in shaping and defending humanity both historically and in the present-day.<br />
In April 2005, Moorhead led the first delegation to travel to Denmark from the islands since D. Hamilton<br />
Jackson in 1915, to include USVI Sens. Nelson and Richards, Congresswoman Donna M. Christensen,<br />
Dr. Carlyle Corbin - Min. of State for External Affairs as well as civic leaders and a youth delegate. On<br />
April 11, 2005 a Memorandum of Understanding was signed which established the USVI / Denmark<br />
Joint Reparations Task Force co-chaired by ACRRA and the Danish Institute for Human Rights. <strong>The</strong><br />
accord is the first between the Danes and <strong>Virgin</strong> Islanders which directly acknowledges the cruelty of<br />
175 years of slavery. Moorhead continued to pave the way and in June 2005, he testified before the UN<br />
Special Committee on Decolonization speaking to the issues of Danish slavery and U.S. colonization, its<br />
effect on the people, and the need for repair. Prior to testifying before this UN committee, he worked<br />
with USVI lawmakers to result the unanimous passage of historic Resolution No. 1680 on May 4, 2005.<br />
<strong>The</strong> legislation was the first by a former Caribbean slave colony, in which African descendants have<br />
organized to condemn the institution of slavery and seek reparations from their former European colonial<br />
master.<br />
Moorhead continued to engage in diplomacy, receiving invitations from leaders from around the world to<br />
discuss and advocate for the repair of humanity, in particular the humanity of those disenfranchised by<br />
the legacy of slavery. In August 2005, Moorhead was invited by the African Union (AU) Commissioner<br />
and met the AU's Dir. of Cabinet, Dr. Mamadou Diallo in Addis Ababa, Ethiopia with the plan to implement<br />
new strategies for the repair of the Global African Diaspora and to discuss the establishment of a<br />
Caribbean Desk in the USVI for Africa's premier governing body.<br />
Moorhead continues to engage the world on the issue of reparations for slavery and is dedicated to<br />
advancing the cause and to securing the future for coming generations.<br />
A Message From the Board of Directors Chairperson<br />
At a time when the world is in turmoil and cultures are not tolerant, it is fitting that the <strong>Humanities</strong> <strong>Council</strong><br />
should ask us to look to a time when the place that we knew fostered pleasant, harmonious memories.<br />
This September 30, <strong>2011</strong>, on behalf of <strong>The</strong> Board of Directors of the <strong>Virgin</strong> <strong>Islands</strong> <strong>Humanities</strong> <strong>Council</strong>, I,<br />
Annie Smith, Chair, would like all cultures within the <strong>Virgin</strong> <strong>Islands</strong> and neighboring islands to pause and<br />
remember the way we were. As we look around us, the rapidity of change is analogous to a freight train<br />
barreling to a destination unknown. As we change, however, let us not forget the individuals to whom we<br />
must give reverence for the morals and values taught in a different place and different time as the memories<br />
live on. <strong>The</strong>refore, it is fitting that from time to time we must return to the times and places where<br />
memories abound, when the people roamed the paths of the roads, hills and valleys as the ancestral spirits<br />
who speak to us from the landscape.<br />
Tonight, let each individual search deep within himself and herself to find that place where memories create<br />
the desire to preserve the places that depict who we are for generations to come. For, it is only with the<br />
knowledge of who we are that we can teach generations who they should be and what they should revere.<br />
<strong>The</strong>refore, in this place at this time, let us create memories that will live on in the minds and hearts of all<br />
who enter these historic sites and may the impact of the occasion strengthen our souls so that the memory<br />
of these places will live on for generations to come.<br />
<strong>We</strong>lcome all to the <strong>Virgin</strong> <strong>Islands</strong> <strong>Humanities</strong> <strong>Council</strong>’s <strong>2011</strong> <strong>We</strong> <strong>The</strong> People Program: Place, Time and<br />
Memory, as we continue to promote the cultural integrity of the <strong>Virgin</strong> <strong>Islands</strong> in the international and<br />
regional spheres.<br />
Sincerely,<br />
Annie Smith, Chair<br />
<strong>Virgin</strong> <strong>Islands</strong> <strong>Humanities</strong> <strong>Council</strong><br />
Annie Smith,<br />
VIHC Chairperson<br />
5
I am honored and humbled to be addressing you as the relatively new Executive Director of the <strong>Virgin</strong><br />
<strong>Islands</strong> <strong>Humanities</strong> <strong>Council</strong> (VIHC). I am truly excited about this opportunity to serve my community<br />
albeit in a totally new and interesting capacity. I want to take this opportunity to thank Ayesha Morris,<br />
Program Officer, Zaida Castro, Office Manager, and Kyra Hansen, Office Assistant, for their support and<br />
exceptional work and the Board of Directors for their confidence in my ability to lead this dynamic<br />
organization.<br />
Over the years VIHC has been known to be an organization devoted to the cultivation, preservation and<br />
promotion of culture in the <strong>Virgin</strong> <strong>Islands</strong> and this year our endeavor is to continue expanding cultural<br />
awareness through our “<strong>We</strong> the People” annual initiative. <strong>The</strong> goal of this year’s initiative includes giving<br />
voice to and encouraging community investment through storytelling.<br />
Our <strong>2011</strong> theme "Place, Time & Memory: Story Toh Tell" skillfully weaves together stories and<br />
narratives that can only add color to our already rich culture and our community is invited to be a witness.<br />
Each of our chosen writers has a story to tell that is stockpiled from a lifetime of hearing. You will be<br />
intrigued, enchanted and undoubtedly entertained with dramatic readings as they peruse through time and<br />
various locales in the <strong>Virgin</strong> <strong>Islands</strong> evoking memories that we have long pushed from our consciousness.<br />
<strong>We</strong> are honored to have contributions from <strong>Virgin</strong> <strong>Islands</strong> writers. On Friday, September 30, <strong>2011</strong> the<br />
evening will also feature the Marvin Williams Humanist Award Presentation and Reception, as well as a<br />
Roundtable Discussion in his honor. On Saturday, October 1, <strong>2011</strong> we also invite you to the Daniel Heftel<br />
Lecture Series and the <strong>Virgin</strong> <strong>Islands</strong> Documentary Screenings.<br />
<strong>We</strong> would like to thank the National Endowment for the <strong>Humanities</strong>, the Office of the Governor, the<br />
Department of Tourism, King’s Alley Hotel, and the Division of Libraries, Archives, and Museums for<br />
being the major sponsors of this year’s initiative and our community partners for collaborating with us and<br />
supporting our efforts. <strong>We</strong> know that our strength hinges on existing partnerships and our ability to attract<br />
new partners. <strong>We</strong> are therefore inviting other community groups to join us in our endeavor to bring social<br />
transformation through cultural awareness. All of us have a “story toh tell,” so let us tell it. Thank you<br />
sincerely for coming.<br />
Respectfully,<br />
Karen M. Andrews<br />
Greetings From the Executive Director<br />
Karen M. Andrews, VIHC Executive Director<br />
Executive Director , <strong>Virgin</strong> <strong>Islands</strong> <strong>Humanities</strong> <strong>Council</strong><br />
<strong>The</strong> author is a native of Antigua and Barbuda, and a resident of St. Croix, U.S. <strong>Virgin</strong><br />
<strong>Islands</strong>. He is a graduate of Ohio State University and holds Ph.D., M.S., and B.A.<br />
degrees from that institution. He has also done post-graduate work in Education<br />
Leadership and Administration at the University of <strong>We</strong>st Georgia in Carrollton, Georgia.<br />
Dr. Gore is a former Research Professor, Lecturer, and Consultant at the University of<br />
the <strong>Virgin</strong> <strong>Islands</strong>, and an Adjunct Professor of Sociology at the St. Leo University in<br />
Atlanta. <strong>The</strong> author has also served as Special Advisor in two ministries in the<br />
Government of Antigua and Barbuda: Health and Home Affairs and Industry and Trade.<br />
He has taught for two years in the <strong>Virgin</strong> <strong>Islands</strong> public school system on St. Croix, and<br />
is presently tenured faculty with the Douglas County school system where he teaches<br />
Government and Economics. His book, Garrote: <strong>The</strong> Illusion of Social Equality and<br />
Political Justice in the United States <strong>Virgin</strong> <strong>Islands</strong>, provides a historical accounting of<br />
the struggles by Eastern Caribbean Nationals to achieve social, economic and political<br />
equality in the Unites States <strong>Virgin</strong> <strong>Islands</strong>.<br />
H. Akia Gore, Ph.D.<br />
H. AKIA GORE, PH.D.<br />
19
William W. Boyer, Ph.D.<br />
WILLIAM W. BOYER, PH.D.<br />
William W. Boyer is the Charles Polk Messick Professor Emeritus of the Department of Political<br />
Science and International Relations and Visiting Scholar in the Center for Applied Demography and<br />
Survey Research at the University of Delaware. After earning his M.A. and Ph.D. degrees in political<br />
science and American cultural and intellectual history at the University of Wisconsin (Madison), Dr.<br />
Boyer became an internationally recognized scholar of development in less developed countries — an<br />
interest first kindled during his World War II experience in the eastern Caribbean. Having conducted<br />
a unique around-the-world lecture tour of seven Asian nations for the U.S. State Department and<br />
served as management consultant for the U.S. Agency for International Development in the<br />
Caribbean Basin, Dr. Boyer has been a visiting professor at the University of the <strong>Virgin</strong> <strong>Islands</strong>,<br />
professor-advisor in Pakistan, Fulbright professor in India and South Korea, Ford Foundation<br />
professor in Malaysia, Asia Foundation consultant in Bangladesh, the only American member of the<br />
United Nations Group of Experts on Methodologies of Policy Analysis and Development, and<br />
author of numerous books and articles on public affairs.<br />
Celebrating the Individual Who is Part of the Collective: An Invitation from the Program Planning Committee, Chair<br />
It is always a joy when people come together to celebrate their heritage – and so it is with tremendous gratitude that I welcome<br />
each of you to this year’s “<strong>We</strong> the People” conference.<br />
This year’s focus, Place, Time, and Memory, is an invitation to all <strong>Virgin</strong> Islanders to explore your collective memory; to reflect on<br />
the history of this community and how that history informs the present; to examine specific sites, particularly on St Croix; and<br />
to listen to the oral stories and unwritten history that often provide us with insight about who we are and how we see ourselves.<br />
<strong>The</strong> goal is to be collectively strengthened, and able to move forward with positive outlooks and goals appropriate to advance us<br />
in this global, technological age.<br />
During this conference we will truly showcase the rich literary legacy of the <strong>Virgin</strong> <strong>Islands</strong>, and strive to pass the baton to the<br />
emerging voices in all fields of the humanities, with a pledge to nurture and help to cultivate the next generations, who will be<br />
the next purveyors of the culture. In our visual art and quelby competitions for high school students, we focus on their<br />
development, and welcome them into the dialogue that will help to shape the wholesome future we all plan to enjoy. <strong>We</strong> will<br />
seek to engage in honest dialogue across the generations, and create linkages from the past to the present through remembering.<br />
<strong>We</strong> will tap into the concept of genetic memory. If we accept genetic memory as a given, then what, for example, are our<br />
collective memories about the abolishment of slavery on July 3rd, 1848? What are our perceptions of Queen Mary, Peter von<br />
Scholten, Moses Gottlieb (aka Buddhoe, who worked on Estate La Grange in St Croix), or the native people: the Arawaks and<br />
Caribs who lived on these islands long before the coming of the Europeans? Each is located in a specific time, linked to a certain<br />
place, and is encapsulated with distinct memories.<br />
<strong>The</strong> four accomplished writers we will honor this year provide us with an amalgamation of the diverse and wide breadth of our<br />
cultural heritage. Additionally, their works provide us with the opportunity to pause and be reflective.<br />
I have been honored to chair the Program Planning and Evaluation committee (PPE) for this event, and have enjoyed a most<br />
rewarding experience in working with my fellow board members and the staff of the <strong>Virgin</strong> <strong>Islands</strong> <strong>Humanities</strong> <strong>Council</strong> to bring<br />
the vision to life. <strong>The</strong> <strong>Humanities</strong> <strong>Council</strong>’s mission is both to preserve the cultural traditions of this region and to work to<br />
transform the day-to-day lives of the people. I would like to especially acknowledge Ayesha Morris, Annie Smith, Karen<br />
Andrews, Alscess Lewis-Brown and Percival Edwards.<br />
Place, Time, and Memory fits under the inclusive umbrella that calls the community together to unite and share, in the philosophy<br />
of “Each One, Teach One.” <strong>The</strong> <strong>Virgin</strong> <strong>Islands</strong> <strong>Humanities</strong> <strong>Council</strong> is truly gratified to be able to host this conference for the<br />
people, and invites all <strong>Virgin</strong> Islanders to take this collective opportunity to remember our important historical and cultural sites,<br />
to make this history a living testimony of our resilience, and to commit to creating a harmonious society that works for all.<br />
<strong>We</strong>lcome to the celebration!<br />
Peace,<br />
Opal Palmer Adisa, Ph.D.<br />
A Message From the Program Planning Committee Chairperson<br />
Opal Palmer Adisa, Program Chair<br />
7
<strong>2011</strong> WTP Place, Time & Memory<br />
Conference Summary<br />
<strong>The</strong> <strong>2011</strong> WTP Place, Time & Memory Conference is an exploration into the collective memory and identity of<br />
<strong>Virgin</strong> Islanders.<br />
Conference Program<br />
Day I<br />
Friday, September 30, <strong>2011</strong><br />
Government House, Christiansted<br />
5 to 6 p.m. Musical Selection by Pangea/Registration<br />
6 to 6:10 p.m. <strong>We</strong>lcome<br />
VIHC Chair, Annie Smith<br />
VIHC Exec. Director Karen Andrews<br />
VIHC Program Chair, Opal Palmer Adisa, Ph.D.<br />
Del. Donna M. Christensen<br />
Assistant to the Governor Malcolm McGregor<br />
6:10 to 7:15 p.m. Marvin Williams Roundtable Part I: Dramatizations<br />
Directed by David Edgecombe<br />
Songs for Das Camella by Marvin Williams<br />
<strong>We</strong>y Granny? by Clement White, Ph.D.<br />
Queen ah the Queen Dem by Clement White, Ph.D.<br />
THISUnity by Clement White, Ph.D.<br />
Identity Crisis by Clement White Ph.D.<br />
FIVE MINUTE INTERMISSION<br />
Do Lord Remember Me by James de Jongh, Ph.D.<br />
Kill the Rabbits by Tiphanie Yanique<br />
7:15 to 7:30 p.m. Presentation of the Humanist Award to Marvin Williams<br />
Alscess Lewis-Brown, VIHC Board Member<br />
Dasil Thomas-Williams, wife of Marvin Williams<br />
Quilin Mars, Marvin Williams Scholarship Fund<br />
7:30 to 8:15 p.m. Marvin Williams Roundtable Part II: Panel Discussion:<br />
8:15 to 8:30 p.m. Questions & Answers<br />
8:30 to 9 p.m. Wrap-Up/Survey Collection<br />
Tiphanie Yanique, James de Jongh, Ph.D., Clement White, Ph.D.,<br />
with moderator Opal Palmer Adisa, Ph.D.<br />
Moderator<br />
GLORIA I. JOSEPH, PH.D.<br />
Gloria I. Joseph, Ph.D., renowned scholar, activist, published author and educator earned a B.S. from<br />
New York University, M.S. from <strong>The</strong> City College of New York, and a Ph.D. from Cornell<br />
University. She is a professor emeritus of Hampshire College in Amherst, Massachusetts. Dr. Joseph's<br />
30 plus years in academia includes founding an Alternative School, teaching on secondary, College and<br />
University levels, serving as a reading specialist, guidance counselor and school psychologist both in the<br />
United States and Europe. Her extensive global lectures, teaching and research excursions have taken<br />
her throughout the United States, the Caribbean, Europe, Asia and Africa. <strong>The</strong>se experiences have<br />
culminated into a unique worldview and perspective that is reflected in her literary works. Some of her<br />
selected publications as author, contributor and editor include: Common Differences: Conflicts in Black and<br />
White Feminist Perspectives; Hell Under God's Orders, (HUGO); and On Time and In Step: Reunion on <strong>The</strong> Glory<br />
Musical Selection by Pangea/Reception 17<br />
Road.<br />
Gloria Joseph, Ph.D.
Conference Summary<br />
<strong>The</strong> <strong>2011</strong> WTP Place, Time & Memory Conference is an exploration into the collective memory and identity of<br />
<strong>Virgin</strong> Islanders.<br />
Day II<br />
Saturday, October 1, <strong>2011</strong><br />
Fort Frederik, Frederiksted, St. Croix<br />
10 a.m. to 11 a.m. Quelbe Ambassadors /Registration/Light breakfast<br />
11 a.m. <strong>We</strong>lcome<br />
<strong>2011</strong> WTP Place, Time & Memory<br />
VIHC Program Chair Opal Palmer Adis, Ph.D.<br />
VIHC Chair Annie Smith<br />
Sen. Nellie O’Reilly<br />
11:30 a.m. to 1 p.m. Consecutive Session: South Art Gallery<br />
Three Recent VIHC Videos Depicting Time, Place & Memory<br />
<strong>The</strong> Heritage and Architecture of St. Croix: A Walking Tour<br />
directed by Cathy Sitaram for Crucian Heritage and Nature<br />
Tourism – (30 minutes)<br />
<strong>The</strong> House That Freedom Built (10 minutes) directed by La<br />
Vaughn Belle for St. Croix Foundation<br />
Liberated Minds directed by Oliver Harboe for Strength to<br />
Strength - (30 minutes)<br />
Questions & Answers by representatives of the films:<br />
Frandelle Gerard, LaVaughn Belle, and Afreekan Southwell,<br />
respectively, moderated by Opal Palmer Adisa<br />
11:30 a.m. to 1 p.m. Consecutive Session: North Art Gallery<br />
Daniel L. Heftel Lecture Series<br />
William W. Boyer, Ph.D., H. Akia Gore, Ph.D., Shelley Moorhead,<br />
Elizabeth Rezende, Ph.D., with moderator Gloria I. Joseph, Ph.D.<br />
Questions and Answers<br />
1 p.m. to 2 p.m. Closing/Collection of Surveys<br />
Dance by Ay-Ay Cultural Dance Company<br />
Music by Quelbe Ambassadors<br />
Lunch<br />
What a memorable experience it has been staging extracts from the works of four <strong>Virgin</strong> <strong>Islands</strong><br />
writers for this <strong>Virgin</strong> <strong>Islands</strong> <strong>Humanities</strong> <strong>Council</strong> event, Place, Time and Memory: “Story toh tell!”<br />
Collaboration is a wonderful process. So I was delighted to work with the <strong>Council</strong> to explore and<br />
get to know more intimately the works of these fine writers: Marvin Williams, poet and former<br />
editor of the Caribbean Writer, to whom tonight’s production is dedicated; Clement White, poet;<br />
James de Jongh, playwright; and Tiphanie Yanique, fiction.<br />
I feel the key to bringing our books, and hence our writers, to a mass Caribbean audience is via the<br />
stage rather than the page. Tonight we get to test this notion and to determine if our collaboration<br />
should continue into a full production of one or more of these works.<br />
<strong>We</strong> also get to test what it’s like to rehearse with one set of actors on St. Croix, another on St.<br />
Thomas, and then bring them all together for the final production.<br />
<strong>We</strong> learned a great deal over the past three months, including the dearth of suitable spaces<br />
throughout the territory for staging theatre productions. So we experimented with our space in an<br />
effort to bring you the audience a more intimate theatre experience. <strong>We</strong> hope you enjoy it.<br />
It was a privilege to learn anew the remarkable talent and spirit of the <strong>Virgin</strong> <strong>Islands</strong>, its writers, its<br />
actors, its people.<br />
I trust tonight proves to be as special to you as the <strong>Virgin</strong> <strong>Islands</strong> <strong>Humanities</strong> <strong>Council</strong> wants it to<br />
be.<br />
David Edgecombe<br />
David Edgecombe<br />
DAVID EDGECOMBE<br />
PLAYWRIGHT/DIRECTOR<br />
9
Marvin E. Williams<br />
Humanist Award Recipient<br />
MARVIN E. WILLIAMS<br />
May 17, 1955 to April 7, 2010<br />
Marvin Elias Williams was born to Carl A. Williams, Sr. (Nepper) and Beulah<br />
M. Oliver, both deceased, on May 17, 1955. Marvin made major contributions to<br />
his family and the <strong>Virgin</strong> <strong>Islands</strong> community in the fields of education, sports,<br />
culture and in the arts as a playwright and as a published writer of poetry and<br />
prose. In the field of education, Marvin prepared himself extremely well at the<br />
Claude O. Markoe Elementary School and the St. Croix Central High School<br />
where he graduated in 1973. Upon graduation, he enrolled at Cornell University<br />
in Ithaca, New York where he received his Bachelor of Arts Degree in Black<br />
World Literature and American Government and Master's Degrees in Fine Arts<br />
(Poetry) and Political Science (African Political Economy). Attracted to the<br />
serene and slow-paced lifestyle in Ithaca, he spent eighteen years there. For<br />
fourteen of those years, he served as an African Studies instructor at Cornell.<br />
After that 18-year hiatus, Marvin longed for the cultural richness of St. Croix to<br />
the point where he returned home in 1991 for the expressed purpose of giving back to the St. Croix community<br />
that had served him so well. He quickly found his niche when he was employed by (he University of the <strong>Virgin</strong><br />
<strong>Islands</strong> (UVI) in 1992. As a tenured Professor of English at UVI, he gave unselfishly of his time and talents to<br />
positively impact the speaking and writing skills of countless students on St. Croix. Recognizing the strong<br />
correlation between excellent communication skills and one's quality of life, Marvin was on a passionate and<br />
sustained quest to enhance the skills of his students each and every semester.<br />
A voracious reader and writer, Marvin published several books of poetry and proudly served as Editor of the<br />
Caribbean Writer, an international literary anthology with a Caribbean focus that is published annually by UVI.<br />
In all, Marvin contributed about 35 poems, reviews, essays and short stories to this publication. His most recent<br />
literary works include Overtures to Kin and Echo of a Circle Closing, two books of poetry published in 2007.<br />
This talented but humble Crucian willingly and without charge edited the work of many local authors of<br />
different literary genres. One very memorable feature of Marvin's writing was his ability to produce a poem<br />
about anything and anyone with assembly-line speed in a very polished and amazingly appropriate fashion without<br />
compromising the quality of the content. Marvin continued his lifelong love for writing to the very end. It<br />
was with great pride and an uncanny zeal that he collaborated with his sister Dr. Sandra Oliver-Harrigan to<br />
chronicle a soon to be published book about the life and times of the Oliver and Williams family headed by<br />
family matriarch Beulah M. Oliver.<br />
<strong>The</strong> full story of Marvin cannot be told without mentioning his longstanding involvement in sports. Many of<br />
his peers will remember Marvin playing baseball with the A's managed by Donald Petersen, Softball with the<br />
Mets managed at different times by Ernest "Bones" Morris and James Parris, basketball with the Bombers<br />
managed by the late Clayton Richards and tackle football for the Central High School Caribs coached by Willie<br />
King. It is not beyond the realm of possibility that the basketball rims at Central High School, Claude O. Markoe<br />
School, Charlotte Amalie High School and Cornell University are still reverberating from the vicious slam dunks<br />
Marvin displayed to electrify the crowds especially during warm-up drills. Like his many education and athletic<br />
minded siblings, Marvin cultivated his athletic skills on the "Hill" in Frederiksted where the Bailey, Howell,<br />
Jarvis, Matthew and Williams families served as major linchpins in the "village" that did such an outstanding<br />
job of raising the children of that neighborhood in the 1960's and 1970's. Marvin's athletic prowess was clearly<br />
evident in his acrobatic and fluid gyrations on a typical Friday night at a quadrille dance. He was truly a crowd<br />
pleaser on the dance floor.<br />
Marvin was very committed to family unity. To that end, he was extremely influential in the lives of his two<br />
daughters, Dwan and Neema, whom he loved dearly. His wife of eleven years, Dasil Thomas-Williams, was<br />
always loving, caring and supportive of Marvin on his journey to uplift his family, unify our community and<br />
better the world.<br />
Source: Marvin E. Williams Eulogy, provided by the Caribbean Writer<br />
CAST<br />
Oceana James is a Language Arts teacher at the Arthur A. Richards Junior High School.<br />
She has been involved in the arts in some form for most of her life. She has been in<br />
numerous performances with Per Ankh, Inc. and St. Croix Sankofa for the Cultural Arts.<br />
And, most recently she has been involved with Caribbean Community <strong>The</strong>ater where she<br />
directed her first adult production: Sarah and Addie.<br />
Lionel C. Downer is a fourteen year resident of St. Croix and is an account executive with<br />
Marshall & Sterling, specializing in life, health and employee benefits. He has performed<br />
in a number of productions with Caribbean Community <strong>The</strong>atre, including Fences, Jesus<br />
Christ, Superstar and Ain’t Misbehavin.’ He has also served on the Board of Directors for<br />
CCT, Rotary St. Croix-Harborside and <strong>The</strong> Women’s Coalition of St. Croix. Lionel feels<br />
honored to be part of this production and to share the stage with his former cast mate<br />
Oceana James.<br />
Amaris Chew is a 'raise yah' Cruzan who graduated from the Complex in 2005 and<br />
from UVI in 2009. She loves to be involved in her community and is an active part of<br />
several community-oriented groups. Her passion is the performing arts and this event<br />
has helped her to build her career in theatre, music and social promotion. She hopes to<br />
use this promotion to one day fund her dream business of a sustainable, K-Jr. College,<br />
community based school. She describes herself as ambitious.<br />
Kenya Emanuel was born on St. Croix. Currently, he is a junior at UVI pursuing a<br />
degree in education. He has been involved in the arts in high school and UVI, reciting<br />
poems and debating. His future ambitions include teaching at the elementary level and<br />
farming.<br />
Delia Griffin is the wardrobe and make-up manager for the show. She says:<br />
“Back in my grandparents’ days, your finger tips and a sharpened wooden stick made<br />
clothes. Spinning wheels to fabric made clothing. I know in these days to always<br />
remember your finger tips, needles and threads for back up of an broken sewing<br />
machine, but those times when I’ve gotten pricked on my finger tips—that’s how I’ve<br />
learned to sew like a champion.”<br />
15
CAST<br />
Joshua Jno-Pierre was born and raised on St. Thomas. He is 21 years old and is attending<br />
University of the <strong>Virgin</strong> <strong>Islands</strong> with a major in hotel and tourism. Jno-Pierre had main<br />
roles in the plays Diary of Adam and Eve, Old Story Time, and South Pacific. He says, “I<br />
decided to audition because I just love theatre, and I couldn't wait to be on stage again, and<br />
secondly because it showcases the works of the local artists.”<br />
Jahweh David is a multi-talented artist, hailing from beautiful St. Thomas,<br />
<strong>Virgin</strong> <strong>Islands</strong>. She is a poetess, actress, visual artist, and community<br />
organizer. As Jahweh grows and continues on her artistic journey, all of her<br />
endeavors are guided by her Ancestral Roots.<br />
Jamilya Christopher was born on February 7, 1990 on the island of St. Thomas. At an early<br />
age, she was always interested in various forms of the arts. As a little girl, she started to<br />
take ballet classes until the dance program ended and relocated to St. Croix, a year and half<br />
later. A couple of her aspirations while growing up were to become an artist or a writer and<br />
always felt that those were her safe haven and the best way she found to express herself<br />
creatively and innovatively. Jamilya is currently a senior, attending the University of the<br />
<strong>Virgin</strong> <strong>Islands</strong>. Majoring in psychology, she is anticipating receiving her Bachelor’s of Arts<br />
this December. Although her focus is set on something of the opposite, her interest was<br />
always sparked by theatre. She also played the part of Lois in Old Story Time.<br />
Adam Kloper has performed in several plays at Pistarckle <strong>The</strong>ater over the past<br />
few years. He also hosts the Teacher Is In on WTJX Channel 12, the local PBS<br />
station. During the day Adam is a math teacher at the Ulla F. Muller Elementary<br />
School.<br />
Shawn Seabrookes is an avid sportsman from the twin island state of St. Kitts and Nevis.<br />
After several years of teaching and writing for various media houses, he decided to pursue<br />
his tertiary level education at the University of the <strong>Virgin</strong> <strong>Islands</strong>. Besides working toward<br />
gaining a Bachelor’s in communications, Seabrookes continues to relish a passion for<br />
drama.<br />
George Silcott Jr. is a 30-year old actor, radio and tv show host, comedian, and<br />
entertainer extraordinaire, whose work has appeared on WTJX Channel 12 and<br />
WSTA 1340 A.M. among other media outlets. He has held several lead roles in<br />
plays staged at UVI’s Little <strong>The</strong>ater and Pistarckle <strong>The</strong>atre. His alter ego,<br />
“Culture Man,” appears every Carnival season on St. Thomas.<br />
Afreekan Southwell is a multi-talented artist who for three decades has been working in the<br />
visual and performing arts throughout the <strong>Virgin</strong> <strong>Islands</strong>, Caribbean and United States. He is<br />
originally from Antigua, where he learned wood carving at primary school. He taught himself<br />
to paint when he moved to St. Croix in 1981, and ever since he has learned the artistic<br />
disciplines, developing his skills as a painter, wood carver, sculptor, and wood turner<br />
throughout the years. In the field as a performing artist, he is an Actor, Poet, and Drummer.<br />
Clement A. White, Ph.D.<br />
CLEMENT A. WHITE. PH.D.<br />
Clement White was born in St. Thomas, <strong>Virgin</strong> <strong>Islands</strong> to Marjorie Stevens of St. Thomas and <strong>Virgin</strong><br />
Gorda and Charles A. White of Grove Place, St. Croix. He is the grandson of Mary Burrow Moving Malone<br />
from Gingerland, Nevis and Grove Place. A graduate of the Charlotte Amalie High School class of 1964,<br />
he obtained an associate’s degree in 1966 from the College of the <strong>Virgin</strong> <strong>Islands</strong>; bachelor’s and master’s<br />
degrees from Kent State University in 1968 and 1975, respectively; and his doctorate in 1987 from Brown<br />
University. Between his undergraduate degrees and the master’s degree he spent two years in the U.S. Army,<br />
one of them in the Republic of Vietnam from 1970 to 1971.<br />
Professor White lived eight of his formative years in Savan and then spent the next fourteen in Pearson<br />
Garden Housing <strong>Project</strong>. Indeed, he cherishes both experiences dearly for in both cases he has formed<br />
unbreakable childhood bonds of friendship. He was also a teacher at the Eudora Kean High School in<br />
Nazareth Bay in the 1970s and the Charlotte Amalie High School, both during the day and in the<br />
Continuing Education Program.<br />
Many of Clement’s fondest recollections come from the many summers spent with his aunts, uncle, and<br />
many cousins in Grove, LaValle, Christiansted and Frederiksted. Hence, he considers himself as much a<br />
Crucian as he is a St. Thomian. Above all he strongly identifies himself as <strong>We</strong>st Indian and Caribbean.<br />
Clement has two sons — Attorney Asha White of Boston and Sekou White, Director of Media and<br />
Digital Services at CBS in New York. His grandson, Amari White, is a fourth grader in Boston. His<br />
daughter-in-law, Fabiola Pierre White, will be starting her law practice in the fall.<br />
<strong>The</strong> writer cherishes and honors his mother, Marjorie A. White Stevens, for her dedication, love, hard<br />
work, and the sacrifices she has made to ensure the success of all of her children and grandchildren. This<br />
honor is extended to Caribbean and other women who have followed the cue from Queen Mary — to fight<br />
against the odds, to persevere. He also honors the memory of his deceased wife, scholar and writer Dr.<br />
Jeannette Smith White, for her inspiration, love and guidance for 35 years. Without these women, success<br />
would have been impossible.<br />
At present he is a professor of Languages and Literature at the University of Rhode Island, where he is<br />
also the Director of the Graduate Studies in Hispanic Studies, a post that he has held since 1998.<br />
11
James de Jongh, Ph.D.<br />
JAMES de JONGH, Ph.D. (B.A. Williams, ’64, M.A. Yale, ’67, Ph.D., New York University, ‘83),<br />
playwright of Do Lord Remember Me (New York; Samuel French, Inc., 1983), was born, raised and<br />
educated in the <strong>Virgin</strong> <strong>Islands</strong>, graduating from Sts. Peter & Paul High School in St. Thomas in 1960.<br />
He is the son of Mavis and Percy de Jongh of St. Thomas. Architect Robert de Jongh is his brother. Two<br />
siblings have passed — his sister Edith Woods and attorney John P. de Jongh, Sr., the father of our<br />
governor.<br />
Do Lord Remember Me (New York; Samuel French, Inc., 1983) is his best known play. It was<br />
presented at Island Center on St. Croix and at Reichhold Center for the Arts on St. Thomas, and later<br />
opened to wide critical acclaim Off-Broadway in New York City at the American Place <strong>The</strong>ater. Do<br />
Lord has been produced by stock companies and amateur groups around the United States for more than<br />
30 years. <strong>The</strong> play was revived Off-Broadway for a 20 th Anniversary Production in 1997 and featured at<br />
the 1997 National Black <strong>The</strong>ater Festival in Winston-Salem, North Carolina.<br />
With his frequent collaborator Carles Cleveland, de Jongh is the author of a novel City Cool: A Ritual of<br />
Belonging (Random House, 1978) that was a top choice of young adult readers in the "Young Adults<br />
Poll" of <strong>The</strong> Journal of the National <strong>Council</strong> of Teachers of English (December 1979). Other plays<br />
include Play to Win (Samuel French, 1993). Play to Win, a musical drama about Jackie Robinson's<br />
historic crossing of the color line in major league baseball, opened to winning reviews at New York's<br />
Promenade <strong>The</strong>ater in 1989. <strong>The</strong> New York Times called Play to Win "a joyous and very smart<br />
celebration not only of one man but of a nation and its favorite pastime as well" and New York Newsday<br />
tagged it as "a grand slam," saying it was "brash and lively, briskly paced and musically jaunty without<br />
compromising on historical accuracy." James de Jongh, his co-author Carles Cleveland, and composer<br />
Jimi Foster won the 1984 AUDELCO Award for "best writing of a new show by black authors for the<br />
non-commercial theater" with Play to Win.<br />
De Jongh, an active scholar as well as a playwright and novelist, is the author of Vicious Modernism:<br />
Black Harlem and the Literary Imagination (Cambridge University Press, 1990, 2009). He has been a<br />
contributor to reference works, including “Places," <strong>The</strong> Oxford Companion to African American<br />
Literature, New York, Oxford UP, 1997, pp. 575-79. and "Rudolph Fisher," "Derek Walcott," and "John<br />
A. Williams," <strong>The</strong> Encyclopedia of African-American Culture and History, 5 vols. Simon & Schuster<br />
Macmillan, 1996. Other credits include: "Up South” (a documentary video for the American Social<br />
History <strong>Project</strong>, 1996) and “<strong>The</strong> Poet Speaks of Places: A Close Reading of Langston Hughes’ Literary<br />
Use of Place” in A Historical Guide to Langston Hughes (Oxford U. Press, 2003). He is Professor<br />
Emeritus of English and Black Studies of <strong>The</strong> City College and the Graduate School of the City<br />
University of New York, former director of the Black Studies Program at <strong>The</strong> City College and director<br />
emeritus of the CUNY Institute for Research on the African Diaspora in the Americas and the Caribbean<br />
(IRADAC). His current scholarly project is A Historical Dictionary of African American Literature<br />
(Scarecrow Press).<br />
Tiphanie Yanique is the author of How to Escape from a Leper Colony. Her writing has<br />
won the Boston Review Prize in Fiction, a Rona Jaffe Foundation Writers Award, a<br />
Pushcart Prize, a Fulbright Scholarship and an Academy of American Poet's Prize. She<br />
has been listed by the Boston Globe as one of the sixteen cultural figures to watch out for<br />
and by the National Book Foundation as one of the 2010 5 Under 35, a list announcing the<br />
next generation of fiction writers. She joined Derek Walcott and Edwidge Danticat as one<br />
of the genre winners of the <strong>2011</strong> BOCAS prize in Caribbean Literature. Tiphanie is from<br />
the <strong>Virgin</strong> <strong>Islands</strong> and is a professor in the MFA program at the New School in New York<br />
City.<br />
Tiphanie Yanique<br />
TIPHANIE YANIQUE<br />
13