Marcus Aurelius Antoninus to Himself - College of Stoic Philosophers
Marcus Aurelius Antoninus to Himself - College of Stoic Philosophers Marcus Aurelius Antoninus to Himself - College of Stoic Philosophers
cxii INTRODUCTION SECT. theatre-going, of physical exercise, of personal cleanli- ness ; he pokes fun at fashion or unmasks meanness ; he spices his talk with homely and concrete illustration, racy and sometimes coarse ; he appeals now to litera- ture and history, now to anecdotes of philosophers or characters upon the stage ; his humour is fresh, caustic and imperturbable, in personality and method reminding us of Socrates. In manner, the contrast offered by Marcus is com- No sense of mission, and no hankering after (plete. novelty or eclat, inspires his pen. He has neither objectors to gainsay, nor disciples to edify ; he does not exhort or rebuke, spur the apathetic or shame the re- probate ; he has no mixed audience to attract and hold, no diversity of circumstances to take into account. He need not season instruction with wit, or diversify his theme with illustration; such illustrations as occur are from the large analogies of nature or from the ordered round of day-by-day activities. The proofs and processes which Epictetus discusses and justifies, Marcus it is beside his mark assumes as known and granted ; to complete or articulate his system as a whole, to / formulate a moral casuistry for varieties of fortune, age, / and circumstance. He has but a single auditor serious, V dispassionate, intent, himself. And even so the range of introspection and of utterance is severely circumscribed. Temptations of the flesh, for instance, except in forms of weariness or pain, have passed out of sight. 'A few principles, brief and elemental ' x they are enough : he 1 iv. 3, with which xi. 18 may be compared, as a summary of ' all the commandments/
v MARCUS AURELIUS ANTONINUS cxiii plays with no fancy, indulges no reverie, gives the rein ' our fathers had no fuller vision, neither to no emotion ; will our children behold any new thing.' l He meditates and cross-examines self with the analytic voice of reason, which restricts 2 each circumstance to its tiny sphere of significance and power, which dissects each impression into the sorry terms of its material counterpart, 3 which disenchants sense of the illusions of movement and colour, which 'views itself, determines itself,' 4 and ' maintains end.' a motion of its own, towards its appointed 5 On first perusal the Thoughts probably seem too highly moralised to be entirely sincere or interesting as a self-revelation. They create an impression of monotony, of formality, of reticence and schooled decorum resulting from habitual self-restraint. The cry of pain, the outburst of indignation or impatience is silenced almost as soon as said ; it is an ejaculation only or a sigh, that never becomes explicit in the name of an offender or the description of an offence. Feeling and passion are hushed in principles and maxims, until the record of spiritual experience becomes upon the surface impersonal and colourless. But as tone and manner grow familiar, the individuality of the writer becomes distinct, intense, and unmistakable. Self-repression does not obliterate the lines of personality, but unifies and in a manner augments their effect; and the thoughts To Himself become the one authentic testament and record of philosophy upon the throne. For .onceJ the 1 xi. i. 3 For references, p. cxxxiv. 2 viii. 36 ; ix. 25. 4 xi. i. 5 viii. 60 ; v. 14.
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cxii INTRODUCTION SECT.<br />
theatre-going, <strong>of</strong> physical exercise, <strong>of</strong> personal cleanli-<br />
ness ; he pokes fun at fashion or unmasks meanness ;<br />
he spices his talk with homely and concrete illustration,<br />
racy and sometimes coarse ; he appeals now <strong>to</strong> litera-<br />
ture and his<strong>to</strong>ry, now <strong>to</strong> anecdotes <strong>of</strong> philosophers or<br />
characters upon the stage ; his humour is fresh, caustic<br />
and imperturbable, in personality and method reminding<br />
us <strong>of</strong> Socrates.<br />
In manner, the contrast <strong>of</strong>fered by <strong>Marcus</strong> is com-<br />
No sense <strong>of</strong> mission, and no hankering after<br />
(plete. novelty or eclat, inspires his pen. He has neither<br />
objec<strong>to</strong>rs <strong>to</strong> gainsay, nor disciples <strong>to</strong> edify ; he does not<br />
exhort or rebuke, spur the apathetic or shame the re-<br />
probate ; he has no mixed audience <strong>to</strong> attract and hold,<br />
no diversity <strong>of</strong> circumstances <strong>to</strong> take in<strong>to</strong> account. He<br />
need not season instruction with wit, or diversify his<br />
theme with illustration; such illustrations as occur are<br />
from the large analogies <strong>of</strong> nature or from the ordered<br />
round <strong>of</strong> day-by-day activities. The pro<strong>of</strong>s and processes<br />
which Epictetus discusses and justifies, <strong>Marcus</strong><br />
it is beside his mark<br />
assumes as known and granted ;<br />
<strong>to</strong> complete or articulate his system as a whole, <strong>to</strong><br />
/ formulate a moral casuistry for varieties <strong>of</strong> fortune, age,<br />
/ and circumstance. He has but a single audi<strong>to</strong>r serious,<br />
V dispassionate, intent, himself. And even so the range<br />
<strong>of</strong> introspection and <strong>of</strong> utterance is severely circumscribed.<br />
Temptations <strong>of</strong> the flesh, for instance, except in forms <strong>of</strong><br />
weariness or pain, have passed out <strong>of</strong> sight. 'A few<br />
principles, brief and elemental ' x<br />
they are enough :<br />
he<br />
1 iv. 3, with which xi. 18 may be compared, as a summary <strong>of</strong><br />
'<br />
all the commandments/